NĀ PALI PEINTES PAR DAVID HOWARD HITCHCOCK

 

 

DAVID HOWARD HITCHCOCK (1861-1943)
Nā Pali (1219m)
Etats-Unis (Hawaï)

In Nā Pali Coast, oil on board, Honolulu Academy of Art

Les collines
Le parc d'État de la côte de Nā Pali est un Parc d'État hawaïen situé au centre nord - ouest de Kauaiʻ, la plus ancienne île hawaïenne habitée. La côte de Nā Pali elle-même s'étend au sud-ouest à partir de la plage de Ke ʻe et s'étend jusqu'au parc d'État de Polihale. Les na pali (hautes falaises) le long du littoral s'élèvent jusqu'à 1219 mètres au-dessus de l'océan Pacifique, comptant parmi les plus hautes de la planète. Le parc d'État a été créé pour protéger la vallée de Kalalau.

L'artiste
David Howard Hitchcock, né à Hilo dans l'archipel d'Hawaï et mort à Honolulu, est un peintre américain. Il étudia à Paris et retourna à Hawaï en 1893, où il continua ses études avec Jules Tavernier. Durant ses voyages dans les années 1900, Hitchcock explora les régions volcaniques des îles Hawaï, et en juillet 1907 il fit sa première visite de l'île de Kaui, où il peint le Canyon de Waima. Il visita et peint l'île de Maui en 1915 et 1916. Il fut le membre précurseur de la Volcano School d'Hawaiï, et ses peintures les plus importantes datent d'une période étalée entre 1905 et 1930. Hitchcock peint plusieurs peintures murales à Honolulu et exécuta des vues spectaculaires de Hawaii pour la vaisselle de l'Inter-Island Steam Navigation Company. Durant la fin des années 1920, après son voyage à New York, il appliqua le style impressionniste. En 1894, Hitchcock devint un des fondateurs de la Kilohana Art League. En 1927, il exposa plusieurs peintures à l'inauguration de la Honolulu Academy of Arts, où il eut une rétrospective en 1936. Ses peintures furent exposées à la Alaska-Yukon-Pacific Exposition à Seattle en 1909 (où il fut primé) et à la Panama-Pacific International Exposition à San Francisco en 1915. En 1939 il exposa à la Exposition internationale du Golden Gate à San Francisco et à l'Exposition Universelle de New York 1939-1940. Hitchcock mourut à Honolulu le 1er janvier 1943.
Plusieurs des peintures d'Hitchcock sont généralement visibles à la Honolulu Academy of Art.

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2011-2024 - Gravir les montagnes en peinture
Un blog de Francis Rousseau  

HALEMA'UMA 'U CRATER PAINTED BY DAVID HOWARD HITCHCOCK

 

DAVID HOWARD HITCHCOCK (1861-1943),

Halemaʻumaʻu Crater / Kilauea (1,247 m - 4,091 ft) 

United states of America (Hawaii) 

In Halemaumau, lake of fire, oil on board,  1888

The volcano

Halemaʻumaʻu Crater (six syllables: HAH-lay-MAH-oo-MAH-oo) is a pit crater within the much larger summit caldera of Kīlauea in Hawaii Volcanoes National Park. The roughly circular crater was 770 meters (2,530 ft) x 900 m (2,950 ft) before collapses that roughly doubled the size of the crater after May 3, 2018. Halemaʻumaʻu is home to Pele, goddess of fire and volcanoes, according to the traditions of Hawaiian religion. Halemaʻumaʻu means "house of the ʻāmaʻu fern".

Halemaʻumaʻu contained an active lava lake for much of the time before 1924, and was the site of several eruptions during the 20th century. The crater again contained an active lava lake between 2008 and 2018, usually fluctuating between 20 to 150 meters below Halemaʻumaʻu's crater floor, though at times the lava lake rose high enough to spill onto crater floor.

