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Thursday, October 31, 2024

LE GLOCKNER PEINT PAR JOSEF STOITZNER




JOSEF STOITZNER (1884-1951) Glokner (3 798 m), Autriche  in Landscape in the Pinzgau , 1910, huile sur toile

JOSEF STOITZNER (1884-1951)
Glokner (3 798 m),
Autriche

in Landscape in the Pinzgau , 1910, huile sur toile 


La montagne
Le Großglockner ou Grossglockner, souvent abrégé en Glockner (3 798 m), le point culminant de l'Autriche, entre la Carinthie et le Tyrol. Ce pic marqué, en roches appartenant à un faciès à schistes verts, appartient au chaînon du Glockner situé au centre des Hohe Tauern, et est considéré comme le sommet le plus important des Alpes orientales. Depuis les premières reconnaissances au 17e siècle et la première ascension par quatre alpinistes d'une grande expédition organisée par le prince-évêque Salm-Reifferscheidt-Krautheim en 1800, le Großglockner a joué un rôle important dans le développement de l’alpinisme. Il est resté très important pour le tourisme de la région, et représente un but apprécié des alpinistes, avec 5 000 ascensions par an. La vue sur la montagne, un des symboles les plus connus de l’Autriche, est la principale attraction paysagère de la Haute route alpine du Großglockner.

Le peintre
Josef Stoitzner (1884-1951) est un peintre et graveur autrichien. À partir de 1905, Stoitzner travaille comme professeur d'art. De 1916 à 1919, il enseigne la peinture de paysage à l'Académie des femmes de Vienne, succédant à Tina Blau, à partir de 1922 il est inspecteur spécialisé dans les collèges et de 1932 à 1934 il est également maître de conférences à l'Académie des Beaux-Arts de Vienne. Stoitzner était membre de la Sécession viennoise (à partir de 1909) et du Vienna Künstlerhaus (à partir de 1939). Il peint des paysages, des natures mortes, des intérieurs et travaille également graphiquement (lithographies et gravures sur bois).
Josef Stoitzner est resté fidèle à l'impressionnisme atmosphérique tout au long de sa vie ; ses paysages du début ou de la fin de l'hiver sont très caractéristiques, dans lesquels des branches d'arbres nus exécutées avec précision contrastent avec la douce luminosité des plaques de neige et un ciel clair du soir. Les œuvres de Stoitzner appartiennent, entre autres, à la galerie autrichienne Belvedere et au Musée de Vienne. 

_____________________________
2024 - Gravir les montagnes en peinture
Un blog de Francis Rousseau

 

Monday, March 26, 2018

GROSSGLOCKNER BY HEINRICH. C. BERANN



HEINRICH C. BERANN  (1915-1999) 
Grossglockner or Glokner (3,798 m - 12,460ft)
Austria 

 In  Grossglockner poster, 1932

The mountain  
The Grossglockner (or just Glockner) (3,798 m - 12,460 ft) is above the Adriatic, the highest mountain of Austria and the highest mountain in the Alps east of the Brenner Pass. It is part of the larger Glockner Group of the Hohe Tauern range, situated along the main ridge of the Central Eastern Alps and the Alpine divide. The Pasterze, Austria's most extended glacier, lies on the Grossglockner's eastern slope. The characteristically pyramid-shaped peak actually consists of two pinnacles, the Grossglockner and the Kleinglockner (3,770 m -12,370 ft), from German: klein, "small"), separated by a saddle-like formation known as the Glocknerscharte.
The history of the climbs started with French-born natural scientist Belsazar Hacquet, from 1773 professor of anatomy at the Academy of Ljubljana. He travelled the Eastern Alps from 1779 to 1781 and published an itinerary in 1783, describing the Glokner mountain and stating that it had not been climbed yet. He estimated the mountain's height with converted (3,793 m -12,444 ft) and left an engraving illustrating Grossglockner and Pasterze, the first known depiction of the mountain.
Inspired by Hacquet's book and the first ascent of the Mont Blanc in 1786, the Gurk prince-bishop Count Franz Xaver of Salm (1749–1822) together with his vicar general Sigismund Ernst Hohenwart  (1745–1825) and Baron Franz Xaver von Wulfen (1728–1805) started efforts for a Grossglockner expedition. They engaged two peasants from Heiligenblut as mountain guides to do the first explorations for an ascent through the Leitertal valley, which is the side of Grossglockner with the least ice (people feared glaciers in these times). These valiant men, called "Glockners" in the records, did more than they were ordered to do - and probably reached the Kleinglockner summit on 23 July 1799.
One month later the bishop's expedition started: a mountain hut (the first Salm Hut) had been built and the path in the Leitertal valley was prepared so that the bishop could use a horse to reach it. 30 people, among them Salm, Hohenwart and Wulfen, were part of the expedition. They suffered with bad weather and a first effort failed, but on 25 August 1799 Hohenwart and at least four other people, including the two "Glockners", reached - again - the Kleinglockner, where they installed one of the first summit crosses (one of the main goals of the church expedition). Hohenwart's reports did not tell clearly that they had not touched the highest point but Bishop Salm (who had reached the Adlersruhe rock at 3,454 m (11,332 ft)) was informed. Dissatisfied, he invited another, even bigger expedition the next year.
On 28 July 1800, 62 people, among them the pedagogue Franz Michael Vierthaler and the botanist David Heinrich Hoppe, started again into the Leitertal valley. Four peasants and carpenters (the "Glockners" and two others who are not known) did a track in the snow, had installed fixed ropes at some steeper sections up to the end of the Glocknerleitl, and even built a second refuge, called Hohenwarte Hut. The vanguard reached the Kleinglockner peak, however, according to the expedition records by the Dellach priest Franz Joseph Horasch (Orasch), only the four guides and Mathias Hautzendorfer, the local priest of the Rangersdorf parish, were able to cross the Obere Glocknerscharte and climb the Grossglockner summit. Hautzendorfer had to be persuaded to venture the step and administered the last rites in advance.
The two "Glockners" are usually identified as the brothers Joseph (Sepp) and Martin Klotz, however, this surname is not listed in the Heiligenblut parish register. A local peasant named Sepp Hoysen is documented as a member of the second Grossglockner expedition in 1802, and the surveyor Ulrich Schiegg mentioned one Martin Reicher as "Glockner" guide. The peasants and several other members of the expedition (among them Schiegg and his young apprentice Valentin Stanič, who climbed Mt. Watzmann for the first time some weeks later) did the ascent again the next day and finally installed the summit cross and a barometer on the Grossglockner summit.
Bishop Salm undertook two more ascents in 1802 (with Hohenwart reaching the summit) and in 1806, however, he himself never climbed beyond the Adlersruhe rock. The climbing of the Grossglockner was also described by the botanist Josef August Schultes, who explored the massif together with Count Apponyi in 1802. No further ascents were made during the Napoleonic Wars, the huts decayed and were plundered by locals. In the following Vormärz era, however, the mountain became a popular venue for Alpinists like Hermann and Adolf Schlagintweit, who all followed the route of the first ascent.
By the mid 19th century, the developing Alpine tourism began to alter the traditional agriculture economy in the Heiligenblut area. Therefore, the people of Kals tried to lay out a straight ascent from the western side, which however was not reached until Julius von Payer explored the ridge between Glöcknerleitl and Ködnitzkees in 1863. Johann Stüdl had a via ferrata erected along the southwestern ridge the next year and the Stüdlhütte erected at its foot in 1868. Already in 1869, most expeditions to the summit started in Kals. The first winter ascent of the Grossglockner was made on January 2, 1875 by William Adolf Baillie Grohman, a member of the Alpine Club. In 1876 Count Pallavicini and his guide Hans Tribusser undertook the first expedition up the steep glaciated Northeast Face, chopping 2,500 steps into the Pallavicinirinne in an ice climbing master stroke not repeated for 23 years.
In 1879, Count Pallavicini dedicated a new iron summit cross on the occasion of the silver wedding of Emperor Franz Joseph of Austria and Empress Elisabeth; both had visited Heiligenblut and walked to the present-day Franz-Josefs-Höhe viewpoint in 1865. The cross was installed on 2 October 1880. Pallavicini also had the Archduke John Hut erected at the former Adlersruhe resting place of Bishop Salm, today the highest situated mountain hut in Austria. The Austrian Alpine Club built the new Salmhütte and the Glocknerhaus along the alpine route from Heiligenblut.
A first ascent by skiing was made in 1909 and the circumnavigation of the massif soon became a popular ski mountaineering tour. The Grossglockner became Austria's highest mountain, when the South Tyrolean Ortler region had to be ceded to the Kingdom of Italy according to the 1919 Treaty of Saint-Germain, which promoted its reputation as a tourist attraction.

