LE MONT SHASTA /UYTAAHKOO PEINT PAR FRANK TENNEY JOHNSON

 

FRANK TENNEY JOHNSON (1874-1939)
Mont Shasta / Uytaahkoo (4,317m )
Etats -Unis d'Amérique (Californie)

In Cowboys roping the bear, huile su toile, 71 x 91 cm, Collection privée (Christie's)

La montagne
Le mont Shasta / Uytaahkoo (4,317m) appelé Mount Sisson jusqu'en 1922, est un stratovolcan de l'État de Californie, à l'ouest des États-Unis, le deuxième plus haut sommet de la chaîne des Cascades. Le mont Shasta présente la particularité d'être à 3 000 mètres au-dessus de la plaine alentour. Sa première ascension s'est faite en 1854 par E.D. Pearce. Le mont Shasta est constitué de quatre cônes séparés, ensevelis les uns sur les autres. Le Shastina (3 749 mètres) est le cône le plus visible et constitue un sommet secondaire. Au sommet de ce dernier, on peut trouver un cratère totalement intact, ce qui prouve que Shastina fut formée après le dernier âge glaciaire. Le reste des pentes de Shasta montre relativement peu de traces d'érosion. Paradoxalement, la seule exception se situe au sud, où la Sargents Ridge est parallèle au U-shaped Avalanch Gulch (la plus grande vallée glaciaire sur le volcan, bien qu'il n'y ait plus de glacier). Il y a cinq petits glaciers sur le flanc nord de la montagne. Il existe de nombreux promontoires glaciaires qui furent créés durant les périodes de glaciation de la glaciation de Würm. La plupart ont été remplis par de la lave andésitique, des coulées pyroclastiques et les talus des dômes de lave .Au cours des derniers 10 000 ans, le mont Shasta est entré en éruption en moyenne tous les 800 ans, mais sur les derniers 4 500 ans, la période entre deux éruptions est de 600 ans. La dernière éruption d'importance se serait produite il y a 200 ans. Le mont Shasta en Californie a fait l'objet d'un nombre inhabituellement élevé de mythes et de légendes. En particulier, on dit souvent qu'il cache une ville secrète sous ses sommets. Les Amérindiens de la tribu Iore, qui habitaient la région, pensaient que le mont Shasta était habité par l'esprit du chef Skell, qui était descendu du paradis vers le sommet de la montagne. Depuis lors, de nombreux autres cultes ont été attirés par le Mont Shasta. Pour les Acumawis, une source de la montagne serait formée des larmes de tous les daims pour leur éviter de pleurer lorsqu'ils sont tués par un chasseur. Le mont Shasta est aussi le lieu d'un monastère bouddhiste, Shasta Abbey, fondé par Houn Jiyu-Kennett en 1971.Le mont Shasta est longuement et rigoureusement décrit par John Muir dans le chapitre « Tempête de neige sur le mont Shasta » (« Snow-Storm on Mount Shasta » - première édition septembre 1877) du recueil de certains de ses textes Forêts dans la tempête et autres colères de la nature. Le mont Shasta est cité au début du recueil de nouvelles de Jack Kerouac La grande traversée de l'Ouest en bus.


Le peintre
Frank Tenney Johnson fut et reste le plus grand peintre, avec Frederic Remington, du Far West. Il a largement popularisé un style de peinture de cow-boys, devenu célèbre sous l'appellation de "The Johnson Moonlight Technique". Somewhere on the Range est un exemple de cette technique "au clair de lune" de Johnson. Pour peindre ses tableaux, il utilisait des couteaux, des pinceaux et ses doigts. Frank Tenney Johnson a grandi dans la ferme de sa famille dans l'ancien Overland Trail, près de Big Grove, Iowa (aujourd'hui connu sous le nom d' Oakland, Iowa ) dans la région de Council Bluffs, où son père élevait du bétail. Les premiers ancêtres américains de Johnson seraeent originaires à la fois d'Angleterre, d'Irlande, du Pays de Galles, du Danemark et de Suède. Ses ancêtres Bascom étaient basques français. Lorsque sa mère de Johnson est décédée en 1886, la famille a déménagé dans la région de Milwaukee, Wisconsin. Il a alors fréquenté le lycée Oconomowoc à Oconomowoc  En 1893, il s'inscrit à la Milwaukee School of Art (absorbée par la Milwaukee State Normal School en 1913), où il étudie avec Richard Lorenz, un peintre  connu pour ses paysages. En 1895, Johnson déménage à New York, où il a étudie avec le grand peintre paysagiste et pédagogue américain John Henry Twachtman à l' Art Students League de New York.  