As new volcanic vents opened in lower Puna in May 2018, the level of the lava lake began to drop in early May 2018, eventually to the point where the lava lake was no longer visible. The subsidence of the lava lake was accompanied by a period of explosions, earthquakes, large clouds of ash and toxic gas, and finally a gradual collapse of the summit caldera around Halemaʻumaʻu Crater, resulting in the closure of the Hawaii Volcanoes National Park from May 10 to September 22, 2018. The collapse events ceased abruptly on August 2, 2018.

In the summer of 2019, for the first time in recorded history, a water pond appeared in Halemaʻumaʻu. The greenish pond has deepened and enlarged since first being observed.

The painter
David Howard Hitchcock  was an American painter of the  so called Volcano School, known for his depictions of Hawaii.  Born in Hilo, Hawaii, Hitchcock attended Oberlin College in Ohio, where he saw his first art exhibition. Back in Hawaii, he wandered the volcano wilderness with a sketch pad and watercolors. French artist Jules Tavernier, painting in Hawaii, saw Hitchcock's sketches and convinced him to study art seriously.
After Tavernier's death in 1889 Hitchcock studied painting at the National Academy of Design in New York City and from 1891 to 1893 at the Académie Julian in Paris under Aldolphe Bourguereau and Gabriel Joseph Ferrier. His work was accepted at the Paris Salon of 1893. He returned to Hawaii in 1893.
In 1894, Hitchcock became one of the founders of the Kilohana Art League, an active art program in Honolulu at the turn of the century, exhibiting at least twice a year.
During extensive travels in the 1900s, Hitchcock explored the volcanic regions of the island of Hawaii, and in July 1907 he made his first visit to the island of Kauaʻi, where he painted Waimea Canyon. He toured and painted the island of Maui in 1915 and 1916. He was a leading member of Hawaii's Volcano School, and his most important paintings date from about 1905 to 1930.
His canvases were displayed in 1924 at the First Hawaiian and South Seas Exhibition in the Los Angeles Museum in Exposition Park. In 1927, he exhibited several paintings at the opening of the Honolulu Museum of Art, where he had a retrospective exhibition in 1936. In 1939 he exhibited in the Golden Gate International Exposition in San Francisco and at the 1939 New York World's Fair.

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2019 - Wandering Vertexes...
by Francis Rousseau

MOUNT TAMALPAIS PAINTED BY WILLIAM KEITH

WILLIAM KEITH (1838-1911)  

Mount Tamalpais (784m -  2,571 ft)  

 United State of America (California)

  In Sunset Glow on Mt Tamalpais, oil on canvas, 1896 Nelson-Atkins Museum of Art

The mountain 
Mount Tamalpais (784m -  2,571 ft)  known locally as Mount Tam is a peak in Marin County, California, United States, often considered symbolic of Marin County.  The name Tamalpais was first recorded in 1845. It comes from the Coast Miwok name for this mountain, támal pájiṣ, literally "west hill". Much of Mount Tamalpais is protected within public lands such as Mount Tamalpais State Park, the Marin Municipal Water District watershed, and National Park Service land, such as Muir Woods. Mount Tamalpais is the highest peak in the Marin Hills, which are part of the Northern California Coast Ranges.
Mount Tamalpais provides one of the last remaining wildlife refuges in the Bay Area. Urbanization has invaded wildlife habitat, forcing many fauna in southern Marin County to retreat up onto Mount Tamalpais, Muir Woods, and the Bolinas Ridge. A wide variety of avifauna, amphibians, arthropods and mammals are found on Mount Tamalpais, including a number of rare and endangered species. Nonetheless, Mt. Tamalpais and the neighboring Golden Gate Recreation Area together encompass over 115 square miles (298 square kilometers) of land, forming one of the largest preserved parklands located near a U.S. urban center.
Mount Tamalpais has been a common subject in California landscape painting. Painters who have made Tamalpais the subject of one or more paintings include Etel Adnan, Harry Cassie Best, Albert Bierstadt, Norton Bush, Russell Chatham, Edwin Deakin, Percy Gray, Ransome Gillett Holdridge, Tom Killion, William Marple, William Birch McMurtrie, Gilbert Munger, Julian Rix, Frederick Schafer, Jules Tavernier, Nancy Wallace, Thaddeus Welch, Ludmilla Welch, Virgil Williams, Jack Wisby, Theodore Wores, and Raymond Dabb Yelland.