The artist
Heinrich C. Berann, (1915–1999) the father of the modern panorama map, was born into a family of painters and sculptors in Innsbruck, Austria. He taught himself by trial and error. In the years 1930-1933 he attended the arts and design school "Bundeslehranstalt für Malerei" in Innsbruck.
Winning of first prize at a competition for a panorama map created great enthusiasm in him. Using his artistic heritage and new self-discovered techniques he invented a new way of painting landscapes for tourist purposes. The further development of both these panorama maps and his artistic style was influenced by lasting impressions he received during his military service in German Army in Norway and Northern Finland in 1942.
In 1962 he painted Mount Everest for the National Geographic Society, one of his most famous panoramic maps. He worked with Marie Tharp and Bruce C. Heezen to produce maps of the entire ocean floor in 1977.
He later created four panoramas for the United States National Park Service: Yellowstone National Park, North Cascades National Park, Yosemite National Park and finally Mt. McKinley National Park (now Denali). He was very sick when he painted Denali (above) - but he finished it in the age of 81.
In 2000, Tom Patterson of the National Park Service explored ways of digitally creating panoramas like Berann did for the Park Service.

Friday, February 16, 2018

THE GROSSGLOCKNER BY NIKOLAI ASTUDIN


NIKOLAI ASTUDIN (1847-1925)   
Grossglockner or Glokner (3,798 m - 12,460ft)
Austria 