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2023 - Gravir les Montagnes en peinture
Un blog de Francis Rousseau

SAN MINIATO HILLS PAINTED BY JOHN HENRY TWACHTMAN

 

JOHN HENRY TWACHTMAN (1853-1902)
San Miniato Hills (140m - 459 ft))
Italy (Tuscanny)

In San Miniato Hills, 1892, oil on painting, 22 x 48cm, Private collection, New York

The hills
San Miniato sits at an historically strategic location atop three small hills (140m - 459 ft) where it dominates the lower Arno valley, between the valleys of Egola and Elsa rivers. Miniato is a town in the province of Pisa, in the region of Tuscany, ItalyIt used to carry the additional sobriquet al Tedesco ("to the German") to distinguish it from the convent of San Miniato al Monte in Florence, which is about 40 kilometres (25 mi) to the northeast. In medieval times, San Miniato was on the via Francigena, which was the main connecting route between northern Europe and Rome. It also sits at the intersection of the Florence-Pisa and the Lucca-Siena roads. Over the centuries San Miniato was therefore exposed to a constant flow of friendly and hostile armies, traders in all manner of goods and services, and other travelers from near and far. Archaeological evidence indicates that the site of the city and surrounding area has been settled since at least the paleolithic era. It would have been well known to the Etruscans, and certainly to the Romans, for whom it was a military post called "Quarto".

The painter
John Henry Twachtman was an American painter best known for his impressionist landscapes, though his painting style varied widely through his career. Art historians consider Twachtman's style of American Impressionism to be among the more personal and experimental of his generation. Twachtman was born in Cincinnati, Ohio and received his first art training there, including studying under Frank Duveneck. Like some white artists of means and European heritage of the era, Twachtman then proceeded to Europe to further his education. He enrolled in the Academy of Fine Arts in Munich in 1875 and visited Venice with Duveneck and William Merritt Chase in 1878. His landscapes from this time exhibit the loosely brushed, shadowy technique taught at Munich. Twachtman also learned etching, and sometimes carried etching plates with him that he could use to spontaneously record a scene. After a brief return to America, Twachtman studied from 1883 to 1885 at the Académie Julian in Paris, and his paintings dramatically shifted towards a soft, gray and green tonalist style. During this time he painted what some art historians consider to be his greatest masterpieces, including Arques-la-Bataille, in the collection of the Metropolitan Museum of Art in New York, and Springtime, in the collection of the Cincinnati Art Museum. In 1886 he returned to America. In 1890, he bought a farm in Greenwich. He often painted and exhibited with fellow artist Julian Alden Weir, and spent considerable time at the art colony in Cos Cob. His presence was vital to the colony. In addition to his oil paintings, Twachtman produced drawings in pastel. He taught painting at the Art Students League from 1889 until his death in 1902. Twachtman was close friends with Julian Alden Weir and the two often painted together. In Connecticut his painting style shifted again, this time to a highly personal impressionist technique. Twachtman painted many landscapes of his farm and garden in Greenwich, often depicting the snow-covered landscape. He executed dozens of paintings of a small waterfall on his property, capturing the scene in different seasons and times of day. In the summers of 1900–1902, Twachtman visited Gloucester, Massachusetts, another center of artistic activity in the era, and produced a series of vibrant scenes that anticipated a more modernist style yet to gain prominence in American art. Twachtman died suddenly in Gloucester of a brain aneurysm, aged 49. Today, his works are in many museum collections including the Metropolitan Museum of Art, New York; the National Gallery of Art, Washington, D.C.; and the Museum of Fine Arts, Boston.
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2022 - Wandering Vertexes...
by Francis Rousseau 

