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Showing posts with label India. Show all posts
Showing posts with label India. Show all posts

Saturday, July 28, 2018

JAKHOO HILLS & HIMALAYAS BY ANNE ELIZA SCOTT


 ANNE ELIZA SCOTT (1810-1892)
   Jakhoo hill (2,454 m - 8,051 ft)
India  

From "Views of Himalayas" Plate 14 -  The village of koomar seen on the left hand range the Kooloo and Kote Kangooro in the distance, 1852, Aquatint, 

About the views and the artist
The views are mostly of the Simla region of the Himalayas, where Anne Eliza Scott (1810-1892) spent time in 1850 and 1851. Anne Eliza was the eldest daughter of Colonel Tobias Kirkwood and married Lieutenant William L.L. Scott of the Bengal Army in 1838. They travelled to India in 1839 and some years later Mrs Scott was informed that the Governor- General Lord Dalhousie and others would like some familiar scenes of the Himalayas to be published. She then  published her unique work Views Of Himalayas, a series of plates  seen from different point of views.

The mountain 
 Jakhoo Hill (2,454 m - 8,051 ft) 2.5 km /1.3 miles east from the Ridge,  is  Shimla's highest peak offering a panoramic view of the Shivalik Ranges and the town of Sanjauli. An ancient "Lord Hanuman" temple is there and every year a big festival is held on Dussehra.




Saturday, May 5, 2018

KANGCHENJUNGA BY SIR JOSEPH DALTON HOOKER


SIR JOSEPH DALTON HOOKER (1817-1911)
Kangchenjunga (8, 538m - 28,169 ft) 
India, Népal 

In Kangchenjunga from Kanglachen pass, watercolor on sketchbook, 1848-1851

The mountain 
Kangchenjunga  (8,586 m (28,169 ft) is the  third highest mountain in the world. It  lies partly in Nepal and partly in Sikkim, India. Kangchenjunga is the second highest mountain of the Himalayas after Mount Everest. Three of the five peaks – Main, Central and South – are on the border between North Sikkim and Nepal. Two peaks are in the Taplejung District, Nepal.
Kangchenjunga Main is the highest mountain in India, and the easternmost of the mountains higher than 8,000 m (26,000 ft).  Until 1852, Kangchenjunga was assumed to be the highest mountain in the world, but calculations based on various readings and measurements made by the Great Trigonometrical Survey of India in 1849 came to the conclusion that Mount Everest, known as Peak XV at the time, was the highest.  It is listed int the  Eight Thousanders and as Seven Third Summits
Kangchenjunga is the official spelling adopted by Douglas Freshfield, A. M. Kellas, and the Royal Geographical Society that gives the best indication of the Tibetan pronunciation. Freshfield referred to the spelling used by the Indian Government since the late 19th century. There are a number of alternative spellings including Kangchendzцnga, Khangchendzonga, and Kanchenjunga.  Local Lhopo people believe that the treasures are hidden but reveal to the devout when the world is in peril; the treasures comprise salt, gold, turquoise and precious stones, sacred scriptures, invincible armor or ammunition, grain and medicine. Kangchenjunga's name in the Limbu language is Senjelungma or Seseylungma, and is believed to be an abode of the omnipotent goddess Yuma Sammang.
It rises in a section of the Himalayas called Kangchenjunga Himal that is limited in the west by the Tamur River, in the north by the Lhonak Chu and Jongsang La, and in the east by the Teesta River. It lies about 128 km (80 mi) east of Mount Everest.
Allowing for further verification of all calculations, it was officially announced in 1856 that
Kangchenjunga was first climbed on 25 May 1955 by Joe Brown and George Band, who were part of a British expedition. They stopped short of the summit as per the promise given to the Chogyal that the top of the mountain would remain inviolate. Every climber or climbing group that has reached the summit has followed this tradition. Other members of this expedition included John Angelo Jackson and Tom Mackinon.  In May 1979,  Doug Scott, Peter Boardman and Joe Tasker established a new route on the North Ridge their third ascent which was the first one ever made without oxygen.
In 1983, Pierre Beghin made the first solo ascent accomplished without the use of supplemental oxygen.  In 1992, Wanda Rutkiewicz was  the first woman in the world to ascend and descend K2 and a world-renowned Polish climber, died after she insisted on waiting for an incoming storm to pass, which she did not survive.  In 1998, Ginette Harrison was the first woman who climbed Kangchenjunga North face ;  Gerlinde Kaltenbrunner, an Austrian mountaineer, was the second woman to reach the summit in 2006.
In May 2014, the Bulgarian diabetic climber Boyan Petrov reached the peak without the use of supplemental oxygen.