The painter
William Keith (November 18, 1838 – April 13, 1911) was a Scottish-American painter famous for his California landscapes. He is associated with Tonalism and the American Barbizon school. Although most of his career was spent in California, he started out in New York, made two extended study trips to Europe, and had a studio in Boston in 1871-72 and one in New York in 1880.
When Keith went to California, and traveled to Yosemite Valley in the 70' with a letter of introduction to John Muir. The two men became deep friends for the next 38 years. Both had been born in Scotland the same year, and they shared a love for the mountains of California. James Mitchell Clarke described their friendship as one "in which deep affection and admiration were expressed through a kind of verbal boxing, counter-jibe answering jibe, counter-insult responding to insult."
During the 1870s Keith painted a number of six- by ten-foot panoramas, including Kings River Canyon (Oakland Museum, originally owned by Gov. Leland Stanford) and "California Alps" (Mission Inn, Riverside). These competed with paintings of similar size and subject matter by Albert Bierstadt and Thomas Hill.
 "My subjective pictures are the ones that come from the inside. I feel some emotion and I immediately paint a picture that expresses it. The sentiment is the only thing of real value in my pictures, and only a few people understand that. Suppose I want to paint something recalling meditation or repose. If people do not feel that sensation when my work is completed, they do not appreciate nor realize the picture. The fact that they like it means nothing. Any one who can use paint and brushes can paint a true scene of nature — that is an objective picture. The artist must not depend on extraneous things. There is no reality in his art if he must depend on outside influences — it must come from within."
 ( From 1913 Exhibition booklet, Art Institute of Chicago)

2018 - Wandering Vertexes...
Un blog de Francis Rousseau

MAUNA LOA PAINTED BY JULES TAVERNIER

JULES TAVERNIER (1844-1889) 

Mauna Loa volcano  (4,170m - 13, 680 ft)

 United States of America  (Hawai'i)

 In Wailuku Falls, Hilo, Snow on the Mauna Loa, c. 1886,  oil on canvas 
Honolulu Museum of Arts  

The volcano 

Mauna Loa  (4,170m - 13, 680ft)  which means Long Mountain in Hawaiian, is one of five volcanoes that form the Island of Hawaii in the U.S. state of Hawaiʻi in the Pacific Ocean. The largest subaerial volcano in both mass and volume, Mauna Loa has historically been considered the largest volcano on Earth. It is an active shield volcano with relatively gentle slopes, with a volume estimated at approximately 18,000 cubic miles (75,000 km3), although its peak is about 120 feet (37 m) lower than that of its neighbor, Mauna Kea. Lava eruptions from Mauna Loa are silica-poor and very fluid, and they tend to be non-explosive.

Mauna Loa has probably been erupting for at least 700,000 years, and may have emerged above sea level about 400,000 years ago. The oldest-known dated rocks are not older than 200,000 years. The volcano's magma comes from the Hawaii hotspot, which has been responsible for the creation of the Hawaiian island chain over tens of millions of years. The slow drift of the Pacific Plate will eventually carry Mauna Loa away from the hotspot within 500,000 to one million years from now, at which point it will become extinct.

Mauna Loa's most recent eruption occurred from March 24 to April 15, 1984. No recent eruptions of the volcano have caused fatalities, but eruptions in 1926 and 1950 destroyed villages, and the city of Hilo is partly built on lava flows from the late 19th century. Because of the potential hazards it poses to population centers, Mauna Loa is part of the Decade Volcanoes program, which encourages studies of the world's most dangerous volcanoes. Mauna Loa has been monitored intensively by the Hawaiian Volcano Observatory since 1912. Observations of the atmosphere are undertaken at the Mauna Loa Observatory, and of the Sun at the Mauna Loa Solar Observatory, both located near the mountain's summit. Hawaii Volcanoes National Park covers the summit and the southeastern flank of the volcano, and also incorporates Kilauea, a separate volcano.