In Alpine landscape with the the Grossglockner,  1879, oil on canvas 

The mountain  
The Grossglockner (or just Glockner) (3,798 m - 12,460 ft) is above the Adriatic, the highest mountain of Austria and the highest mountain in the Alps east of the Brenner Pass. It is part of the larger Glockner Group of the Hohe Tauern range, situated along the main ridge of the Central Eastern Alps and the Alpine divide. The Pasterze, Austria's most extended glacier, lies on the Grossglockner's eastern slope. The characteristically pyramid-shaped peak actually consists of two pinnacles, the Grossglockner and the Kleinglockner (3,770 m -12,370 ft), from German: klein, "small"), separated by a saddle-like formation known as the Glocknerscharte.
The history of the climbs started with French-born natural scientist Belsazar Hacquet, from 1773 professor of anatomy at the Academy of Ljubljana. He travelled the Eastern Alps from 1779 to 1781 and published an itinerary in 1783, describing the Glokner mountain and stating that it had not been climbed yet. He estimated the mountain's height with converted (3,793 m -12,444 ft) and left an engraving illustrating Grossglockner and Pasterze, the first known depiction of the mountain.
Inspired by Hacquet's book and the first ascent of the Mont Blanc in 1786, the Gurk prince-bishop Count Franz Xaver of Salm (1749–1822) together with his vicar general Sigismund Ernst Hohenwart  (1745–1825) and Baron Franz Xaver von Wulfen (1728–1805) started efforts for a Grossglockner expedition. They engaged two peasants from Heiligenblut as mountain guides to do the first explorations for an ascent through the Leitertal valley, which is the side of Grossglockner with the least ice (people feared glaciers in these times). These valiant men, called "Glockners" in the records, did more than they were ordered to do - and probably reached the Kleinglockner summit on 23 July 1799.
One month later the bishop's expedition started: a mountain hut (the first Salm Hut) had been built and the path in the Leitertal valley was prepared so that the bishop could use a horse to reach it. 30 people, among them Salm, Hohenwart and Wulfen, were part of the expedition. They suffered with bad weather and a first effort failed, but on 25 August 1799 Hohenwart and at least four other people, including the two "Glockners", reached - again - the Kleinglockner, where they installed one of the first summit crosses (one of the main goals of the church expedition). Hohenwart's reports did not tell clearly that they had not touched the highest point but Bishop Salm (who had reached the Adlersruhe rock at 3,454 m (11,332 ft)) was informed. Dissatisfied, he invited another, even bigger expedition the next year.
On 28 July 1800, 62 people, among them the pedagogue Franz Michael Vierthaler and the botanist David Heinrich Hoppe, started again into the Leitertal valley. Four peasants and carpenters (the "Glockners" and two others who are not known) did a track in the snow, had installed fixed ropes at some steeper sections up to the end of the Glocknerleitl, and even built a second refuge, called Hohenwarte Hut. The vanguard reached the Kleinglockner peak, however, according to the expedition records by the Dellach priest Franz Joseph Horasch (Orasch), only the four guides and Mathias Hautzendorfer, the local priest of the Rangersdorf parish, were able to cross the Obere Glocknerscharte and climb the Grossglockner summit. Hautzendorfer had to be persuaded to venture the step and administered the last rites in advance.
The two "Glockners" are usually identified as the brothers Joseph (Sepp) and Martin Klotz, however, this surname is not listed in the Heiligenblut parish register. A local peasant named Sepp Hoysen is documented as a member of the second Grossglockner expedition in 1802, and the surveyor Ulrich Schiegg mentioned one Martin Reicher as "Glockner" guide. The peasants and several other members of the expedition (among them Schiegg and his young apprentice Valentin Stanič, who climbed Mt. Watzmann for the first time some weeks later) did the ascent again the next day and finally installed the summit cross and a barometer on the Grossglockner summit.
Bishop Salm undertook two more ascents in 1802 (with Hohenwart reaching the summit) and in 1806, however, he himself never climbed beyond the Adlersruhe rock. The climbing of the Grossglockner was also described by the botanist Josef August Schultes, who explored the massif together with Count Apponyi in 1802. No further ascents were made during the Napoleonic Wars, the huts decayed and were plundered by locals. In the following Vormärz era, however, the mountain became a popular venue for Alpinists like Hermann and Adolf Schlagintweit, who all followed the route of the first ascent.
By the mid 19th century, the developing Alpine tourism began to alter the traditional agriculture economy in the Heiligenblut area. Therefore, the people of Kals tried to lay out a straight ascent from the western side, which however was not reached until Julius von Payer explored the ridge between Glöcknerleitl and Ködnitzkees in 1863. Johann Stüdl had a via ferrata erected along the southwestern ridge the next year and the Stüdlhütte erected at its foot in 1868. Already in 1869, most expeditions to the summit started in Kals. The first winter ascent of the Grossglockner was made on January 2, 1875 by William Adolf Baillie Grohman, a member of the Alpine Club. In 1876 Count Pallavicini and his guide Hans Tribusser undertook the first expedition up the steep glaciated Northeast Face, chopping 2,500 steps into the Pallavicinirinne in an ice climbing master stroke not repeated for 23 years.
In 1879, Count Pallavicini dedicated a new iron summit cross on the occasion of the silver wedding of Emperor Franz Joseph of Austria and Empress Elisabeth; both had visited Heiligenblut and walked to the present-day Franz-Josefs-Höhe viewpoint in 1865. The cross was installed on 2 October 1880. Pallavicini also had the Archduke John Hut erected at the former Adlersruhe resting place of Bishop Salm, today the highest situated mountain hut in Austria. The Austrian Alpine Club built the new Salmhütte and the Glocknerhaus along the alpine route from Heiligenblut.
A first ascent by skiing was made in 1909 and the circumnavigation of the massif soon became a popular ski mountaineering tour. The Grossglockner became Austria's highest mountain, when the South Tyrolean Ortler region had to be ceded to the Kingdom of Italy according to the 1919 Treaty of Saint-Germain, which promoted its reputation as a tourist attraction.

The painter 
Nikolai Lvovoch Astudin ( Николай Львович Астудин)  was a Russian landscape painter.
Astudin was the son of an officer and completed his school education in Saint Petersburg. He then became a student of the landscape painter Armand-Théophile Cassagne (1823-1907) in Paris. Study trips lead him to Finland, to the Alpine countries and to Italy. As early as 1876 and 1877 Astudin had exhibitions in Berlin,  and in 1885 in Zurich.  Among his Bonner motifs are the Rhine Bridge (1898) and the Godesburg. In 1912, he moved to Oberlahnstein, where he lived until his death. In this late phase, he mainly painted the Rhine motifs and repeatedly painted Lahneck Castle and The Lorelei (above).  Astudin was widely known for his Rhine paintings and the numerous reproductions of his Rhine views. His work is an expression of the Rhine and Eifelromantik of the early 20th century.
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2018 - Wandering Vertexes...
by Francis Rousseau 

Tuesday, October 31, 2017

GROSSGLOKNER (2) BY MARKUS PERNHART



MARCUS PERNHART (1824-1871) 
Grossglockner or Glokner (3,798 m - 12,460ft)
Austria 

1. In Grossglockner at sunset, oil on canvas, 1857
2. In Grossglockner in 1880,  oil on canvas, Landesmuseum Klagenfurt

The two paintings 
These are two différent paintings of the same summit separated by nearly 30 years. 
In the first one Grossglockner at sunset,  one can check two persons standing on the peak on the left of the painting looking at the main summit while two others are ascending it, nearly arrived at the top.
In the second painting  Grossglockner in 1880, the same two persons are still standing on the summit on the left of the painting looking at same  two others ascending it the main summit. The difference with the first painting is : that time the two alpinist have successfully reached the top and are installing an iron summit cross on the occasion of the silver wedding of Emperor Franz Joseph of Austria and Empress Elisabeth.

