MOUNT SPIK PAINTED BY MARCUS PERNHART

MARCUS PERNHART (1824-1871)
Mount Špik (2,472 m - 8,110 ft)
Slovenia

The mountain
Mount Špik (2,472 m - 8,110 ft) is a peak located in the Julian Alps, Slovenia. The mountain, which is part of the Triglav National Park, is one of the most important mountains in the park which rises to Mount Triglav at 2,864 meters.

The painter
Marcus  Pernhart was a Carinthian / Slovenian / Austrian painter. He is considered the first Slovene realistic landscape painter. He painted several times Triglav.
At barely 12 years, he painted the guest rooms of Krajcar Restaurant between Klagenfurt and Völkermarkt. The innkeeper made, the bishop's chaplain Henr. Hermann discovered the talented boys. At 15, he trained in painting first with Andreas Hauser in Klagenfurt. Hermann supported him further and introduced him to his patron, the Gorizia Archbishop Francis Xavier Luzhin. Through this he got contact with the Viennese art scene, particularly to Franz Steinfeld, who taught at the Academy of Fine Arts. It was forwarded to the Munich Academy, but soon returned to Carinthia. There he was promoted by his stage name Pernhart the famous landscape painter of his time.
When Pernharts drawing style had fully developed, he was asked by Max from Moro to draw all Castles Carinthia. The idea was to these buildings if they could often for financial reasons can not be obtained, at least to preserve the picture, thereby preserving from decay. Markus Pernhart does not disappoint its customers and held in pencil drawings smallest details of the well-preserved, but also the already partly decayed plants firmly. Already in 1853, he produced 40 drawings followed by 198 others, he property of the Historical Association for Carinthia. In 1855 he gave the Carinthian estates Empress Elisabeth, an album of 21 drawings to which Max Moro contributed. Entitled images from Carinthia appeared in 1863-1868 in deliveries as steel engravings with accompanying. After his death appeared 5 lithographic panoramic images (Klagenfurt in 1875 and 1889).
His entire painted oeuvre consists of approximately 1,200 paintings, drawings and enrgavings that delight even after his death a large appreciation.
Pernhart presented landscapes, preferably lakes and high mountain motifs or castles, but also animals and still life subjects, in an idyllic and pathetic style. His works can be seen against the background of an incipient leisure society, they lead before the regional status objects of his home.

 _______________________________
2020 - Wandering Vertexes...
by Francis Rousseau

MANGART PAINTED BY MARCUS PERNHART

MARCUS PERNHART (1824-1871)

Mangart (2,679 m - 8, 789ft) 

Slovenia, Italy border

Painted from the Italian side 

The mountain 
Mangart  (2,679 m - 8, 789ft) also called  Mangrt or Veliki Mangart is a mountain in the Julian Alps, located on the border between Italy and Slovenia. It is, after Triglav and Skrlatica, the third-highest peak in Slovenia. It was first climbed in 1794 by the naturalist Franz von Hohenwart. Mangart is also the name of the mountain range between the Koritnica Valley and the Mangart Valley.
The road to Mangart Saddle (2,072 m- 6,798 ft) is the highest road in Slovenia. The Mangart Pass Hut is located at the western foot of Mangart. Two lakes under Mangart's northern face are situated on the italian side of the mountain.

The painter 
Marcus (or Markus) Pernhart was a Carinthian  / Slovenian / Austrian painter. He is considered the first Slovene realistic landscape painter. He painted several times Triglav.
At  barely 12 years, he painted the guest rooms of Krajcar Restaurant between Klagenfurt and Völkermarkt. The innkeeper made, the bishop's chaplain Henr. Hermann discovered the talented boys. At 15, he trained in painting first with Andreas Hauser in Klagenfurt. Hermann supported him further and introduced him to his patron, the Gorizia Archbishop Francis Xavier Luzhin.  Through this he got contact with the Viennese art scene, particularly to Franz Steinfeld, who taught at the Academy of Fine Arts. It was forwarded to the Munich Academy, but soon returned to Carinthia. There he was promoted by his stage name Pernhart the famous landscape painter of his time.
When Pernharts drawing style had fully developed, he was asked by Max from Moro to draw all Castles Carinthia. The idea was to these buildings if they could often for financial reasons can not be obtained, at least to preserve the picture, thereby preserving from decay. Markus Pernhart does not disappoint its customers and held in pencil drawings smallest details of the well-preserved, but also the already partly decayed plants firmly. Already in 1853, he produced 40 drawings followed by 198 others, he property of the Historical Association for Carinthia. In 1855  he gave the Carinthian estates Empress Elisabeth, an album of 21 drawings to which Max Moro contributed. Entitled images from Carinthia  appeared  in 1863-1868 in deliveries as steel engravings with accompanying. After his death appeared 5 lithographic panoramic images (Klagenfurt in 1875 and 1889).
His entire painted oeuvre consists of approximately 1,200  paintings, drawings and enrgavings that delight even after his death a large appreciation.
Pernhart presented landscapes, preferably lakes and high mountain motifs or castles, but also animals and still life subjects, in an idyllic and pathetic style. His works can be seen against the background of an incipient leisure society, they lead before the regional status objects of his home.