The artist 
Sir Joseph Dalton Hooker OM GCSI CB PRS was one of the greatest British botanists and explorers of the 19th century. He was a founder of geographical botany and Charles Darwin's closest friend. For twenty years he served as director of the Royal Botanical Gardens, Kew, succeeding his father, William Jackson Hooker, and was awarded the highest honours of British science. He reminded famous for his Voyages to Antarctic (1839-1843), Himalayas and India (1847-1851), Palestine (1860), Morocco (1871), and Western United Statesof America (1877).  He is the first European to have sketched Mount Everest and Himalayas (see above) as well as Mount Erebus and Mont Terror in Antarctic.
Voyage to the Himalayas and India 1847–1851
On 11 November 1847 Hooker left England for his three-year-long Himalayan expedition; he would be the first European to collect plants in the Himalaya.  He arrived in Calcutta on 12 January 1848, leaving on 28th to begin his travels with a geological survey party under 'Mr Williams', who he left on 3 March to continue travelling by elephant to Mirzapur, up the Ganges by boat to Siliguri and overland by pony to Darjeeling, arriving on 16 April 1848.
Hooker and a sizeable party of local assistants departed for eastern Nepal on 27 October 1848. They travelled to Zongri, west over the spurs of Kangchenjunga, and north west along Nepal's passes into Tibet. In April 1849 he planned a longer expedition into Sikkim. Leaving on 3 May, he travelled north west up the Lachen Valley to the Kongra Lama Pass and then to the Lachoong Pass. Campbell and Hooker were imprisoned by the Dewan of Sikkim as they travelled towards the Cho La in Tibet. A British team was sent to negotiate with the king of Sikkim. However, they were released without any bloodshed and Hooker returned to Darjeeling, where he spent January and February 1850 writing his journals, replacing specimens lost during his detention and planning a journey for his last year in India.
In an article of the Alpine Journal, it was demonstrated by Stephen Goodwin how the sketch above is the very first known drawing in situ of Mount Everest.  "Is this 1848 sketch by Joseph Dalton Hooker the first recorded view of Mount Everest by a European? Drawn in situ on the ‘Choonjerma pass’ – now generally referred to as the Mirgin la – in eastern Nepal, it has, for many years, lain unidentified in the archives at the Royal Botanic Gardens, Kew. Its ‘discovery’ adds one more facet to the remarkable accomplishments of Hooker during his three years of exploration and research in the eastern Himalaya."

Friday, February 23, 2018

ABU & GURU SHIKKAR BY WILLIAM WESTALL


WILLIAM WESTALL (1781-1850)   
Mount Abu  (1,200 m - 4,000 ft) and  Guru Shikkar  (1,722 m- 5,650 ft) 
India (Rajasthan)

In The Mountains of Abu, Gujarat (India), 1826, oil on canvas,  V&A museum, London 

The mountain
Mount Abu  (1,200 m - 4,000 ft) and the peak  Guru Shikhar (1,722 m- 5,650 ft) are popular stations in the Aravalli Range in Sirohi district of Rajasthan state in western India, near the border with Gujarat. The mountain forms a distinct rocky plateau 22 km long by 9 km wide. It is referred to as 'an oasis in the desert' as its heights are home to rivers, lakes, waterfalls and evergreen forests. The nearest train station is Abu Road railway station, 28 km away. The ancient name of Mount Abu is Arbudaanchal. In the Puranas, the region has been referred to as Arbudaranya ("forest of Arbhuda") and 'Abu' is a diminutive of this ancient name. It is believed that sage Vashistha retired to the southern spur at Mount Abu following his differences with sage Vishvamitra. There is another mythology according to which a serpent named "Arbuda" saved the life of Nandi (Lord Shiva's bull). The incident happened on the mountain that is currently known as Mount Abu and so the mountain is named "Arbudaranya" after that incident which gradually became Abu.
The conquest of Mount Abu in 1311 (Christian era) by Rao Lumba of Deora-Chauhan dynasty brought to an end the reign of the Parmars and marked the decline of Mount Abu. He shifted the capital city to Chandravati in the plains. After the destruction of Chandravati in 1405, Rao Shasmal made Sirohi his headquarters. Later it was leased by the British government from the then Maharaja of Sirohi for use as the headquarters.