The mountain  
The Grossglockner (or just Glockner) (3,798 m - 12,460 ft) is above the Adriatic, the highest mountain of Austria and the highest mountain in the Alps east of the Brenner Pass. It is part of the larger Glockner Group of the Hohe Tauern range, situated along the main ridge of the Central Eastern Alps and the Alpine divide. The Pasterze, Austria's most extended glacier, lies on the Grossglockner's eastern slope. The characteristically pyramid-shaped peak actually consists of two pinnacles, the Grossglockner and the Kleinglockner (3,770 m -12,370 ft), from German: klein, "small"), separated by a saddle-like formation known as the Glocknerscharte.
The history of the climbs started with French-born natural scientist Belsazar Hacquet, from 1773 professor of anatomy at the Academy of Ljubljana. He travelled the Eastern Alps from 1779 to 1781 and published an itinerary in 1783, describing the Glokner mountain and stating that it had not been climbed yet. He estimated the mountain's height with converted (3,793 m -12,444 ft) and left an engraving illustrating Grossglockner and Pasterze, the first known depiction of the mountain.
Inspired by Hacquet's book and the first ascent of the Mont Blanc in 1786, the Gurk prince-bishop Count Franz Xaver of Salm (1749–1822) together with his vicar general Sigismund Ernst Hohenwart  (1745–1825) and Baron Franz Xaver von Wulfen (1728–1805) started efforts for a Grossglockner expedition. They engaged two peasants from Heiligenblut as mountain guides to do the first explorations for an ascent through the Leitertal valley, which is the side of Grossglockner with the least ice (people feared glaciers in these times). These valiant men, called "Glockners" in the records, did more than they were ordered to do - and probably reached the Kleinglockner summit on 23 July 1799.
One month later the bishop's expedition started: a mountain hut (the first Salm Hut) had been built and the path in the Leitertal valley was prepared so that the bishop could use a horse to reach it. 30 people, among them Salm, Hohenwart and Wulfen, were part of the expedition. They suffered with bad weather and a first effort failed, but on 25 August 1799 Hohenwart and at least four other people, including the two "Glockners", reached - again - the Kleinglockner, where they installed one of the first summit crosses (one of the main goals of the church expedition). Hohenwart's reports did not tell clearly that they had not touched the highest point but Bishop Salm (who had reached the Adlersruhe rock at 3,454 m (11,332 ft)) was informed. Dissatisfied, he invited another, even bigger expedition the next year.
On 28 July 1800, 62 people, among them the pedagogue Franz Michael Vierthaler and the botanist David Heinrich Hoppe, started again into the Leitertal valley. Four peasants and carpenters (the "Glockners" and two others who are not known) did a track in the snow, had installed fixed ropes at some steeper sections up to the end of the Glocknerleitl, and even built a second refuge, called Hohenwarte Hut. The vanguard reached the Kleinglockner peak, however, according to the expedition records by the Dellach priest Franz Joseph Horasch (Orasch), only the four guides and Mathias Hautzendorfer, the local priest of the Rangersdorf parish, were able to cross the Obere Glocknerscharte and climb the Grossglockner summit. Hautzendorfer had to be persuaded to venture the step and administered the last rites in advance.
The two "Glockners" are usually identified as the brothers Joseph (Sepp) and Martin Klotz, however, this surname is not listed in the Heiligenblut parish register. A local peasant named Sepp Hoysen is documented as a member of the second Grossglockner expedition in 1802, and the surveyor Ulrich Schiegg mentioned one Martin Reicher as "Glockner" guide. The peasants and several other members of the expedition (among them Schiegg and his young apprentice Valentin Stanič, who climbed Mt. Watzmann for the first time some weeks later) did the ascent again the next day and finally installed the summit cross and a barometer on the Grossglockner summit.
Bishop Salm undertook two more ascents in 1802 (with Hohenwart reaching the summit) and in 1806, however, he himself never climbed beyond the Adlersruhe rock. The climbing of the Grossglockner was also described by the botanist Josef August Schultes, who explored the massif together with Count Apponyi in 1802. No further ascents were made during the Napoleonic Wars, the huts decayed and were plundered by locals. In the following Vormärz era, however, the mountain became a popular venue for Alpinists like Hermann and Adolf Schlagintweit, who all followed the route of the first ascent.
By the mid 19th century, the developing Alpine tourism began to alter the traditional agriculture economy in the Heiligenblut area. Therefore, the people of Kals tried to lay out a straight ascent from the western side, which however was not reached until Julius von Payer explored the ridge between Glöcknerleitl and Ködnitzkees in 1863. Johann Stüdl had a via ferrata erected along the southwestern ridge the next year and the Stüdlhütte erected at its foot in 1868. Already in 1869, most expeditions to the summit started in Kals. The first winter ascent of the Grossglockner was made on January 2, 1875 by William Adolf Baillie Grohman, a member of the Alpine Club. In 1876 Count Pallavicini and his guide Hans Tribusser undertook the first expedition up the steep glaciated Northeast Face, chopping 2,500 steps into the Pallavicinirinne in an ice climbing master stroke not repeated for 23 years.
In 1879, Count Pallavicini dedicated a new iron summit cross on the occasion of the silver wedding of Emperor Franz Joseph of Austria and Empress Elisabeth; both had visited Heiligenblut and walked to the present-day Franz-Josefs-Höhe viewpoint in 1865. The cross was installed on 2 October 1880. Pallavicini also had the Archduke John Hut erected at the former Adlersruhe resting place of Bishop Salm, today the highest situated mountain hut in Austria. The Austrian Alpine Club built the new Salmhütte and the Glocknerhaus along the alpine route from Heiligenblut.
A first ascent by skiing was made in 1909 and the circumnavigation of the massif soon became a popular ski mountaineering tour. The Grossglockner became Austria's highest mountain, when the South Tyrolean Ortler region had to be ceded to the Kingdom of Italy according to the 1919 Treaty of Saint-Germain, which promoted its reputation as a tourist attraction.

The Painter 
Markus Pernhart was a Carinthian Slovenian / Austrian painter. He is considered the first Slovene realistic landscape painter. Early on, he began to paint panels ans humorous works, offered at Klagenfurt weekly market. At  barely 12 years, he painted the guest rooms of Krajcar Restaurant between Klagenfurt and Völkermarkt. The innkeeper made, the bishop's chaplain Henr. Hermann discovered the talented boys. At 15, he trained in painting first with Andreas Hauser in Klagenfurt. Hermann supported him further and introduced him to his patron, the Gorizia Archbishop Francis Xavier Luzhin.  Through this he got contact with the Viennese art scene, particularly to Franz Steinfeld, who taught at the Academy of Fine Arts. It was forwarded to the Munich Academy, but soon returned to Carinthia. There he was promoted by his stage name Pernhart the famous landscape painter of his time.
When Pernhart's drawing style had fully developed, he was asked by Max Moro to draw all Castles Carinthia. The idea was to these buildings if they could often for financial reasons can not be obtained, at least to preserve the picture, thereby preserving from decay. Markus Pernhart does not disappoint its customers and held in pencil drawings smallest details of the well-preserved, but also the already partly decayed plants firmly. Already in 1853, he produced 40 drawings followed by 198 others, he property of the Historical Association for Carinthia. In 1855  he gave the Carinthian estates Empress Elisabeth, an album of 21 drawings to which Max Moro contributed. Entitled images from Carinthia  appeared  in 1863-1868 in deliveries as steel engravings with accompanying. After his death appeared 5 lithographic panoramic images (Klagenfurt in 1875 and 1889). 
His entire painted oeuvre consists of approximately 1,200  paintings, drawings and engavings that delight even after his death a large appreciation. Pernhart presented landscapes, preferably lakes and high mountain motifs or castles, but also animals and still life subjects, in an idyllic and pathetic style. His works can be seen against the background of an incipient leisure society, they lead before the regional status objects of his home.