THE WHITES PAINTED BY CHILDE HASSAM

CHILDE HASSAM (1859-1935)

White Mountains (1,917m - 6,288ft) 

United States of America (New Hampshire) 

In Spring In White Mountains, oil on canvas

The mountains
The White Mountains (1,917m - 6,288ft) also called The Whites are a mountain range covering about a quarter of the state of New Hampshire and a small portion of western Maine in the United States. They are part of the northern Appalachian Mountains and the most rugged mountains in New England. The range is heavily visited due to its proximity to Boston and, to a lesser extent, New York City and Montreal, Quebec, Canada.
Most of the area is public land, including the White Mountain National Forest and a number of state parks. Its most famous mountain is Mount Washington (1,917 m- 6,288-ft) which is the highest peak in the Northeastern U.S. and for 76 years held the record for fastest surface wind gust in the world (231 miles per hour (372 km/h) in 1934 .
The White Mountains also include the Franconia Range, Sandwich Range, Carter-Moriah Range and Kinsman Range in New Hampshire, and the Mahoosuc Range straddling the border between it and Maine. In all, there are 48 peaks within New Hampshire as well as one (Old Speck Mountain) in Maine over 4,000 feet (1,200 m), known as the four-thousand footers.
The Whites are known for a system of alpine huts for hikers operated by the Appalachian Mountain Club. The Appalachian Trail crosses the area from southwest to northeast.

The painter
Frederick Childe Hassam was an American Impressionist painter, noted for his urban and coastal scenes. Along with Mary Cassatt and John Henry Twachtman, Hassam was instrumental in promulgating Impressionism to American collectors, dealers, and museums. He produced over 3,000 paintings, oils, watercolors, etchings, and lithographs over the course of his career, and was an influential American artist of the early 20th century.
In 1904 and 1908, he traveled to Oregon and was stimulated by new subjects and diverse views, frequently working out-of-doors with friend, lawyer and amateur painter Colonel C. E. S. Wood.
He produced over 100 paintings, pastels, and watercolors of the High Desert, the rugged coast, the Cascades, scenes of Portland. As usual, he adapted his style and colors to the subject at hand and the mood of place, but always in the Impressionist vein. With the art market now eagerly accepting his work, by 1909 Hassam was enjoying great success, earning as much as $6,000 per painting. His close friend and fellow artist J. Alden Weir commented to another artist : "Our mutual friend Hassam has been in the greatest of luck and merited success. He sold his apartment studio and has sold more pictures this winter, I think, than ever before and is really on the crest of the wave. So he goes around with a crisp, cheerful air."

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2019 - Wandering Vertexes...
by Francis Rousseau

MT ST HELEN AND MT ADAMS PAINTED BY CHILDE HASSAM

CHILDE HASSAM (1859-1935)

Mount St. Helens / Louwala-Clough (2, 549 m - 8, 363 ft) 

Mount Adams / Patho or Klikitat (3, 473m - 12, 281ft) 
United States of America (Washington State)

In Adams and St. Helen's, Early Morning, watercolor, 1887, Private collection

The mountains

Mount St. Helens or Louwala-Clough (2, 549m- 8,363 ft) knownas Lawetlat'la to the Cowlitz people, and Loowit to the Klickitat people, is an active stratovolcano located in Skamania County, Washington, in the Pacific Northwest region of the United States. It is 96 miles (154 km) south of Seattle, Washington, and 50 miles (80 km) northeast of Portland, Oregon. Mount St. Helens takes its English name from the British diplomat Lord St Helens, a friend of explorer George Vancouver who made a survey of the area in the late 18th century.The volcano is located in the Cascade Range and is part of the Cascade Volcanic Arc, a segment of the Pacific Ring of Fire that includes over 160 active volcanoes. This volcano is well known for its ash explosions and pyroclastic flows.