The painter 
William Westall (not to be confused with his brother the famous painter Richard Westall) was an English landscape artist best known as one of the first artists to work in Australia and India.  Westall was born in Hertford and grew up in London. There is evidence to suggest that Westall's parents did not support his career choice; however Richard became head of the family upon the death of Benjamin Westall in March 1794, and must have approved Westall's artistic ambitions, as from that time forward William Westall was given a thorough art education. At the age of sixteen he won a silver palette in a competition run by the Society of Artists of Great Britain, and at eighteen was enrolled at the prestigious Royal Academy.
In 1800, at just 19 years of age, Westall was appointed to a notable scientific expedition to Asia and Australia as a member of a team of scientists that included botanist Robert Brown and botanical artist Ferdinand Bauer, both now revered as amongst the very best in their respective fields.
Westall arrived in Canton at the end of 1803. Rather than returning immediately to England, he spend some time exploring Canton, then sailed on to India. As he was on the British government payroll at the time, he had no right to do so without permission, and must have known it, since, just before departing for India, he wrote a long letter  justifying his travel plans. In doing so he complained about the monotony of the Australian landscape, declared that he would not have agreed to the position if he had known that the voyage was confined to Australia alone, and hinted that he had the right to go to India as compensation for the failure of the Investigator to stop anywhere interesting. The admiralty took a dim view of the letter, terminating his employment immediately, and telling him to make his own way home.

Thursday, November 9, 2017

KARAKORAM RANGE PAINTED BY NICHOLAS ROERICH

 http://wanderingvertexes.blogspot.com

NICHOLAS ROERICH (1874-1947),
Karakoram at K2 (8,611m - 28,251ft) 
Pakistan - India - China- Afghanistan- Tajikistan 

 In Karakoram from Pakistan, 1925-26, Nicolas Roerich  Museum NY

The mountain range 
The Karakoram is home to the four most closely located peaks over 8000m in height on earth: K2 (8,611 m  -28,251 ft), the second highest peak in the world, Gasherbrum I, Broad Peak and Gasherbrum II. The Karakoram, or Karakorum is a large mountain range spanning the borders of Pakistan, India, and China, with the northwest extremity of the range extending to Afghanistan and Tajikistan. It is located in the regions of Gilgit–Baltistan (Pakistan), Ladakh (India), and southern Xinjiang (China), and reaches the Wakhan Corridor (Afghanistan). A part of the complex of ranges from the Hindu Kush to the Himalayan Range, it is one of the Greater Ranges of Asia.
The range is about 500 km (311 mi) in length, and is the most heavily glaciated part of the world outside the polar regions. The Siachen Glacier at 76 kilometres (47 mi) and the Biafo Glacier at 63 kilometres (39 mi) rank as the world's second and third longest glaciers outside the polar regions.
The Karakoram is bounded on the northeast by the edge of the Tibetan Plateau, and on the north by the Pamir Mountains. The southern boundary of the Karakoram is formed, west to east, by the Gilgit, Indus, and Shyok Rivers, which separate the range from the northwestern end of the Himalaya range proper as these rivers converge southwestward towards the plains of Pakistan.
The Tashkurghan National Nature Reserve and the Pamir Wetlands National Nature Reserve in the Karalorun and Pamir mountains have been nominated for inclusion in UNESCO in 2010 by the National Commission of the People's Republic of China for UNESCO and has tentatively been added to the list.

The painter 
Nicholas Roerich known also as Nikolai Konstantinovich Rerikh (Никола́й Константи́нович Ре́рих) is quite an important figure of mountain paintings in the early 20th century.  He was a Russian painter, writer, archaeologist, theosophist, perceived by some in Russia as an enlightener, philosopher, and public figure. In his youth was he was quite influenced by a movement in Russian society around the occult and was interested in hypnosis and other spiritual practices. His paintings are said to have hypnotic expression.
_______________________________
2017 - Wandering Vertexes...
by Francis Rousseau 

Monday, October 9, 2017

KANGCHENJUNGA BY CONRAD H. R. CARELLI


CONRAD H. R. CARELLI (1869 -1956)
Kangchenjunga (8, 538m - 28,169 ft) 
India, Népal


