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Showing posts with label Weisshorn. Show all posts
Showing posts with label Weisshorn. Show all posts

Sunday, June 23, 2019

THE WEISSHORN PAINTED BY FERDINAND HODLER



FERDINAND HODLER (1853-1918),
Weisshorn (4,506 m  - 14,783 ft)
Switzerland

In Weisshorn of Montana,  oil on canvas, 1915

The mountain 
The Weisshorn  (4,506 m  - 14,783 ft), meaning the white peak, is a major peak of the Swiss Alps,  part of the Pennine Alps and  located between the valleys of Anniviers and Zermatt in the canton of Valais. In the latter valley, the Weisshorn is one of the many 4000ers surrounding Zermatt, with Monte Rosa and the Matterhorn.
It is the culminating point on the north-south orientated chain separating the Val d'Anniviers to the west and the Mattertal to the east and enclosing the Turtmanntal to the north, the tripoint between these valleys being located just north of its main summit. The Weisshorn faces the slightly higher Dom across the Mattertal, with the village of Randa 3100 metres below these two summits. After the Dom, the Weisshorn is the second-highest Alpine summit situated completely out the main chain and fully within Switzerland. On both sides of the Weisshorn range, the water end up in the Rhone, through the Navissence (west) and the Vispa (east). The Weisshorn and the Dom are only two of the many 4000-metre peaks surrounding the region of Zermatt, along with the Zinalrothorn, the Dent Blanche, the Dent d'Hérens, the Matterhorn and, second highest in the Alps, Monte Rosa.
The Weisshorn has a pyramidal shape and its faces are separated by three ridges descending steeply from the summit. Two of these are nearly in a straight line, one running approximately north and the other south. The third ridge is nearly at right angles to these two, running almost due east. In the compartment between the northern and eastern spurs lies the Bis Glacier (Bisgletscher). It is connected with the summit by long and extremely steep slopes of snow. In the compartment between the eastern and southern spurs lies the Schali Glacier (Schaligletscher). Ranges of steep rocks rise round the whole basin of this glacier, except in one or two places where they are interrupted by couloirs of snow. Finally, on the western side the mountain presents one gigantic face of rocky precipice. This face rises above the Weisshorn Glacier (Glacier du Weisshorn) and the Moming Glacier. The northern spur forks out at a considerable distance below the summit into two branches enclosing the Turtmann Glacier. The eastern branch connects the mountain with the Bishorn (4,153 m), across the Weisshornjoch.
The Weisshorn was first climbed in 1861 from Randa by the Irish physicist John Tyndall, accompanied by the guides J.J. Bennen and Ulrich Wenger. Nowadays, the Weisshorn Hut is used on the normal route. The Weisshorn is considered by many mountaineers to be the most beautiful mountain in the Alps and Switzerland for its pyramidal shape and pure white slopes.


The painter
Ferdinand Hodler was one of the best-known Swiss painters of the 19th century. His early works were portraits, landscapes, and genre paintings in a realistic style. Later, he adopted a personal form of symbolism he called Parallelism.
In the last decade of the nineteenth century his work evolved to combine influences from several genres including Symbolism and Art Nouveau. In 1890 he completed Night, a work that marked Hodler's turn toward symbolist imagery. It depicts several recumbent figures, all of them relaxed in sleep except for an agitated man who is menaced by a figure shrouded in black, which Hodler intended as a symbol of death. Hodler developed a style he called "Parallelism" that emphasized the symmetry and rhythm he believed formed the basis of human society. In paintings such as The Chosen One, groupings of figures are symmetrically arranged in poses suggestive of ritual or dance.
Hodler painted number of large-scale historical paintings, often with patriotic themes. In 1897 he accepted a commission to paint a series of large frescoes for the Weapons Room of the Schweizerisches Landesmuseum in Zurich. The compositions he proposed, including The Battle of Marignan which depicted a battle that the Swiss lost, were controversial for their imagery and style, and Hodler was not permitted to execute the frescoes until 1900.
Hodler's work in his final phase took on an expressionist aspect with strongly coloured and geometrical figures. Landscapes were pared down to essentials, sometimes consisting of a jagged wedge of land between water and sky
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2019 - Wandering Vertexes...
Un blog de Francis Rousseau




Thursday, December 13, 2018

THE WEISSHORN BY BLANCHE BERTHOUD


 BLANCHE BERTHOUD (1864 -1938)
Das Weisshorn  (4, 506m - 14, 783ft)
Switzerland (Valais) 

 In  Das Weisshorn im Abendlicht, oil on canvas.


The mountain 
The Weisshorn (4, 506m - 14, 783ft) meaning white peak  in German, is a major peak of the Swiss Alps. It is part of the Pennine Alps and is located between the valleys of Anniviers and Zermatt in the canton of Valais.  The Weisshorn was first climbed in 1861 from Randa by the Irish physicist John Tyndall, accompanied by the guides J.J. Bennen and Ulrich Wenger. Nowadays, the Weisshorn Hut is used on the normal route. The Weisshorn is considered by many mountaineers to be the most beautiful mountain in the Alps and Switzerland for its pyramidal shape and pure white slopes.
In April and May 1991, two consecutive rockslides took place from a cliff above the town of Randa on the east side of the massif, below the Bis Glacier.

The painter 
Blanche Berthoud was a Swiss painter from the region Neufchatel (Switzerland) who was very active throughout the first half of the 20th century. She was part of the  Société romande des femmes peintres  (Romande Society of Women Painter) founded  by the painter Jeanne Lombard (1865-1945) who defended very fiercely mountain women painters, a world often reserved for men. She made several paintings and watercolors of the Breithorn, one of which was acquired by the Museum of Art and History of Neufchatel.

2018 - Wandering Vertexes...
by Francis Rousseau 

Tuesday, June 19, 2018

THE WEISSHORN BY WILHELM FRIEDRICH BURGER


WILHELM FRIEDRICH BURGER (1882-1964)
The Weisshorn  (4, 506m - 14, 783ft)
Switzerland (Valais) 

In The Weisshorn from Zermatt, pencil on paper, John Mitchell Gallery, London 

The mountain 
The Weisshorn (4, 506m - 14, 783ft) meaning white peak  in German ) is a major peak of the Swiss Alps. It is part of the Pennine Alps and is located between the valleys of Anniviers and Zermatt in the canton of Valais.  The Weisshorn was first climbed in 1861 from Randa by the Irish physicist John Tyndall, accompanied by the guides J.J. Bennen and Ulrich Wenger. Nowadays, the Weisshorn Hut is used on the normal route. The Weisshorn is considered by many mountaineers to be the most beautiful mountain in the Alps and Switzerland for its pyramidal shape and pure white slopes.
In April and May 1991, two consecutive rockslides took place from a cliff above the town of Randa on the east side of the massif, below the Bis Glacier.

The artist 
One of the leading graphic artists of his time, Wilhelm, or Willy, Burger is widely recognized today for his lithographed posters. Some of these placards now sell for more than his oils and watercolours! However, he was first and foremost a painter by training. He apprenticed in Zurich before leaving for Philadelphia and New York in 1908. After working there for several years, he returned to Zurich from where he would travel throughout the Swiss Alps, the Mediterranean and even Egypt for his commissions. This lofty panorama was painted in 1933 from the best known viewpoint of the monumental peak that straddles the French and Italian borders. Burger’s watercolour skills come to the fore in his rendering of the shadows reaching down the rocks to the Bergschrund above the Glacier du Géant; the small blob of undiluted ultramarine blue in the centre of Burger’s composition conjures the ice and late afternoon cold.