CESARE MAGGI (1881-1962)
The Mont Blanc (4,808 m -15,777 ft)
(from Italian side)
(from Italian side)
France - Italy
In A snowstorm over the Mont-Blanc oil on canvas, 100 x 70 cm, Private collection
The Mont-Blanc (in French) (4 ,808.73 m -15,777 ft) or Monte Bianco (in Italian), both meaning "White Mountain", is the highest mountain in the Alps and the highest in Europe after the Caucasus peaks. It is ranked 11th in the world in topographic prominence. The Mont Blanc is one of the Seven Summit, which includes the highest mountains of each of the seven continents. Summiting all of them is regarded as a mountaineering challenge, first achieved on April 30, 1985 by Richard Bass. The 7 highest summit, (which are obviously 8 with 2 in Europe !) are : Mount Everest (8,848m), Aconcagua (6,961m), Mt Denali or Mc Kinley (6,194m), Kilimandjaro (5,895m), Mt Elbrus (5,642m), Mount Vinson (4,892m) and Mount Kosciuszko (2,228m) in Australia.
The overcrowding threshold of Mont Blanc is reached, with 300 to 400 departures per day in summer.
At the summit of the National Mountain Council held in Sallanches at the end of August 2006, it was estimated that between 25,000 and 30,000 people set out in 2005 to conquer Mont Blanc. With the opening of new markets (Russia, China, India), 50,000 to 100,000 people could tomorrow try the adventure, the figure of 200,000 has even been advanced.
These prospects are nightmarish for the defenders of the site and for some political leaders of the valley, such as the mayor of Saint-Gervais-les-Bains, common on which Mont Blanc is located.
- More about the Mont-Blanc
The painter
The italian painter Cesare Maggi was born into a family of actors, Maggi embarked on classical studies at his father’s wish but also took up painting at a very early age His debut in Florence at the Esposizione Annuale della Società di Belle Arti di Firenze in 1898 was followed by a short trip to Paris to catch up with the latest developments.
The crucial turning point in Maggi’s art came in 1889 with the posthumous show of work by Giovanni Segantini held by the Milanese Society of Fine Arts, which prompted a definitive shift to landscape painting of a Divisionist character. After a short stay in the Engadin, he returned to Milan before finally settling in Turin. Commercial collaboration with Alberto Grubicy until 1913 enabled Maggi to establish himself quickly as one of the leading representatives of the second generation of Divisionist painters in Italy. He painted a repertoire of readily comprehensible mountain landscapes focusing primarily on aspects of the visual perception of the reflection of light and colour but lacking the deep spirituality of Segantini’s work. He took part in the major Italian and European exhibitions and the Venice Biennale devoted an entire room to his work at the Esposizione Internazionale d’Arte of Venice in 1912. After an interlude devoted to portrait painting in the same decade, the artist’s mature work focused on greater simplification of subject matter, mostly in landscapes.
Maggi obtained the chair in painting at the Albertina Academy, Turin, in 1936.
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2019 - Wandering Vertexes...
by Francis Rousseau
The italian painter Cesare Maggi was born into a family of actors, Maggi embarked on classical studies at his father’s wish but also took up painting at a very early age His debut in Florence at the Esposizione Annuale della Società di Belle Arti di Firenze in 1898 was followed by a short trip to Paris to catch up with the latest developments.
The crucial turning point in Maggi’s art came in 1889 with the posthumous show of work by Giovanni Segantini held by the Milanese Society of Fine Arts, which prompted a definitive shift to landscape painting of a Divisionist character. After a short stay in the Engadin, he returned to Milan before finally settling in Turin. Commercial collaboration with Alberto Grubicy until 1913 enabled Maggi to establish himself quickly as one of the leading representatives of the second generation of Divisionist painters in Italy. He painted a repertoire of readily comprehensible mountain landscapes focusing primarily on aspects of the visual perception of the reflection of light and colour but lacking the deep spirituality of Segantini’s work. He took part in the major Italian and European exhibitions and the Venice Biennale devoted an entire room to his work at the Esposizione Internazionale d’Arte of Venice in 1912. After an interlude devoted to portrait painting in the same decade, the artist’s mature work focused on greater simplification of subject matter, mostly in landscapes.
Maggi obtained the chair in painting at the Albertina Academy, Turin, in 1936.
___________________________________________
2019 - Wandering Vertexes...
by Francis Rousseau