Thursday, August 10, 2017

GROSSGLOCKNER (SOUTH) BY MARCUs PERNHART


MARCUS PERNHART (1824-1871) 
Grossglockner or Glokner (3,798 m - 12,460ft)
Austria 

 In  Heiligenblut, Grossglockner South, oil on canvas, Kärntner Landesmuseum

The mountain  
The Grossglockner (or just Glockner) (3,798 m - 12,460 ft) is above the Adriatic, the highest mountain of Austria and the highest mountain in the Alps east of the Brenner Pass. It is part of the larger Glockner Group of the Hohe Tauern range, situated along the main ridge of the Central Eastern Alps and the Alpine divide. The Pasterze, Austria's most extended glacier, lies on the Grossglockner's eastern slope. The characteristically pyramid-shaped peak actually consists of two pinnacles, the Grossglockner and the Kleinglockner (3,770 m -12,370 ft), from German: klein, "small"), separated by a saddle-like formation known as the Glocknerscharte.
The history of the climbs started with French-born natural scientist Belsazar Hacquet, from 1773 professor of anatomy at the Academy of Ljubljana. He travelled the Eastern Alps from 1779 to 1781 and published an itinerary in 1783, describing the Glokner mountain and stating that it had not been climbed yet. He estimated the mountain's height with converted (3,793 m -12,444 ft) and left an engraving illustrating Grossglockner and Pasterze, the first known depiction of the mountain.
Inspired by Hacquet's book and the first ascent of the Mont Blanc in 1786, the Gurk prince-bishop Count Franz Xaver of Salm (1749–1822) together with his vicar general Sigismund Ernst Hohenwart  (1745–1825) and Baron Franz Xaver von Wulfen (1728–1805) started efforts for a Grossglockner expedition. They engaged two peasants from Heiligenblut as mountain guides to do the first explorations for an ascent through the Leitertal valley, which is the side of Grossglockner with the least ice (people feared glaciers in these times). These valiant men, called "Glockners" in the records, did more than they were ordered to do - and probably reached the Kleinglockner summit on 23 July 1799...

The painter 
Marcus (or Markus) Pernhart was a Carinthian  / Slovenian / Austrian painter. He is considered the first Slovene realistic landscape painter. He painted several times Triglav.
At  barely 12 years, he painted the guest rooms of Krajcar Restaurant between Klagenfurt and Völkermarkt. The innkeeper made, the bishop's chaplain Henr. Hermann discovered the talented boys. At 15, he trained in painting first with Andreas Hauser in Klagenfurt. Hermann supported him further and introduced him to his patron, the Gorizia Archbishop Francis Xavier Luzhin.  Through this he got contact with the Viennese art scene, particularly to Franz Steinfeld, who taught at the Academy of Fine Arts. It was forwarded to the Munich Academy, but soon returned to Carinthia. There he was promoted by his stage name Pernhart the famous landscape painter of his time.
More about Marcus Pernhart


Wednesday, February 1, 2017

THE HOCHALMSPITZE PAINTED BY MARCUS PERNHART


MARCUS PERNHART  (1824-1871)
The Hochalmspitze (3,360 m - 11, 020 ft) 
Austria 

The mountain
The Hochalmspitze (3,360 m -  11,020 ft) above the Adriatic, is the highest mountain of the Ankogel Group in the High Tauern range, located east of Mallnitz in the Austrian state of Carinthia. It is sometimes called "Tauern Queen" (German: Tauernkцnigin) as a counterpart to the "Tauern King", the Grossglockner.
The peak is situated slightly south the main ridge of the Central Eastern Alps and the Alpine divide.
It actually consists of two pinnacles, the Schneeige Hochalmspitze and the higher Apere ("snowless") Hochalmspitze with the summit cross. It has glaciers on its eastern and southern sides. The neighbouring Großelendkopf peak  (3,317 m -10,883 ft), today counts as a separate mountain.
Like most of the High Tauern, the Hochalmspitze massif is formed of granite and gneiss, and many unusual rock formations can be found on its slopes. The mountain lies at the Eastern end of the range. In the northwest, a ridge connects it to Großer Ankogel, the third highest peak in its group, and to the Kцlnbrein Dam. In the south, the Mallnitz Ridge leads to the neighbouring Reisseck Group.
From the summit, the views stretch as far as the Salzburg Alps, the Dolomites and the Julian Alps.
The first official ascent was made in 1859 by the Austrian mountaineer Paul Grohmann, although letters found in 2010 bring this claim into disrepute, as the mountain may have first been climbed four years earlier. In 1913 a mountain hut  was erected by the German and Austrian Alpine Club on the southeastern slope ( 2,215 m(-7,267 ft). In the 1970s plans for a glacier ski resort were developed, but finally abandoned in 1988 when the Austrian Alpine Club was able to purchase large parts of the area.
Source:
 - Summitpost.org 


The Painter 
Marcus (or Markus) Pernhart was a Carinthian  / Slovenian / Austrian painter. He is considered the first Slovene realistic landscape painter. He painted several times Triglav.
At  barely 12 years, he painted the guest rooms of Krajcar Restaurant between Klagenfurt and Völkermarkt. The innkeeper made, the bishop's chaplain Henr. Hermann discovered the talented boys. At 15, he trained in painting first with Andreas Hauser in Klagenfurt. Hermann supported him further and introduced him to his patron, the Gorizia Archbishop Francis Xavier Luzhin.  Through this he got contact with the Viennese art scene, particularly to Franz Steinfeld, who taught at the Academy of Fine Arts. It was forwarded to the Munich Academy, but soon returned to Carinthia. There he was promoted by his stage name Pernhart the famous landscape painter of his time.
When Pernharts drawing style had fully developed, he was asked by Max from Moro to draw all Castles Carinthia. The idea was to these buildings if they could often for financial reasons can not be obtained, at least to preserve the picture, thereby preserving from decay. Markus Pernhart does not disappoint its customers and held in pencil drawings smallest details of the well-preserved, but also the already partly decayed plants firmly. Already in 1853, he produced 40 drawings followed by 198 others, he property of the Historical Association for Carinthia. In 1855  he gave the Carinthian estates Empress Elisabeth, an album of 21 drawings to which Max Moro contributed. Entitled images from Carinthia  appeared  in 1863-1868 in deliveries as steel engravings with accompanying. After his death appeared 5 lithographic panoramic images (Klagenfurt in 1875 and 1889).
His entire painted oeuvre consists of approximately 1,200  paintings, drawings and enrgavings that delight even after his death a large appreciation.
Pernhart presented landscapes, preferably lakes and high mountain motifs or castles, but also animals and still life subjects, in an idyllic and pathetic style. His works can be seen against the background of an incipient leisure society, they lead before the regional status objects of his home.
Sources:
- Mountain paintings