More about Mt St Helens 

Mount Adams or Patho or Klikitat (3, 473m - 12, 281ft)  is a potentially active stratovolcano in the Cascade Range, USA. Although Adams has not erupted in more than 1,000 years, it is not considered extinct. It is the second-highest mountain in the U.S. state of Washington, after Mount Rainier/Tacoma. Mount Adams is a member of the Cascade Volcanic Arc, and is one of the arc's largest volcanoes, located in a remote wilderness approximately 34 miles (55 km) east of Mount St. Helens. The Mount Adams Wilderness consists of the upper and western part of the volcano's cone. The eastern side of the mountain is designated as part of the territory of the Yakama Nation.

More about Mt Adams

The painter
Frederick Childe Hassam was an American Impressionist painter, noted for his urban and coastal scenes. Along with Mary Cassatt and John Henry Twachtman, Hassam was instrumental in promulgating Impressionism to American collectors, dealers, and museums. He produced over 3,000 paintings, oils, watercolors, etchings, and lithographs over the course of his career, and was an influential American artist of the early 20th century.
In 1904 and 1908, he traveled to Oregon and was stimulated by new subjects and diverse views, frequently working out-of-doors with friend, lawyer and amateur painter Colonel C. E. S. Wood.
He produced over 100 paintings, pastels, and watercolors of the High Desert, the rugged coast, the Cascades, scenes of Portland. As usual, he adapted his style and colors to the subject at hand and the mood of place, but always in the Impressionist vein. With the art market now eagerly accepting his work, by 1909 Hassam was enjoying great success, earning as much as $6,000 per painting. His close friend and fellow artist J. Alden Weir commented to another artist : "Our mutual friend Hassam has been in the greatest of luck and merited success. He sold his apartment studio and has sold more pictures this winter, I think, than ever before and is really on the crest of the wave. So he goes around with a crisp, cheerful air."
The most distinctive and famous works of Hassam's later life comprise the set of some 30 paintings known as the "Flag series". He began these in 1916 when he was inspired by a "Preparedness Parade" (for the US involvement in World War I), which was held on Fifth Avenue in New York (renamed the "Avenue of the Allies" during the Liberty Loan Drives of 1918).Thousands participated in these parades, which often lasted for over twelve hours.
Being an avid Francophile, of English ancestry, and strongly anti-Germany, Hassam enthusiastically backed the Allied cause and the protection of French culture.
In 1919, Hassam purchased a home in East Hampton, New York. Many of his late paintings employed nearby subjects in that town and elsewhere on Long Island. In 1920, he received the Gold Medal of Honor for lifetime achievement from the Pennsylvania Academy of the Fine Arts and numerous other awards through the 1920s. Hassam traveled relatively little in his last years, but did visit California, Arizona, Louisiana, Texas, and Mexico.
He died in East Hampton in 1935, at age 75.
He denounced modern trends in art to the end of his life, and he termed "art boobys" all the painters, critics, collectors, and dealers who got on the bandwagon and promoted Cubism, Surrealism and other avant-garde movements. Until a revival of interest in American Impressionism in the 1960s, Hassam was considered among the "abandoned geniuses". As French Impressionist paintings reached stratospheric prices in the 1970s, Hassam and other American Impressionists gained renewed interest and were bid up as well.
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2019 - Wandering Vertexes...
by Francis Rousseau

TELEGRAPH HILL PAINTED BY CHILDE HASSAM

CHILDE HASSAM (1859-1935)

Telegraph Hill (84 m- 275 ft)  

United Sates od America (California)  