The painter 
Jules Tavernier was a French painter, illustrator, and an important member of Hawaii’s Volcano School.  He studied with the French painter, Félix Joseph Barrias (1822–1907). he left France in the 1870s and never  return. Tavernier was employed as an illustrator by Harper's Magazine, which sent him, along with Paul Frenzeny, on a year-long coast-to-coast sketching tour in 1873.
 Eventually, he continued westward to Hawaii, where he became quite famous as a landscape painter. He was fascinated by Hawaii’s erupting volcanoes—a subject that pre-occupied him for the rest of his life, which was spent in Hawaii, Canada and the western United States. Tavernier died on 18 May 1889 in Honolulu, Hawaii. He painted several version of the Kilauea erupting between 1880 and the end of his life.
Among the public collections holding paintings by Jules Tavernier are the Brigham Young University Museum of Art (Provo, UT), the Colorado Springs Fine Arts Center (Colorado Springs, CO), the Crocker Art Museum (Sacramento), the Gilcrease Museum (Tulsa, OK), Hearst Art Gallery (Saint Mary's College of California, Moraga, CA), the Honolulu Museum of Art, the Museum of Nebraska Art (Kearney, NE), the Oakland Museum of California, the San Diego Museum of Art, the Stark Museum of Art (Orange, TX), the Society of California Pioneers (San Francisco, CA), the Washington County Museum of Fine Arts (Hagerstown, MD) and the Yosemite Museum (Yosemite National Park).
After his death his art lived on in the hearts and homes of Hawaiians, and many more artists picked up on the volcano landscape theme he started. His Western art was mostly forgotten.
Fifty years after his death the Honolulu Advertiser remembered Jules Tavernier in December 1940 with the comment: “...to the generation which knew King Kalakaua, Tavernier recalls to mind some of the greatest paintings ever made of Hawaii volcanoes.”
At the beginning of the twenty-first century interest has reawakened in Tavernier's Western landscape art; museums are purchasing his pictures and prices for his oil paintings are increasing.
His students included D. Howard Hitchcock (1861–1943), Amédée Joullin (1862–1917), Charles Rollo Peters (1862–1917) and Manuel Valencia (1856–1935).

NU'UANU PALI PAINTED BY JULES TAVERNIER

JULES TAVERNIER (1844-1889) 

Nuʻuanu Pali ( 356 m - 1,168ft)

United States of America  (Hawaii)

 In View of the Pali', 1886, Honolulu Museum of Art 

The mountain

Nuʻuanu Pali is a section of the windward cliff (Pali in Hawaiian) of the Koʻolau mountain located at the head of Nuʻuanu Valley on the island of Oʻahu. It has a panoramic view of the windward (northeast) coast of Oʻahu. The Pali Highway (Hawaii State Highway 61) connecting Kailua/Kāneʻohe with downtown Honolulu runs through the Nuʻuanu Pali Tunnels bored into the cliffside. The area is also the location of the Nuʻuanu Freshwater Fish Refuge and the Nuʻuanu Reservoir  in the jurisdiction of the Hawaiʻi Department of Land and Natural Resources.

The Nuʻuanu Pali State Wayside is a lookout above the tunnels where there is a panoramic view of the Oʻahu's windward side with views of Kāneʻohe, Kāneʻohe Bay, and Kailua. It is also well known for strong trade winds that blow through the pass (now bypassed by the Nuʻuanu Pali Tunnels).

Two large stones near the back of Nuʻuanu Valley, Hapuʻu and Ka-lae-hau-ola, were said to represent a pair of goddesses who were guardians of the passage down the pali. Travellers would leave offerings of flowers or kapa (bark cloth) to ensure a safe trip, and parents buried the umbilical cords of newborns under the stones as a protection against evil. It is said there is a moʻo wahine (lizard woman) who lingers around the pass. A moʻo wahine is mythical creature who takes the form of a beautiful woman and leads male travelers to their deaths off the cliff.