GROSSGLOCKNER (SOUTH) BY MARCUs PERNHART

MARCUS PERNHART (1824-1871) 
Grossglockner or Glokner (3,798 m - 12,460ft)
Austria 

 In  Heiligenblut, Grossglockner South, oil on canvas, Kärntner Landesmuseum

The mountain  

The Grossglockner (or just Glockner) (3,798 m - 12,460 ft) is above the Adriatic, the highest mountain of Austria and the highest mountain in the Alps east of the Brenner Pass. It is part of the larger Glockner Group of the Hohe Tauern range, situated along the main ridge of the Central Eastern Alps and the Alpine divide. The Pasterze, Austria's most extended glacier, lies on the Grossglockner's eastern slope. The characteristically pyramid-shaped peak actually consists of two pinnacles, the Grossglockner and the Kleinglockner (3,770 m -12,370 ft), from German: klein, "small"), separated by a saddle-like formation known as the Glocknerscharte.

The history of the climbs started with French-born natural scientist Belsazar Hacquet, from 1773 professor of anatomy at the Academy of Ljubljana. He travelled the Eastern Alps from 1779 to 1781 and published an itinerary in 1783, describing the Glokner mountain and stating that it had not been climbed yet. He estimated the mountain's height with converted (3,793 m -12,444 ft) and left an engraving illustrating Grossglockner and Pasterze, the first known depiction of the mountain.

Inspired by Hacquet's book and the first ascent of the Mont Blanc in 1786, the Gurk prince-bishop Count Franz Xaver of Salm (1749–1822) together with his vicar general Sigismund Ernst Hohenwart  (1745–1825) and Baron Franz Xaver von Wulfen (1728–1805) started efforts for a Grossglockner expedition. They engaged two peasants from Heiligenblut as mountain guides to do the first explorations for an ascent through the Leitertal valley, which is the side of Grossglockner with the least ice (people feared glaciers in these times). These valiant men, called "Glockners" in the records, did more than they were ordered to do - and probably reached the Kleinglockner summit on 23 July 1799...

- More about Grossglokner

The painter 
Marcus (or Markus) Pernhart was a Carinthian  / Slovenian / Austrian painter. He is considered the first Slovene realistic landscape painter. He painted several times Triglav.
At  barely 12 years, he painted the guest rooms of Krajcar Restaurant between Klagenfurt and Völkermarkt. The innkeeper made, the bishop's chaplain Henr. Hermann discovered the talented boys. At 15, he trained in painting first with Andreas Hauser in Klagenfurt. Hermann supported him further and introduced him to his patron, the Gorizia Archbishop Francis Xavier Luzhin.  Through this he got contact with the Viennese art scene, particularly to Franz Steinfeld, who taught at the Academy of Fine Arts. It was forwarded to the Munich Academy, but soon returned to Carinthia. There he was promoted by his stage name Pernhart the famous landscape painter of his time.
- More about Marcus Pernhart

SEEBERG SADDLE BY MARCUS PERNHART

MARCUS PERNHART (1824-1871)

Seeberg Saddle (1,218m- 3, 996ft) 

Austria - Slovenia

The mountain 
Seeberg Saddle   (1,218m- 3, 996ft), Seebergsattel in German, Jezerski in Slovene,  or also just Seeberg, is a high mountain pass connecting Bad Eisenkappel in the Austrian state of Carinthia with Jezersko in the Slovenian region of Carinthia. It is located in the Southern Limestone Alps, between the Karavanke range in the west and the Kamnik–Savinja Alps in the east.
The road across the pass is probably of Roman origin, leading from the Drava valley in the Noricum province towards the city of Aquileia. The border at the summit was implemented after the dissolution of Austria-Hungary by the 1919 Treaty of Saint-Germain. Today the Seeberg Highway (B 82) heads from the Austrian side up to the border crossing on the pass. Directly behind the Slovenian border station is an inn. On the Slovenian side, the state road No. 210 descends from the Seeberg down to Jezersko, offering a panoramic view of the Kamnik Alps.
Seeberg Saddle is also known as the Carinthian Seeberg to distinguish it from the Styrian Seeberg Pass in the Northern Limestone Alps.