In Kangchenjunga seen from Calcutta, watercolour on paper, 1908 
The mountain 
Kangchenjunga  (8,586 m (28,169 ft) is the  third highest mountain in the world. It  lies partly in Nepal and partly in Sikkim, India. Kangchenjunga is the second highest mountain of the Himalayas after Mount Everest. Three of the five peaks – Main, Central and South – are on the border between North Sikkim and Nepal. Two peaks are in the Taplejung District, Nepal.
Kangchenjunga Main is the highest mountain in India, and the easternmost of the mountains higher than 8,000 m (26,000 ft).  Until 1852, Kangchenjunga was assumed to be the highest mountain in the world, but calculations based on various readings and measurements made by the Great Trigonometrical Survey of India in 1849 came to the conclusion that Mount Everest, known as Peak XV at the time, was the highest.  It is listed int the  Eight Thousanders and as Seven Third Summits
Kangchenjunga is the official spelling adopted by Douglas Freshfield, A. M. Kellas, and the Royal Geographical Society that gives the best indication of the Tibetan pronunciation. Freshfield referred to the spelling used by the Indian Government since the late 19th century. There are a number of alternative spellings including Kangchendzцnga, Khangchendzonga, and Kanchenjunga.  Local Lhopo people believe that the treasures are hidden but reveal to the devout when the world is in peril; the treasures comprise salt, gold, turquoise and precious stones, sacred scriptures, invincible armor or ammunition, grain and medicine. Kangchenjunga's name in the Limbu language is Senjelungma or Seseylungma, and is believed to be an abode of the omnipotent goddess Yuma Sammang.
It rises in a section of the Himalayas called Kangchenjunga Himal that is limited in the west by the Tamur River, in the north by the Lhonak Chu and Jongsang La, and in the east by the Teesta River. It lies about 128 km (80 mi) east of Mount Everest.
Allowing for further verification of all calculations, it was officially announced in 1856 that
Kangchenjunga was first climbed on 25 May 1955 by Joe Brown and George Band, who were part of a British expedition. They stopped short of the summit as per the promise given to the Chogyal that the top of the mountain would remain inviolate. Every climber or climbing group that has reached the summit has followed this tradition. Other members of this expedition included John Angelo Jackson and Tom Mackinon.  In May 1979,  Doug Scott, Peter Boardman and Joe Tasker established a new route on the North Ridge their third ascent which was the first one ever made without oxygen.
In 1983, Pierre Beghin made the first solo ascent accomplished without the use of supplemental oxygen.  In 1992, Wanda Rutkiewicz was  the first woman in the world to ascend and descend K2 and a world-renowned Polish climber, died after she insisted on waiting for an incoming storm to pass, which she did not survive.  In 1998, Ginette Harrison was the first woman who climbed Kangchenjunga North face ;  Gerlinde Kaltenbrunner, an Austrian mountaineer, was the second woman to reach the summit in 2006.
In May 2014, the Bulgarian diabetic climber Boyan Petrov reached the peak without the use of supplemental oxygen.

The painter 
Conrad Hector Raffaele Carelli (1866 - 1956) is an Italian watercolor painter who was active at the end of the nineteenth and the first half of the twentieth century. He traveled to Italy, the Near East and Spain and made many Orientalist watercolors.
The Carelli Family is a very well known italian painters dynasty. Conrad Hector Raffaele Carelli is the son of Gabriele Carelli (1821-1900) and the grand son of Raffaele Carelli (1795-1864), a painter of the School of Posillipo.  As a documentary painter, completing water colors of various sights, Raffaele Carelli  accompanied the 6th Duke of Devonshire in some tours of Sicily, Greece, Asia Minor, and Constantinople.  