The painter 
Jules Tavernier was a French painter, illustrator, and an important member of Hawaii’s Volcano School.  He studied with the French painter, Félix Joseph Barrias (1822–1907). he left France in the 1870s and never  return. Tavernier was employed as an illustrator by Harper's Magazine, which sent him, along with Paul Frenzeny, on a year-long coast-to-coast sketching tour in 1873....
- More informations aboutJules Tavernier life and works 

MAUNA LOA PAINTED BY JULES TAVERNIER

JULES TAVERNIER (1844-1889) 

Mauna Loa volcano  (4,170m - 13, 680 ft)

 United States of America  (Hawai'i)

 In  Mokuaweoweo at the top of Mauna Loa, oil on canvas, Honolulu Museum of Arts  

The volcano 

Mauna Loa  (4,170m - 13, 680ft)  which means Long Mountain in Hawaiian, is one of five volcanoes that form the Island of Hawaii in the U.S. state of Hawaiʻi in the Pacific Ocean. The largest subaerial volcano in both mass and volume, Mauna Loa has historically been considered the largest volcano on Earth. It is an active shield volcano with relatively gentle slopes, with a volume estimated at approximately 18,000 cubic miles (75,000 km3), although its peak is about 120 feet (37 m) lower than that of its neighbor, Mauna Kea. Lava eruptions from Mauna Loa are silica-poor and very fluid, and they tend to be non-explosive.

Mauna Loa has probably been erupting for at least 700,000 years, and may have emerged above sea level about 400,000 years ago. The oldest-known dated rocks are not older than 200,000 years. The volcano's magma comes from the Hawaii hotspot, which has been responsible for the creation of the Hawaiian island chain over tens of millions of years. The slow drift of the Pacific Plate will eventually carry Mauna Loa away from the hotspot within 500,000 to one million years from now, at which point it will become extinct.

Mauna Loa's most recent eruption occurred from March 24 to April 15, 1984. No recent eruptions of the volcano have caused fatalities, but eruptions in 1926 and 1950 destroyed villages, and the city of Hilo is partly built on lava flows from the late 19th century. Because of the potential hazards it poses to population centers, Mauna Loa is part of the Decade Volcanoes program, which encourages studies of the world's most dangerous volcanoes. Mauna Loa has been monitored intensively by the Hawaiian Volcano Observatory since 1912. Observations of the atmosphere are undertaken at the Mauna Loa Observatory, and of the Sun at the Mauna Loa Solar Observatory, both located near the mountain's summit. Hawaii Volcanoes National Park covers the summit and the southeastern flank of the volcano, and also incorporates Kilauea, a separate volcano.

Source: 

- Hawaii Center for Volcanology

The painter 
Jules Tavernier was a French painter, illustrator, and an important member of Hawaii’s Volcano School.  He studied with the French painter, Félix Joseph Barrias (1822–1907). he left France in the 1870s and never  return. Tavernier was employed as an illustrator by Harper's Magazine, which sent him, along with Paul Frenzeny, on a year-long coast-to-coast sketching tour in 1873.
 Eventually, he continued westward to Hawaii, where he became quite famous as a landscape painter. He was fascinated by Hawaii’s erupting volcanoes—a subject that pre-occupied him for the rest of his life, which was spent in Hawaii, Canada and the western United States. Tavernier died on 18 May 1889 in Honolulu, Hawaii. He painted several version of the Kilauea erupting between 1880 and the end of his life.
Among the public collections holding paintings by Jules Tavernier are the Brigham Young University Museum of Art (Provo, UT), the Colorado Springs Fine Arts Center (Colorado Springs, CO), the Crocker Art Museum (Sacramento), the Gilcrease Museum (Tulsa, OK), Hearst Art Gallery (Saint Mary's College of California, Moraga, CA), the Honolulu Museum of Art, the Museum of Nebraska Art (Kearney, NE), the Oakland Museum of California, the San Diego Museum of Art, the Stark Museum of Art (Orange, TX), the Society of California Pioneers (San Francisco, CA), the Washington County Museum of Fine Arts (Hagerstown, MD) and the Yosemite Museum (Yosemite National Park).
After his death his art lived on in the hearts and homes of Hawaiians, and many more artists picked up on the volcano landscape theme he started. His Western art was mostly forgotten.
Fifty years after his death the Honolulu Advertiser remembered Jules Tavernier in December 1940 with the comment: “...to the generation which knew King Kalakaua, Tavernier recalls to mind some of the greatest paintings ever made of Hawaii volcanoes.”
At the beginning of the twenty-first century interest has reawakened in Tavernier's Western landscape art; museums are purchasing his pictures and prices for his oil paintings are increasing.
His students included D. Howard Hitchcock (1861–1943), Amédée Joullin (1862–1917), Charles Rollo Peters (1862–1917) and Manuel Valencia (1856–1935).
Source:
- Tigertail Virtual Museum 

