LALLA KHEDIDJA PAINTED BY LÉON CARRÉ

LÉON CARRÉ  (1878-1942) 

Lalla Khedidja (2,308 m -7,572 ft)

Algeria

 In Paysage du Djurdjura, 1926, Private collection

The mountain 

Lalla Khedidja (2,308 m -7,572 ft) in the Jurjura Range is the  highest summit of the Tell Atlas, a mountain chain over 1,500 km (932 mi) in length, belonging to the Atlas mountain ranges in North Africa, stretching from Morocco, to Tunisia through Algeria. The ranges of this system have average elevations of about 1,500 m (4,900 ft) and form a natural barrier between the Mediterranean and the Sahara.  Several large cities such as the Algerian capital, Algiers and Oran lie at the base of the Tell Atlas. The Algerian city Constantine lies 80 km inland and directly in the mountains at 650 meters in elevation. A number of smaller towns and villages are situated within the Tell; for example, Chiffa is nestled within the Chiffa gorge.

The Tell Atlas runs parallel to the Mediterranean coast. Together with the Saharan Atlas to the south it forms the northernmost of two more or less parallel ranges which approach one another towards the east, remaining quite distinct from one another in Western Algeria and merging in Eastern Algeria. At the western end, it ends at the Rif and Middle Atlas ranges in Morocco. The Tell Atlas are also a distinct physiographic section of the larger Atlas Mountains province, which in turn is part of the larger African Alpine System physiographic division.  The Tell Atlas and the Saharan Atlas form two natural barriers, the first against the Mediterranean and the second against the Sahara. Between them lies the valley of the Chelif and various lesser rivers.  

The artist
The French orientalist painter and illustrator Léon Carré entered the École des Beaux-Arts in Rennes, then he joined the École des Beaux-Arts in Paris on 1896 thanks to Léon Bonnat. He was the double winner of the Chenavard prize. He exhibited at the Salon of French Artists in 1900 and, in 1905, at the Salon des Independants, and made a first trip to Algeria in 1907.
He exhibited at the Salon of the National Society of Fine Arts from 1911, and at the Autumn Fair.
Winner of the Villa Abd-el-Tif scholarship in 1909, he settled in Algiers. Orientalist painter, he practices oil, gouache and pastel. In 1927, Léon Carré helped decorate the Ile-de-France liner for the Transatlantic Company, and designed numerous posters for the PLM Company (including the centenary of Algeria in 1930).
 He also drew the 50 franc banknote issued by the Bank of Algeria in 1942.

___________________________________________
2019 - Wandering Vertexes...
by Francis Rousseau 

THE TELL ATLAS (LALLA KHEDIDJA) PAINTED BY CECIL A. HUNT

 CECIL ARTHUR HUNT  (1873-1965) 

Lalla Khedidja (2,308 m -7,572 ft)
Algeria

  In Tell Atlas near Constantine, oil on canvas,  The Potteries Museum (U.K)

The mountain 

Lalla Khedidja 2,308 m (7,572 ft) in the Jurjura Range is the  highest summit of the Tell Atlas (الاطلس التلي‎‎), a mountain chain over 1,500 km (932 mi) in length, belonging to the Atlas mountain ranges in North Africa, stretching from Morocco, to Tunisia through Algeria. The ranges of this system have average elevations of about 1,500 m (4,900 ft) and form a natural barrier between the Mediterranean and the Sahara.  Several large cities such as the Algerian capital, Algiers and Oran lie at the base of the Tell Atlas. The Algerian city Constantine lies 80 km inland and directly in the mountains at 650 meters in elevation. A number of smaller towns and villages are situated within the Tell; for example, Chiffa is nestled within the Chiffa gorge.

The Tell Atlas runs parallel to the Mediterranean coast. Together with the Saharan Atlas to the south it forms the northernmost of two more or less parallel ranges which approach one another towards the east, remaining quite distinct from one another in Western Algeria and merging in Eastern Algeria. At the western end, it ends at the Rif and Middle Atlas ranges in Morocco. The Tell Atlas are also a distinct physiographic section of the larger Atlas Mountains province, which in turn is part of the larger African Alpine System physiographic division.  The Tell Atlas and the Saharan Atlas form two natural barriers, the first against the Mediterranean and the second against the Sahara. Between them lies the valley of the Chelif and various lesser rivers.  South of the Tell Atlas is the high plateau of the Hautes Plaines (~1000 m in elevation) with level terrain where water collects during the wet season, forming large shallow salt lakes which become salt flats as they dry. Agriculture includes grazing of sheep and goats on grass in better-watered high plateau areas and some farming; dry-land barley is grown there.

The Chelif is a 725 km long river with headwaters in the Tell Atlas to its discharge into the Mediterranean. The Chelif is characterized by an extremely fertile valley. Other noteworthy rivers having their sources in this range are the Medjerda and the Seybouse River. Only seasonal streams are found flowing south from the Tell Atlas.

The painter 

Cecil Arthur Hunt was born in Torquay on 8 March 1873, the son of the highly regarded writer and geologist, Arthur Roope Hunt. He was educated at Winchester and Trinity College, Cambridge, studying Classics and Law, and being called to the Bar in 1899. He treated painting and writing as serious pastimes until 1925, when he was elected to the full membership of the Royal Society of Painters in Water-Colours. He then relinquished his legal career to become a professional painter.

Hunt had first exhibited in 1900, at the Alpine Club Galleries, and had held his first major show a year later, alongside E Home Bruce at the Ryder Gallery. From the first, he established himself as an atmospheric painter of mountains, especially of the Alps and Dolomites. However, he was soon accepted as a master of a great variety of topographies, for he exhibited the products of his wide travels frequently and extensively. Favourite destinations included the West Country, the West Coast of Scotland, the Rhone Valley, Northern Italy, Rome and Taormina. From 1911, until his death, Hunt lived at Mallord House in Chelsea, especially designed for him by Sir Ralph Knott to include a large studio on the ground floor. During the summer months he and his family retreated to the farm estate of Foxworthy, on the edge of Dartmoor.
Hunt showed work regularly at the Royal Academy (from 1912), the Royal Society of British Artists (from 1914) and the Royal Society of Painters in Water-Colours (from 1918). He was elected a member of the RBA in 1914, an associate of the RWS in 1919, and a full member six years later. He acted as the Vice-President of the RWS for a three-year period from 1930. His many substantial solo shows included six at the Fine Art Society (1919-34) and one at Colnaghi’s (1945). Following his death, in 1965,  he was the subject of a large memorial show at the Royal Society of Painters in Water-Colours.
Chris Beetles has done much to revive interest in the work of Cecil Arthur Hunt. He mounted a large scale retrospective exhibition in 1996 at his London gallery, on the exact site of the artist’s first substantial show in 1901. The retrospective was accompanied by a definitive catalogue.

Sources:

- Chris Beetles Gallery