In Telegraph Hill, Oil on canvas, 1914 

The hill 
Telegraph Hill (84 m- 275 ft) is a hill and surrounding neighborhood in San Francisco, California. It is one of San Francisco's 44 hills, and one of its original "Seven Hills".
Originally named Loma Alta (High Hill) by the Spaniards, the hill was then familiarly known as Goat Hill by the early San Franciscans and became the neighborhood of choice for many Irish immigrants. From 1825 through 1847, the area between Sansome and Battery, Broadway and Vallejo streets was used as a burial ground for foreign non-Catholic seamen.
The hill owes its name to a semaphore, a windmill-like structure erected in September 1849, for the purpose of signaling to the rest of the city the nature of the ships entering the Golden Gate.
The pole-and-arm signals on the Telegraph Hill semaphore became so well known to townspeople that, according to one story, during a play in a San Francisco theater, an actor held his arms aloft and cried, "Oh God, what does this mean?", prompting a rogue in the gallery to shout, "Sidewheel steamer!", which brought down the house.
Telegraph Hill is primarily a residential area, much quieter than adjoining North Beach with its bustling cafés and nightlife. Aside from Coit Tower, it is well known for its gardens flowing down Filbert Street down to Levi Plaza.
Today Telegraph Hill is known for supporting a flock of feral parrots, primarily red-masked parakeets (Aratinga erythrogenys), descended from escaped or released pets. The flock was popularized by a book and subsequent documentary (2003), both titled The Wild Parrots of Telegraph Hill.
The birds, known in the bird trade as cherry-headed conures, are native to Peru and Ecuador; they have established a breeding colony, with the support of some residents, as reported in the film The Wild Parrots of Telegraph Hill, and through the help of volunteers with Mickaboo Companion Bird Rescue.  They range widely, including along The Embarcadero and in the Presidio.

The painter
Frederick Childe Hassam was an American Impressionist painter, noted for his urban and coastal scenes. Along with Mary Cassatt and John Henry Twachtman, Hassam was instrumental in promulgating Impressionism to American collectors, dealers, and museums. He produced over 3,000 paintings, oils, watercolors, etchings, and lithographs over the course of his career, and was an influential American artist of the early 20th century.
In 1904 and 1908, he traveled to Oregon and was stimulated by new subjects and diverse views, frequently working out-of-doors with friend, lawyer and amateur painter Colonel C. E. S. Wood.
He produced over 100 paintings, pastels, and watercolors of the High Desert, the rugged coast, the Cascades, scenes of Portland. As usual, he adapted his style and colors to the subject at hand and the mood of place, but always in the Impressionist vein. With the art market now eagerly accepting his work, by 1909 Hassam was enjoying great success, earning as much as $6,000 per painting. His close friend and fellow artist J. Alden Weir commented to another artist : "Our mutual friend Hassam has been in the greatest of luck and merited success. He sold his apartment studio and has sold more pictures this winter, I think, than ever before and is really on the crest of the wave. So he goes around with a crisp, cheerful air."
The most distinctive and famous works of Hassam's later life comprise the set of some 30 paintings known as the "Flag series". He began these in 1916 when he was inspired by a "Preparedness Parade" (for the US involvement in World War I), which was held on Fifth Avenue in New York (renamed the "Avenue of the Allies" during the Liberty Loan Drives of 1918).Thousands participated in these parades, which often lasted for over twelve hours.
Being an avid Francophile, of English ancestry, and strongly anti-Germany, Hassam enthusiastically backed the Allied cause and the protection of French culture.
In 1919, Hassam purchased a home in East Hampton, New York. Many of his late paintings employed nearby subjects in that town and elsewhere on Long Island. In 1920, he received the Gold Medal of Honor for lifetime achievement from the Pennsylvania Academy of the Fine Arts and numerous other awards through the 1920s. Hassam traveled relatively little in his last years, but did visit California, Arizona, Louisiana, Texas, and Mexico. 

He died in East Hampton in 1935, at age 75.
He denounced modern trends in art to the end of his life, and he termed "art boobys" all the painters, critics, collectors, and dealers who got on the bandwagon and promoted Cubism, Surrealism and other avant-garde movements. Until a revival of interest in American Impressionism in the 1960s, Hassam was considered among the "abandoned geniuses". As French Impressionist paintings reached stratospheric prices in the 1970s, Hassam and other American Impressionists gained renewed interest and were bid up as well.