EL CAPITAN PAINTED BY JULES TAVERNIER

JULES TAVERNIER (1844-1889) 

El Capitan (2,309m - 7,573 ft) 

United States of America 

The mountain 

El Capitan is a vertical rock formation in Yosemite National Park, located on the north side of Yosemite Valley, near its western end. The granite monolith extends about 3,000 feet (900 m) from base to summit along its tallest face and is one of the world's favorite challenges for rock climbers.

The formation was named "El Capitan" by the Mariposa Battalion when it explored the valley in 1851. El Capitan ("the captain", "the chief") was taken to be a loose Spanish translation of the local Native American name for the cliff, variously transcribed as "To-to-kon oo-lah" or "To-tock-ah-noo-lah". It is unclear if the Native American name referred to a specific tribal chief or simply meant "the chief" or "rock chief".  In modern times, the formation's name is often contracted to "El Cap", especially among rock climbers and BASE jumpers.

The top of El Capitan can be reached by hiking out of Yosemite Valley on the trail next to Yosemite Falls, then proceeding west. For climbers, the challenge is to climb up the sheer granite face. There are many named climbing routes, all of them arduous, including Iron Hawk and Sea of Dreams, for example.

Climbing

The Nose was first climbed in 1958 by Warren Harding, Wayne Merry and George Whitmore in 47 days using "siege" tactics: climbing in an expedition style using fixed ropes along the length of the route, linking established camps along the way. 

The second ascent of The Nose was in 1960 by Royal Robbins, Joe Fitschen, Chuck Pratt and Tom Frost, who took seven days in the first continuous climb of the route without siege tactics. 

The first solo climb of The Nose was done by Tom Bauman in 1969. 

The first ascent of The Nose in one day was accomplished in 1975 by John Long, Jim Bridwell and Billy Westbay. Today, The Nose typically takes fit climbers 4–5 days of full climbing, and has a success rate of around 60%.

Beverly Johnson was the first woman to successfully ascend El Capitan, via the Nose route, with Dan Asay in June 1973. In September 1973, Beverly Johnson and Sibylle Hechtel were the first team of women to ascend El Capitan via the Triple Direct route, which takes the first ten pitches of the Salathe Wall, then continues up the middle portion of El Capitan via the Muir Wall, and finishes on the upper pitches of the Nose route.  In 1977, Molly Higgins and Barb Eastman climbed the Nose, to become the second party of women to climb El Capitan and the first to climb it via the Nose. In 1978, Bev Johnson was the first woman to solo El Capitan by climbing the Dihedral Wall.  Hazel Findlay has made three free ascents of El Capitan, including the first female ascent of Golden Gate in 2011, the first female ascent of Pre-Muir Wall in 2012, and a three-day ascent of Freerider in 2013.