Wednesday, August 1, 2012

THE GROSSGLOKNER PAINTED BY EDWARD T. COMPTON


EDWARD THEODORE COMPTON  (1849-1921)
Grossglockner  (3,798 m-12,461 ft) 
Austria

in 1918 - Alpenverein Museum Inssbruk

The mountain  
The Grossglockner (or just Glockner) is at (3,798 meters-12,461 ft) above the Adriatic, the highest mountain of Austria and the highest mountain in the Alps east of the Brenner Pass. It is part of the larger Glockner Group of the Hohe Tauern range, situated along the main ridge of the Central Eastern Alps and the Alpine divide. The Pasterze, Austria's most extended glacier, lies on the Grossglockner's eastern slope. The characteristically pyramid-shaped peak actually consists of two pinnacles, the Grossglockner and the Kleinglockner (3,770 m (12,370 ft), from German: klein, "small"), separated by a saddle-like formation known as the Glocknerscharte.
The history of the climbs started with French-born natural scientist Belsazar Hacquet, from 1773 professor of anatomy at the Academy of Ljubljana. He travelled the Eastern Alps from 1779 to 1781 and published an itinerary in 1783, describing the Glokner mountain and stating that it had not been climbed yet. He estimated the mountain's height with converted 3,793 m (12,444 ft) and left an engraving illustrating Grossglockner and Pasterze, the first known depiction of the mountain.
Inspired by Hacquet's book and the first ascent of the Mont Blanc in 1786, the Gurk prince-bishop Count Franz Xaver of Salm (1749–1822) together with his vicar general Sigismund Ernst Hohenwart (1745–1825) and Baron Franz Xaver von Wulfen (1728–1805) started efforts for a Grossglockner expedition. They engaged two peasants from Heiligenblut as mountain guides to do the first explorations for an ascent through the Leitertal valley, which is the side of Grossglockner with the least ice (people feared glaciers in these times). These valiant men, called "Glockners" in the records, did more than they were ordered to do - and probably reached the Kleinglockner summit on 23 July 1799.
One month later the bishop's expedition started: a mountain hut (the first Salm Hut) had been built and the path in the Leitertal valley was prepared so that the bishop could use a horse to reach it. 30 people, among them Salm, Hohenwart and Wulfen, were part of the expedition. They suffered with bad weather and a first effort failed, but on 25 August 1799 Hohenwart and at least four other people, including the two "Glockners", reached - again - the Kleinglockner, where they installed one of the first summit crosses (one of the main goals of the church expedition). Hohenwart's reports did not tell clearly that they had not touched the highest point but Bishop Salm (who had reached the Adlersruhe rock at 3,454 m (11,332 ft)) was informed. Dissatisfied, he invited another, even bigger expedition the next year.
On 28 July 1800, 62 people, among them the pedagogue Franz Michael Vierthaler and the botanist David Heinrich Hoppe, started again into the Leitertal valley. Four peasants and carpenters (the "Glockners" and two others who are not known) did a track in the snow, had installed fixed ropes at some steeper sections up to the end of the Glocknerleitl, and even built a second refuge, called Hohenwarte Hut. The vanguard reached the Kleinglockner peak, however, according to the expedition records by the Dellach priest Franz Joseph Horasch (Orasch), only the four guides and Mathias Hautzendorfer, the local priest of the Rangersdorf parish, were able to cross the Obere Glocknerscharte and climb the Grossglockner summit. Hautzendorfer had to be persuaded to venture the step and administered the last rites in advance.
The two "Glockners" are usually identified as the brothers Joseph (Sepp) and Martin Klotz, however, this surname is not listed in the Heiligenblut parish register. A local peasant named Sepp Hoysen is documented as a member of the second Grossglockner expedition in 1802, and the surveyor Ulrich Schiegg mentioned one Martin Reicher as "Glockner" guide. The peasants and several other members of the expedition (among them Schiegg and his young apprentice Valentin Stanič, who climbed Mt. Watzmann for the first time some weeks later) did the ascent again the next day and finally installed the summit cross and a barometer on the Grossglockner summit.
Bishop Salm undertook two more ascents in 1802 (with Hohenwart reaching the summit) and in 1806, however, he himself never climbed beyond the Adlersruhe rock. The climbing of the Grossglockner was also described by the botanist Josef August Schultes, who explored the massif together with Count Apponyi in 1802. No further ascents were made during the Napoleonic Wars, the huts decayed and were plundered by locals. In the following Vormärz era, however, the mountain became a popular venue for Alpinists like Hermann and Adolf Schlagintweit, who all followed the route of the first ascent.
By the mid 19th century, the developing Alpine tourism began to alter the traditional agriculture economy in the Heiligenblut area. Therefore, the people of Kals tried to lay out a straight ascent from the western side, which however was not reached until Julius von Payer explored the ridge between Glöcknerleitl and Ködnitzkees in 1863. Johann Stüdl had a via ferrata erected along the southwestern ridge the next year and the Stüdlhütte erected at its foot in 1868. Already in 1869, most expeditions to the summit started in Kals. The first winter ascent of the Grossglockner was made on January 2, 1875 by William Adolf Baillie Grohman, a member of the Alpine Club. In 1876 Count Pallavicini and his guide Hans Tribusser undertook the first expedition up the steep glaciated Northeast Face, chopping 2,500 steps into the Pallavicinirinne in an ice climbing master stroke not repeated for 23 years.
In 1879, Count Pallavicini dedicated a new iron summit cross on the occasion of the silver wedding of Emperor Franz Joseph of Austria and Empress Elisabeth; both had visited Heiligenblut and walked to the present-day Franz-Josefs-Höhe viewpoint in 1865. The cross was installed on 2 October 1880. Pallavicini also had the Archduke John Hut erected at the former Adlersruhe resting place of Bishop Salm, today the highest situated mountain hut in Austria. The Austrian Alpine Club built the new Salmhütte and the Glocknerhaus along the alpine route from Heiligenblut.
A first ascent by skiing was made in 1909 and the circumnavigation of the massif soon became a popular ski mountaineering tour. The Grossglockner became Austria's highest mountain, when the South Tyrolean Ortler region had to be ceded to the Kingdom of Italy according to the 1919 Treaty of Saint-Germain, which promoted its reputation as a tourist attraction.