_______________________________

2019 - Wandering Vertexes...
by Francis Rousseau

BEACON MOUNTAIN PAINTED BY CHILDE HASSAM

CHILDE HASSAM (1859-1935)

Beacon mountain (491 m - 1,610 ft) 

United States of America (New-York)

In Mount Beacon at Newburgh, 1916, oil on wood, The Phillips Collection 

The mountain 

Beacon Mountain, (491 m - 1,610 ft) locally Mount Beacon, is the highest peak of Hudson Highlands, located behind the City of Beacon, New York, in the Town of Fishkill. Its two summits rise above the Hudson River behind the city and can easily be seen from Newburgh across the river and many other places in the region. The more accessible northern peak, at 1,531 feet (467 m) above sea level, has a complex of radio antennas on its summit; the 1,610-foot (491 m) southern summit has a fire lookout tower.
Beacon Reservoir, the city's main water source, is located between North Beacon and neighboring Scofield Ridge, the highest peak in Putnam County. Since much of the land on the mountains and up to the county line is owned by the city to protect the watershed, an extensive system of roads and trails makes it a popular hiking area. Both summits afford extensive views of the mid-Hudson region, and on clear days New York City is visible from the fire tower.
In the past, North Beacon was home to Dutchess ski area, and the remains of three ski trails can still be seen from the north. Additionally there was once the Mount Beacon Incline Railway, which stopped running in 1978 but has since been added to the National Register of Historic Places. Its track can still be seen going up the mountain and can be used to climb it, albeit steeply. At various other times in the past this summit housed a restaurant, a casino and a hotel.
The mountains provided a key vantage point over West Point and Hudson River, lending it historic roles in the American Revolution. Signal fires on the mountain gave both it and the nearby city their name. In 1901 the local chapter of the Daughters of the American Revolution erected a monument at the site of the original signal fire near the summit of North Beacon.

The painter
Frederick Childe Hassam was an American Impressionist painter, noted for his urban and coastal scenes. Along with Mary Cassatt and John Henry Twachtman, Hassam was instrumental in promulgating Impressionism to American collectors, dealers, and museums. He produced over 3,000 paintings, oils, watercolors, etchings, and lithographs over the course of his career, and was an influential American artist of the early 20th century.
In 1904 and 1908, he traveled to Oregon and was stimulated by new subjects and diverse views, frequently working out-of-doors with friend, lawyer and amateur painter Colonel C. E. S. Wood.
He produced over 100 paintings, pastels, and watercolors of the High Desert, the rugged coast, the Cascades, scenes of Portland. As usual, he adapted his style and colors to the subject at hand and the mood of place, but always in the Impressionist vein. With the art market now eagerly accepting his work, by 1909 Hassam was enjoying great success, earning as much as $6,000 per painting. His close friend and fellow artist J. Alden Weir commented to another artist : "Our mutual friend Hassam has been in the greatest of luck and merited success. He sold his apartment studio and has sold more pictures this winter, I think, than ever before and is really on the crest of the wave. So he goes around with a crisp, cheerful air."
The most distinctive and famous works of Hassam's later life comprise the set of some 30 paintings known as the "Flag series". He began these in 1916 when he was inspired by a "Preparedness Parade" (for the US involvement in World War I), which was held on Fifth Avenue in New York (renamed the "Avenue of the Allies" during the Liberty Loan Drives of 1918).Thousands participated in these parades, which often lasted for over twelve hours.
Being an avid Francophile, of English ancestry, and strongly anti-Germany, Hassam enthusiastically backed the Allied cause and the protection of French culture.
In 1919, Hassam purchased a home in East Hampton, New York. Many of his late paintings employed nearby subjects in that town and elsewhere on Long Island. In 1920, he received the Gold Medal of Honor for lifetime achievement from the Pennsylvania Academy of the Fine Arts and numerous other awards through the 1920s. Hassam traveled relatively little in his last years, but did visit California, Arizona, Louisiana, Texas, and Mexico. 