The painter 
Marcus (or Markus) Pernhart was a Carinthian  / Slovenian / Austrian painter. He is considered the first Slovene realistic landscape painter. He painted several times Triglav.
At  barely 12 years, he painted the guest rooms of Krajcar Restaurant between Klagenfurt and Völkermarkt. The innkeeper made, the bishop's chaplain Henr. Hermann discovered the talented boys. At 15, he trained in painting first with Andreas Hauser in Klagenfurt. Hermann supported him further and introduced him to his patron, the Gorizia Archbishop Francis Xavier Luzhin.  Through this he got contact with the Viennese art scene, particularly to Franz Steinfeld, who taught at the Academy of Fine Arts. It was forwarded to the Munich Academy, but soon returned to Carinthia. There he was promoted by his stage name Pernhart the famous landscape painter of his time.
- More about Marcus Pernhart

THE HOCHALMSPITZE PAINTED BY MARCUS PERNHART

MARCUS PERNHART  (1824-1871)

The Hochalmspitze (3,360 m - 11, 020 ft) 

Austria 

The mountain

The Hochalmspitze (3,360 m -  11,020 ft) above the Adriatic, is the highest mountain of the Ankogel Group in the High Tauern range, located east of Mallnitz in the Austrian state of Carinthia. It is sometimes called "Tauern Queen" (German: Tauernkцnigin) as a counterpart to the "Tauern King", the Grossglockner.
The peak is situated slightly south the main ridge of the Central Eastern Alps and the Alpine divide.
It actually consists of two pinnacles, the Schneeige Hochalmspitze and the higher Apere ("snowless") Hochalmspitze with the summit cross. It has glaciers on its eastern and southern sides. The neighbouring Großelendkopf peak  (3,317 m -10,883 ft), today counts as a separate mountain.
Like most of the High Tauern, the Hochalmspitze massif is formed of granite and gneiss, and many unusual rock formations can be found on its slopes. The mountain lies at the Eastern end of the range. In the northwest, a ridge connects it to Großer Ankogel, the third highest peak in its group, and to the Kцlnbrein Dam. In the south, the Mallnitz Ridge leads to the neighbouring Reisseck Group.
From the summit, the views stretch as far as the Salzburg Alps, the Dolomites and the Julian Alps.
The first official ascent was made in 1859 by the Austrian mountaineer Paul Grohmann, although letters found in 2010 bring this claim into disrepute, as the mountain may have first been climbed four years earlier. In 1913 a mountain hut  was erected by the German and Austrian Alpine Club on the southeastern slope ( 2,215 m(-7,267 ft). In the 1970s plans for a glacier ski resort were developed, but finally abandoned in 1988 when the Austrian Alpine Club was able to purchase large parts of the area.
Source:
 - Summitpost.org 

The Painter 

Marcus (or Markus) Pernhart was a Carinthian  / Slovenian / Austrian painter. He is considered the first Slovene realistic landscape painter. He painted several times Triglav.
At  barely 12 years, he painted the guest rooms of Krajcar Restaurant between Klagenfurt and Völkermarkt. The innkeeper made, the bishop's chaplain Henr. Hermann discovered the talented boys. At 15, he trained in painting first with Andreas Hauser in Klagenfurt. Hermann supported him further and introduced him to his patron, the Gorizia Archbishop Francis Xavier Luzhin.  Through this he got contact with the Viennese art scene, particularly to Franz Steinfeld, who taught at the Academy of Fine Arts. It was forwarded to the Munich Academy, but soon returned to Carinthia. There he was promoted by his stage name Pernhart the famous landscape painter of his time.
When Pernharts drawing style had fully developed, he was asked by Max from Moro to draw all Castles Carinthia. The idea was to these buildings if they could often for financial reasons can not be obtained, at least to preserve the picture, thereby preserving from decay. Markus Pernhart does not disappoint its customers and held in pencil drawings smallest details of the well-preserved, but also the already partly decayed plants firmly. Already in 1853, he produced 40 drawings followed by 198 others, he property of the Historical Association for Carinthia. In 1855  he gave the Carinthian estates Empress Elisabeth, an album of 21 drawings to which Max Moro contributed. Entitled images from Carinthia  appeared  in 1863-1868 in deliveries as steel engravings with accompanying. After his death appeared 5 lithographic panoramic images (Klagenfurt in 1875 and 1889).
His entire painted oeuvre consists of approximately 1,200  paintings, drawings and enrgavings that delight even after his death a large appreciation.
Pernhart presented landscapes, preferably lakes and high mountain motifs or castles, but also animals and still life subjects, in an idyllic and pathetic style. His works can be seen against the background of an incipient leisure society, they lead before the regional status objects of his home.
Sources:
- Mountain paintings