The Painter 
Edward Theodore Compton, usually referred to as E. T. Compton, (29 July 1849 – 22 March 1921) was an English-born, German artist, illustrator and mountain climber, not to be confused with his son Edward Harrison Compton, also a mountain painter. He is well known for his paintings and drawings of alpine scenery, and as a mountaineer made 300 major ascents including no fewer than 27 first ascents.
Initially painting in the English romantic tradition, Compton later developed a more realistic representation of nature, being guided by his true artistic ideas while retaining topographical accuracy. Even his early watercolors show the great importance of brightness and light and his work is also remarkable for its portrayal of the elements such as water and air, including ascending mist and fog. He can be regarded as an impressionist.
He attended various art schools, including, for a time, the Royal Academy in London, but otherwise he was mainly self-taught in art. In 1867, wanting the best education for their artistically-talented son, and due to the high cost of schooling in England, the family decided to emigrate to Germany settling in Darmstadt. The city at that time was the seat of the Grand Duchy of Hesse under Grand Duke Ludwig III, and a community of artists had sprung up there. Entries in Compton's diary show that both he and his father were art teachers - Alice, the Princess of Hesse numbered amongst Edward's students.
Between 1867-68 Compton toured the Rhineland, Mosel and Eifel areas of Germany, making numerous sketches. In July 1868, the entire Compton family traveled to the Bernese Oberland, the alpine scenery encountered during this trip, particularly the view of the Eiger, Mönch and Jungfrau peaks, inspiring Edward to become a mountain painter.
In 1869, Compton was living in Munich and two years later for the first time exhibited his work at the Glass Palace.
In 1872 he married Auguste Plotz and for two years they travelled through the Tyrol, Carinthia, Italy and Switzerland. From 1874, the couple settled in Feldafing on Lake Starnberg, building a comfortable house there called Villa Compton.
In the following years, Compton travelled to the mountains of Austria, Scandinavia, North Africa, Corsica and Spain recording his impressions in a variety of oil and watercolors paintings and ink drawings. Although alpine scenes predominated, Compton also visited and drew other areas such as the High Tatras in eastern Europe, the Scottish Highlands, the Hebrides, the Lofoten Islands and Northern Cape in Norway, and the Colombian Andes.
In 1880 Compton became a member of the Royal Academy, London. Besides his work as a painter he also became well known as a book illustrator for the German and Austrian Alpine Association (DAV) with titles such as "In the high mountains" by Emil Zsigmondy (1889), "About Fels and Firn" by H. Hess (1901) and "Mountaineering in Pictures" by Alfred Steinitzer (1913). In England he was also in demand as an illustrator providing pictures for a range of titles (see below).
In 1909 Compton accompanied his friend, the mountaineer Karl Blodig on many tours in the Silvretta mountains. At the time of the First World War he was invited by the Austrian army to paint from the mountain front but was forbidden to do so by the Bavarian High Command. He was also excluded from the Munich Artists' Association, because he was English.
Apart from his art, Compton was also an excellent climber, highly regarded by Blodig for his "brilliant mountaineering skill on ice and rock, his truly admirable perseverance, his inexhaustible patience in bearing hardships". He was a member of the exclusive Alpine Club and the German and Austrian Alpine Association (DAV).
Amongst his notable ascents were: Torre di Brenta first climbed in 1882; Cima Brenta, first climbed by the south wall in 1882; Odle} (Large Fermeda); Aiguille Blanche de Peuterey (ascent in 1905 with Karl Blodig); Grossglockner, climbed at the age of 70!
Compton died in Feldafing on 22 July 1921, aged 72. His son Edward Harrison Compton and daughter Dora Compton were also mountain painters. His other daughter Marion was a flower and still life painter.

Monday, August 1, 2011

THE GROSSGLOKNER PAINTED BY MARCUS PERNHART


MARCUS PERNHART (1824-1871) 
Grossglockner or Glokner (3,798 m - 12,460ft)
Austria 