Reference:

- El Capitan in web Stanford edu page 
- El Capitan in Wikipedia page 

The painter 
Jules Tavernier was a French painter, illustrator, and an important member of Hawaii’s Volcano School.  He studied with the French painter, Félix Joseph Barrias (1822–1907). he left France in the 1870s and never  return. Tavernier was employed as an illustrator by Harper's Magazine, which sent him, along with Paul Frenzeny, on a year-long coast-to-coast sketching tour in 1873.
 Eventually, he continued westward to Hawaii, where he became quite famous as a landscape painter. He was fascinated by Hawaii’s erupting volcanoes—a subject that pre-occupied him for the rest of his life, which was spent in Hawaii, Canada and the western United States. Tavernier died on 18 May 1889 in Honolulu, Hawaii. He painted several version of the Kilauea erupting between 1880 and the end of his life.
Among the public collections holding paintings by Jules Tavernier are the Brigham Young University Museum of Art (Provo, UT), the Colorado Springs Fine Arts Center (Colorado Springs, CO), the Crocker Art Museum (Sacramento), the Gilcrease Museum (Tulsa, OK), Hearst Art Gallery (Saint Mary's College of California, Moraga, CA), the Honolulu Museum of Art, the Museum of Nebraska Art (Kearney, NE), the Oakland Museum of California, the San Diego Museum of Art, the Stark Museum of Art (Orange, TX), the Society of California Pioneers (San Francisco, CA), the Washington County Museum of Fine Arts (Hagerstown, MD) and the Yosemite Museum (Yosemite National Park).

After his death his art lived on in the hearts and homes of Hawaiians, and many more artists picked up on the volcano landscape theme he started. His Western art was mostly forgotten. Fifty years after his death the Honolulu Advertiser remembered Jules Tavernier in December 1940 with the comment: “...to the generation which knew King Kalakaua, Tavernier recalls to mind some of the greatest paintings ever made of Hawaii volcanoes.” At the beginning of the twenty-first century interest has reawakened in Tavernier's Western landscape art; museums are purchasing his pictures and prices for his oil paintings are increasing. His students included D. Howard Hitchcock (1861–1943), Amédée Joullin (1862–1917), Charles Rollo Peters (1862–1917) and Manuel Valencia (1856–1935). Reference   - Biography of  Jules Tavernier in Tigertail Virtual Museum

KILAUEA PAINTED BY JULES TAVERNIER

JULES TAVERNIER (1844-1889)

  Kilauea  (1,247 m - 4,091 ft) 

 United states of America  (Hawaii)