He died in East Hampton in 1935, at age 75.
He denounced modern trends in art to the end of his life, and he termed "art boobys" all the painters, critics, collectors, and dealers who got on the bandwagon and promoted Cubism, Surrealism and other avant-garde movements. Until a revival of interest in American Impressionism in the 1960s, Hassam was considered among the "abandoned geniuses". As French Impressionist paintings reached stratospheric prices in the 1970s, Hassam and other American Impressionists gained renewed interest and were bid up as well.

_______________________________

2019 - Wandering Vertexes...
by Francis Rousseau

MOUNT ADAMS PAINTED BY CHILDE HASSAM

CHILDE HASSAM (1859-1935)
Mount Adams or Patho or Klikitat (3, 473m - 12, 281ft) 

United States of America (Washington State) 

In  Looking towards Mount Adams from Mount Hood, watercolor, 1904

The mountain

Mount Adams or Patho or Klikitat (3, 473m - 12, 281ft)  is a potentially active stratovolcano in the Cascade Range, USA. Although Adams has not erupted in more than 1,000 years, it is not considered extinct. It is the second-highest mountain in the U.S. state of Washington, after Mount Rainier/Tacoma. Mount Adams is a member of the Cascade Volcanic Arc, and is one of the arc's largest volcanoes, located in a remote wilderness approximately 34 miles (55 km) east of Mount St. Helens. The Mount Adams Wilderness consists of the upper and western part of the volcano's cone. The eastern side of the mountain is designated as part of the territory of the Yakama Nation.

Adams' asymmetrical and broad body rises 1.5 miles (2.4 km) above the Cascade crest. Its nearly flat summit was formed as a result of cone-building eruptions from separated vents. A false summit, Pikers Peak, rises 11,657 feet (3,553 m) on the south side of the nearly half-mile (800 m) wide summit area. The true summit is about 600 feet (180 m) higher on the gently sloping north side. A small lava and scoria cone marks the highest point. Suksdorf Ridge is a long buttress descending from the false summit down to an elevation of 8,000 feet (2,000 m). This structure was built by repeated lava flows in the late Pleistocene. 

Air travelers flying the busy routes above the area sometimes confuse Mount Adams with nearby Mount Rainier/Tacoma, which has a similar flat-topped shape.

The Pacific Crest Trail traverses the western flank of the mountain.

In the early 21st century, glaciers cover a total of 2.5% of Adams' surface. During the last ice age about 90% of the mountain was glaciated. Mount Adams has 209 perennial snow and ice features and 12 officially named glaciers : Adams Glacier, Pinnacle Glacier, White Salmon Glacier,  Avalanche Glacier, Mazama Glacier, Klickitat Glacier, Rusk Glacier, Wilson Glacier, Gotchen Glacier, Crescent Glacier and Lava Glacier.

The painter
Frederick Childe Hassam was an American Impressionist painter, noted for his urban and coastal scenes. Along with Mary Cassatt and John Henry Twachtman, Hassam was instrumental in promulgating Impressionism to American collectors, dealers, and museums. He produced over 3,000 paintings, oils, watercolors, etchings, and lithographs over the course of his career, and was an influential American artist of the early 20th century.
In 1904 and 1908, he traveled to Oregon and was stimulated by new subjects and diverse views, frequently working out-of-doors with friend, lawyer and amateur painter Colonel C. E. S. Wood.
He produced over 100 paintings, pastels, and watercolors of the High Desert, the rugged coast, the Cascades, scenes of Portland.  As usual, he adapted his style and colors to the subject at hand and the mood of place, but always in the Impressionist vein. With the art market now eagerly accepting his work, by 1909 Hassam was enjoying great success, earning as much as $6,000 per painting. His close friend and fellow artist J. Alden Weir commented to another artist : "Our mutual friend Hassam has been in the greatest of luck and merited success. He sold his apartment studio and has sold more pictures this winter, I think, than ever before and is really on the crest of the wave. So he goes around with a crisp, cheerful air."

_______________________________
2019 - Wandering Vertexes...
by Francis Rousseau 

MOUNT HOOD / WY'EAST (2) BY CHILDE HASSAM

CHILDE HASSAM (1859-1935)

  Mount Hood  / Wy'east (3,429m-11,249ft) 

United States of America (Oregon)

 In Mount Hood, oil on Canvas,  1908, Portland Art Museums 

About the painting

Painted during Hassam's second trip to Oregon, the view across the city to Mount Hood is from the southwest hills and is an unusually tonalist composition for one of America's most important Impressionists.