 In  Grossglockner, 1857, oil on canvas, Kärntner Landesmuseum


The mountain  
The Grossglockner (or just Glockner) (3,798 m - 12,460 ft) is above the Adriatic, the highest mountain of Austria and the highest mountain in the Alps east of the Brenner Pass. It is part of the larger Glockner Group of the Hohe Tauern range, situated along the main ridge of the Central Eastern Alps and the Alpine divide. The Pasterze, Austria's most extended glacier, lies on the Grossglockner's eastern slope. The characteristically pyramid-shaped peak actually consists of two pinnacles, the Grossglockner and the Kleinglockner (3,770 m -12,370 ft), from German: klein, "small"), separated by a saddle-like formation known as the Glocknerscharte.
The history of the climbs started with French-born natural scientist Belsazar Hacquet, from 1773 professor of anatomy at the Academy of Ljubljana. He travelled the Eastern Alps from 1779 to 1781 and published an itinerary in 1783, describing the Glokner mountain and stating that it had not been climbed yet. He estimated the mountain's height with converted (3,793 m -12,444 ft) and left an engraving illustrating Grossglockner and Pasterze, the first known depiction of the mountain.
Inspired by Hacquet's book and the first ascent of the Mont Blanc in 1786, the Gurk prince-bishop Count Franz Xaver of Salm (1749–1822) together with his vicar general Sigismund Ernst Hohenwart  (1745–1825) and Baron Franz Xaver von Wulfen (1728–1805) started efforts for a Grossglockner expedition. They engaged two peasants from Heiligenblut as mountain guides to do the first explorations for an ascent through the Leitertal valley, which is the side of Grossglockner with the least ice (people feared glaciers in these times). These valiant men, called "Glockners" in the records, did more than they were ordered to do - and probably reached the Kleinglockner summit on 23 July 1799.
One month later the bishop's expedition started: a mountain hut (the first Salm Hut) had been built and the path in the Leitertal valley was prepared so that the bishop could use a horse to reach it. 30 people, among them Salm, Hohenwart and Wulfen, were part of the expedition. They suffered with bad weather and a first effort failed, but on 25 August 1799 Hohenwart and at least four other people, including the two "Glockners", reached - again - the Kleinglockner, where they installed one of the first summit crosses (one of the main goals of the church expedition). Hohenwart's reports did not tell clearly that they had not touched the highest point but Bishop Salm (who had reached the Adlersruhe rock at 3,454 m (11,332 ft)) was informed. Dissatisfied, he invited another, even bigger expedition the next year.
On 28 July 1800, 62 people, among them the pedagogue Franz Michael Vierthaler and the botanist David Heinrich Hoppe, started again into the Leitertal valley. Four peasants and carpenters (the "Glockners" and two others who are not known) did a track in the snow, had installed fixed ropes at some steeper sections up to the end of the Glocknerleitl, and even built a second refuge, called Hohenwarte Hut. The vanguard reached the Kleinglockner peak, however, according to the expedition records by the Dellach priest Franz Joseph Horasch (Orasch), only the four guides and Mathias Hautzendorfer, the local priest of the Rangersdorf parish, were able to cross the Obere Glocknerscharte and climb the Grossglockner summit. Hautzendorfer had to be persuaded to venture the step and administered the last rites in advance.
The two "Glockners" are usually identified as the brothers Joseph (Sepp) and Martin Klotz, however, this surname is not listed in the Heiligenblut parish register. A local peasant named Sepp Hoysen is documented as a member of the second Grossglockner expedition in 1802, and the surveyor Ulrich Schiegg mentioned one Martin Reicher as "Glockner" guide. The peasants and several other members of the expedition (among them Schiegg and his young apprentice Valentin Stanič, who climbed Mt. Watzmann for the first time some weeks later) did the ascent again the next day and finally installed the summit cross and a barometer on the Grossglockner summit.
Bishop Salm undertook two more ascents in 1802 (with Hohenwart reaching the summit) and in 1806, however, he himself never climbed beyond the Adlersruhe rock. The climbing of the Grossglockner was also described by the botanist Josef August Schultes, who explored the massif together with Count Apponyi in 1802. No further ascents were made during the Napoleonic Wars, the huts decayed and were plundered by locals. In the following Vormärz era, however, the mountain became a popular venue for Alpinists like Hermann and Adolf Schlagintweit, who all followed the route of the first ascent.
By the mid 19th century, the developing Alpine tourism began to alter the traditional agriculture economy in the Heiligenblut area. Therefore, the people of Kals tried to lay out a straight ascent from the western side, which however was not reached until Julius von Payer explored the ridge between Glöcknerleitl and Ködnitzkees in 1863. Johann Stüdl had a via ferrata erected along the southwestern ridge the next year and the Stüdlhütte erected at its foot in 1868. Already in 1869, most expeditions to the summit started in Kals. The first winter ascent of the Grossglockner was made on January 2, 1875 by William Adolf Baillie Grohman, a member of the Alpine Club. In 1876 Count Pallavicini and his guide Hans Tribusser undertook the first expedition up the steep glaciated Northeast Face, chopping 2,500 steps into the Pallavicinirinne in an ice climbing master stroke not repeated for 23 years.
In 1879, Count Pallavicini dedicated a new iron summit cross on the occasion of the silver wedding of Emperor Franz Joseph of Austria and Empress Elisabeth; both had visited Heiligenblut and walked to the present-day Franz-Josefs-Höhe viewpoint in 1865. The cross was installed on 2 October 1880. Pallavicini also had the Archduke John Hut erected at the former Adlersruhe resting place of Bishop Salm, today the highest situated mountain hut in Austria. The Austrian Alpine Club built the new Salmhütte and the Glocknerhaus along the alpine route from Heiligenblut.
A first ascent by skiing was made in 1909 and the circumnavigation of the massif soon became a popular ski mountaineering tour. The Grossglockner became Austria's highest mountain, when the South Tyrolean Ortler region had to be ceded to the Kingdom of Italy according to the 1919 Treaty of Saint-Germain, which promoted its reputation as a tourist attraction.

The Painter 
Markus Pernhart was a Carinthian Slovenian / Austrian painter. He is considered the first Slovene realistic landscape painter. Early on, he began to paint panels ans humorous works, offered at Klagenfurt weekly market. At  barely 12 years, he painted the guest rooms of Krajcar Restaurant between Klagenfurt and Völkermarkt. The innkeeper made, the bishop's chaplain Henr. Hermann discovered the talented boys. At 15, he trained in painting first with Andreas Hauser in Klagenfurt. Hermann supported him further and introduced him to his patron, the Gorizia Archbishop Francis Xavier Luzhin.  Through this he got contact with the Viennese art scene, particularly to Franz Steinfeld, who taught at the Academy of Fine Arts. It was forwarded to the Munich Academy, but soon returned to Carinthia. There he was promoted by his stage name Pernhart the famous landscape painter of his time.
When Pernhart's drawing style had fully developed, he was asked by Max Moro to draw all Castles Carinthia. The idea was to these buildings if they could often for financial reasons can not be obtained, at least to preserve the picture, thereby preserving from decay. Markus Pernhart does not disappoint its customers and held in pencil drawings smallest details of the well-preserved, but also the already partly decayed plants firmly. Already in 1853, he produced 40 drawings followed by 198 others, he property of the Historical Association for Carinthia. In 1855  he gave the Carinthian estates Empress Elisabeth, an album of 21 drawings to which Max Moro contributed. Entitled images from Carinthia  appeared  in 1863-1868 in deliveries as steel engravings with accompanying. After his death appeared 5 lithographic panoramic images (Klagenfurt in 1875 and 1889). 
His entire painted oeuvre consists of approximately 1,200  paintings, drawings and engavings that delight even after his death a large appreciation.
Pernhart presented landscapes, preferably lakes and high mountain motifs or castles, but also animals and still life subjects, in an idyllic and pathetic style. His works can be seen against the background of an incipient leisure society, they lead before the regional status objects of his home.