TRIGLAV PAINTED BY MARCUS PERNHART

MARCUS  PERNHART (1824-1871)

 Triglav (2,864m - 9,396 ft)  

Slovenia 

1.  In Triglav in the mist, oil on canvas,  Landesmuseum für Kärnten

2. In Triglav in sunset, oil on canvas,  Landesmuseum für Kärnten

The mountain 

Triglav (2,864m - 9,396 ft), is the highest mountain in Slovenia and the highest peak of the Julian Alps. The mountain is the pre-eminent symbol of the Slovene Nation. A stylized depiction of Triglav's distinctive shape with its three peaks  is the central element of the Slovene coat of arms, designed by the sculptor Marko Pogačnik, and is in turn featured on the flag of Slovenia. Slovenia is the only country in Europe and one of the few in the world to feature a mountain on its coat-of-arms. Formerly, it was featured on the coat of arms of the Socialist Republic of Slovenia. The first to depict Triglav as the symbol of the Slovenes was the architect Joћe Plečnik, who in 1934 put it besides other coats-of-arms of the nations of the Kingdom of Yugoslavia on the coat of the statue of the Mother of God in front of the parish church in Bled.

During World War II, the stylised Triglav was the symbol of the Liberation Front of the Slovene Nation resistance movement. The distinctive three-pronged caps worn by Slovene Partisans during World War II were known as triglavkas. A relief map of the mountain is the design on the national side of the Slovene 50 eurocent coin.

An old map from 1567, referes to Triglav as Ocra mons, whereas Johann Weikhard von Valvasor named it Krma in the second half of the 17th century. According to the German mountaineer and professor Adolf Gstirner, the name Triglav first appeared in written sources as Terglau in 1452, but the original source has been lost. The next known occurrence of Terglau is cited by Gstirner and is from a court description of the border in 1573.  The name is derived from the compound *Tri-golvъ (literally 'three-head' or , 'three peaks'), which may be understood literally because the mountain has three peaks when viewed from much of Upper Carniola. It is unlikely that the name has any connection to the Slavic deity Triglav. 

The painter 
Marcus (or Markus) Pernhart was a Carinthian  / Slovenian / Austrian painter. He is considered the first Slovene realistic landscape painter. He painted several times Triglav.
At  barely 12 years, he painted the guest rooms of Krajcar Restaurant between Klagenfurt and Völkermarkt. The innkeeper made, the bishop's chaplain Henr. Hermann discovered the talented boys. At 15, he trained in painting first with Andreas Hauser in Klagenfurt. Hermann supported him further and introduced him to his patron, the Gorizia Archbishop Francis Xavier Luzhin.  Through this he got contact with the Viennese art scene, particularly to Franz Steinfeld, who taught at the Academy of Fine Arts. It was forwarded to the Munich Academy, but soon returned to Carinthia. There he was promoted by his stage name Pernhart the famous landscape painter of his time.
When Pernharts drawing style had fully developed, he was asked by Max from Moro to draw all Castles Carinthia. The idea was to these buildings if they could often for financial reasons can not be obtained, at least to preserve the picture, thereby preserving from decay. Markus Pernhart does not disappoint its customers and held in pencil drawings smallest details of the well-preserved, but also the already partly decayed plants firmly. Already in 1853, he produced 40 drawings followed by 198 others, he property of the Historical Association for Carinthia. In 1855  he gave the Carinthian estates Empress Elisabeth, an album of 21 drawings to which Max Moro contributed. Entitled images from Carinthia  appeared  in 1863-1868 in deliveries as steel engravings with accompanying. After his death appeared 5 lithographic panoramic images (Klagenfurt in 1875 and 1889).
His entire painted oeuvre consists of approximately 1,200  paintings, drawings and enrgavings that delight even after his death a large appreciation.
Pernhart presented landscapes, preferably lakes and high mountain motifs or castles, but also animals and still life subjects, in an idyllic and pathetic style. His works can be seen against the background of an incipient leisure society, they lead before the regional status objects of his home.