1. Kilauea Caldera,  San Diego Museum of Art

2. Kilauea Volcano at Night (1885-86), Honolulu Museum of Art

3. Kilauea at night (1880) Honolulu Museum of Art

The mountain 

Kīlauea (1,247 m-4,091 ft) is a currently active shield volcano in the Hawaiian Islands, and the most active of the five volcanoes that together form the island of Hawaiʻi. Located along the southern shore of the island, the volcano is between 300,000 and 600,000 years old and emerged above sea level about 100,000 years ago. It is the second youngest product of the Hawaiian hotspot and the current eruptive center of the Hawaiian–Emperor seamount chain. Because it lacks topographic prominence and its activities historically coincided with those of Mauna Loa, Kīlauea was once thought to be a satellite of its much larger neighbor. Structurally, Kīlauea has a large, fairly recently formed caldera at its summit and two active rift zones, one extending 125 km (78 mi) east and the other 35 km (22 mi) west, as an active fault of unknown depth moving vertically an average of 2 to 20 mm (0.1 to 0.8 in) per year.
Kīlauea's eruptive history has been a long and active one; its name means "spewing" or "much spreading" in the Hawaiian language, referring to its frequent outpouring of lava. The earliest lavas from the volcano date back to its submarine preshield stage, samples having been recovered by remotely operated underwater vehicles from its submerged slopes; samples of other flows have been recovered as core samples. Lavas younger than 1,000 years cover 90 percent of the volcano's surface. The oldest exposed lavas date back 2,800 years. The first well-documented eruption of Kīlauea occurred in 1823 (Western contact and written history began in 1778), and since that time the volcano has erupted repeatedly. Most historical eruptions have occurred at the volcano's summit or its eastern rift zone, and are prolonged and effusive in character. The geological record shows, however, that violent explosive activity predating European contact was extremely common, and in 1790 one such eruption killed over 80 warriors; should explosive activity start anew the volcano would become much more of a danger to humans. Kīlauea's current eruption dates back to January 3, 1983, and is by far its longest-duration historical period of activity, as well as one of the longest-duration eruptions in the world; as of January 2011, the eruption has produced 3.5 km3 (1 cu mi) of lava and resurfaced 123.2 km2 (48 sq mi) of land.
Kīlauea's high state of activity has a major impact on its mountainside ecology where plant growth is often interrupted by fresh tephra and drifting volcanic sulfur dioxide, producing acid rains particularly in a barren area south of its southwestern rift zone known as the Kaʻū Desert. Nonetheless, wildlife flourishes where left undisturbed elsewhere on the volcano and is highly endemic thanks to Kīlauea's (and the island of Hawaiʻi's) isolation from the nearest landmass. Historically, the five volcanoes on the island were considered sacred by the Hawaiian people, and in Hawaiian mythology Kīlauea's Halemaumau Crater served as the body and home of Pele, goddess of fire, lightning, wind, and volcanoes. William Ellis, a missionary from England, gave the first modern account of Kīlauea and spent two weeks traveling along the volcano; since its foundation by Thomas Jaggar in 1912, the Hawaiian Volcano Observatory, located on the rim of Kilauea caldera, has served as the principal investigative and scientific body on the volcano and the island in general. In 1916 a bill forming the Hawaii Volcanoes National Park was signed into law by President Woodrow Wilson; since then the park has become a World Heritage Site and a major tourist destination, attracting roughly 2.6 million people annually.

The painter 
Jules Tavernier was a French painter, illustrator, and an important member of Hawaii’s Volcano School.  He studied with the French painter, Félix Joseph Barrias (1822–1907). he left France in the 1870s and never  return. Tavernier was employed as an illustrator by Harper's Magazine, which sent him, along with Paul Frenzeny, on a year-long coast-to-coast sketching tour in 1873.
 Eventually, he continued westward to Hawaii, where he became quite famous as a landscape painter. He was fascinated by Hawaii’s erupting volcanoes—a subject that pre-occupied him for the rest of his life, which was spent in Hawaii, Canada and the western United States. Tavernier died on 18 May 1889 in Honolulu, Hawaii. He painted several version of the Kilauea erupting between 1880 and the end of his life.
Among the public collections holding paintings by Jules Tavernier are the Brigham Young University Museum of Art (Provo, UT), the Colorado Springs Fine Arts Center (Colorado Springs, CO), the Crocker Art Museum (Sacramento), the Gilcrease Museum (Tulsa, OK), Hearst Art Gallery (Saint Mary's College of California, Moraga, CA), the Honolulu Museum of Art, the Museum of Nebraska Art (Kearney, NE), the Oakland Museum of California, the San Diego Museum of Art, the Stark Museum of Art (Orange, TX), the Society of California Pioneers (San Francisco, CA), the Washington County Museum of Fine Arts (Hagerstown, MD) and the Yosemite Museum (Yosemite National Park).

After his death his art lived on in the hearts and homes of Hawaiians, and many more artists picked up on the volcano landscape theme he started. His Western art was mostly forgotten. Fifty years after his death the Honolulu Advertiser remembered Jules Tavernier in December 1940 with the comment: “...to the generation which knew King Kalakaua, Tavernier recalls to mind some of the greatest paintings ever made of Hawaii volcanoes.” At the beginning of the twenty-first century interest has reawakened in Tavernier's Western landscape art; museums are purchasing his pictures and prices for his oil paintings are increasing. His students included D. Howard Hitchcock (1861–1943), Amédée Joullin (1862–1917), Charles Rollo Peters (1862–1917) and Manuel Valencia (1856–1935).