The mountain 

Mount Hood  / Wy'east (3,429m-11,249ft) is a potentially active stratovolcano in the Cascade Volcanic Arc of northern Oregon. It was formed by a subduction zone on the Pacific coast and rests in the Pacific Northwest region of the United States. It is located about 50 miles (80 km) east-southeast of Portland, on the border between Clackamas and Hood River counties. In addition to being Oregon's highest mountain, it is one of the loftiest mountains in the nation based on its prominence.

The height assigned to Mount Hood's snow-covered peak has varied over its history. 

The peak is home to 12 named glaciers and snowfields. It is the highest point in Oregon and the fourth highest in the Cascade Range. Mount Hood is considered the Oregon volcano most likely to erupt, though based on its history, an explosive eruption is unlikely. Still, the odds of an eruption in the next 30 years are estimated at between 3 and 7 %, so the U.S. Geological Survey (USGS) characterizes it as "potentially active", but the mountain is informally considered dormant.

The painter
Frederick Childe Hassam was an American Impressionist painter, noted for his urban and coastal scenes. Along with Mary Cassatt and John Henry Twachtman, Hassam was instrumental in promulgating Impressionism to American collectors, dealers, and museums. He produced over 3,000 paintings, oils, watercolors, etchings, and lithographs over the course of his career, and was an influential American artist of the early 20th century.
In 1904 and 1908, he traveled to Oregon and was stimulated by new subjects and diverse views, frequently working out-of-doors with friend, lawyer and amateur painter Colonel C. E. S. Wood.
He produced over 100 paintings, pastels, and watercolors of the High Desert, the rugged coast, the Cascades, scenes of Portland.  As usual, he adapted his style and colors to the subject at hand and the mood of place, but always in the Impressionist vein. With the art market now eagerly accepting his work, by 1909 Hassam was enjoying great success, earning as much as $6,000 per painting. His close friend and fellow artist J. Alden Weir commented to another artist : "Our mutual friend Hassam has been in the greatest of luck and merited success. He sold his apartment studio and has sold more pictures this winter, I think, than ever before and is really on the crest of the wave. So he goes around with a crisp, cheerful air."

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2018 - Wandering Vertexes...
by Francis Rousseau 

MOUNT HOOD / WY'EAST (1) PAINTED BY CHILDE HASSAM

CHILDE HASSAM (1859-1935)

  Mount Hood  / Wy'east (3,429m-11,249ft) 

United States of America (Oregon)

The mountain 

Mount Hood  / Wy'east (3,429m-11,249ft) is a potentially active stratovolcano in the Cascade Volcanic Arc of northern Oregon. It was formed by a subduction zone on the Pacific coast and rests in the Pacific Northwest region of the United States. It is located about 50 miles (80 km) east-southeast of Portland, on the border between Clackamas and Hood River counties. In addition to being Oregon's highest mountain, it is one of the loftiest mountains in the nation based on its prominence.

The height assigned to Mount Hood's snow-covered peak has varied over its history. 

The peak is home to 12 named glaciers and snowfields. It is the highest point in Oregon and the fourth highest in the Cascade Range. Mount Hood is considered the Oregon volcano most likely to erupt, though based on its history, an explosive eruption is unlikely. Still, the odds of an eruption in the next 30 years are estimated at between 3 and 7 %, so the U.S. Geological Survey (USGS) characterizes it as "potentially active", but the mountain is informally considered dormant.

The painter
Frederick Childe Hassam was an American Impressionist painter, noted for his urban and coastal scenes. Along with Mary Cassatt and John Henry Twachtman, Hassam was instrumental in promulgating Impressionism to American collectors, dealers, and museums. He produced over 3,000 paintings, oils, watercolors, etchings, and lithographs over the course of his career, and was an influential American artist of the early 20th century.