Monday, May 1, 2017

PANDIM PAINTED BY VASILY VERESHCHAGIN


VASILY VERESHCHAGIN (1842-1904) 
 Mount Pandim (6, 691 m - 21, 952 ft)
India (Sikkim)

In Tour of India, Mount Pandim, 1875, oil on canvas, Private collection Russia

The mountain 
Mount Pandim (6,691 m - 21,952 ft) is a Himalayan mountain located in the Sikkim province, India. It is considered often as a part of the Kangchenjunga mountains. Kangchenjunga (sometimes spelled Kanchenjunga), is the third highest mountain in the world, and lies partly in Nepal and partly in Sikkim (India). It rises with an elevation of 8,586 m (28,169 ft) in a section of the Himalayas called Kangchenjunga Himal that is limited in the west by the Tamur River, in the north by the Lhonak Chu and Jongsang La, and in the east by the Teesta River. It lies about 128 km east of Mount Everest.
Kangchenjunga is the second highest peak of the Himalaya after Mount Everest. The main peak of Kangchenjunga is the highest mountain in India and the second highest in Nepal. Kangchenjunga Main is also the easternmost of the mountains higher than 8,000 m (26,000 ft). It is called Five Treasures of Snow after its five high peaks, and has always been worshipped by the people of Nepal Darjeeling and Sikkim. Three of the five peaks – Main, Central and South – are on the border between North Sikkim in India and Nepal. Two peaks are in the Taplejung District, Nepal.
Until 1852, Kangchenjunga was assumed to be the highest mountain in the world, but calculations based on various readings and measurements made by the Great Trigonometrical Survey of India in 1849 came to the conclusion that Mount Everest, known as Peak XV at the time, was the highest. Allowing for further verification of all calculations, it was officially announced in 1856 that Kangchenjunga is the third highest mountain in the world.

The painter 
Vasily Vasilyevich Vereshchagin (Васи́лий Васи́льевич Вереща́гин)  transcribed in English as "Basil Verestchagin", was one of the most famous Russian war artists and one of the first Russian artists to be widely recognized abroad. The graphic nature of his realist scenes led many of them to never be printed or exhibited.  In 1864 he proceeded to Paris, where he studied under Jean-Léon Gérôme, though he dissented widely from his master's methods. In the Paris Salon of 1866 he exhibited a drawing of Dukhobors chanting their Psalms. In the next year he was invited to accompany General Konstantin Kaufman's expedition to Turkestan. He was an indefatigable traveler, returning to St. Petersburg in late 1868, to Paris in 1869, back to St. Petersburg later in the year, and then back to Turkestan at the end 1869 via Siberia. In 1871, he established an atelier in Munich, and made a solo exhibition of his works at the Crystal Palace in London in 1873.
In late 1874, he departed for an extensive tour of the Himalayas, India and Tibet, spending over two years in travel. He returned to Paris in late 1876
After the war, Vereshchagin settled at Munich, where he produced his war pictures so rapidly that he was freely accused of employing assistants. The sensational subjects of his pictures, and their didactic aim, the promotion of peace by a representation of the horrors of war, attracted a large section of the public not usually interested in art to the series of exhibitions of his pictures in Paris in 1881 and subsequently in London, Berlin, Dresden, Vienna and other cities.
By the late 19th century, Vereshchagin had gained popularity not only in Russia, but also abroad and his name never left the pages of the European and American press. From his earliest works, unlike most contemporary battle pieces depicting war as a kind of parade, Vereshchagin graphically depicted the horrors of war. "I loved the sun all my life, and wanted to paint sunshine. When I happened to see warfare and say what I thought about it, I rejoiced that I would be able to devote myself to the sun once again. But the fury of war continued to pursue me," Vereshchagin wrote. One day, in 1882, Vereshchagin’s exhibition in Berlin was visited by German Field Marshal Helmuth von Moltke the Elder. Vereshchagin brought Moltke to his painting The Apotheosis of War. The picture evoked a sort of confusion in the Field Marshal. After his visit to the exhibition, Moltke issued an order forbidding German soldiers to visit it. The Austrian war minister did the same. He also declined the artist's offer to let Austrian officers see his pictures at the 1881 exhibition in Vienna free of charge.
Source:
- RT Russiapedia

Saturday, January 7, 2017

NANDA DEVI IN VINTAGE POSTCARD 1949


VINTAGE POSTCARD 1949
Nanda Devi (7,816 m -25,643 ft)  
India

©wandertngvertexes collection. All rights reserved 


The mountain
Nanda Devi (7,816 m -25,643 ft)  is a two-peaked massif, forming a 2-kilometre-long (1.2 mi) high ridge, oriented east-west. Nanda Devi is the second highest mountain in India, and the highest located entirely within the country ; Kangchenjunga, which is higher, is on the border of India and Nepal.
The western summit is higher, and the eastern summit is called Sunanda Devi formerly known as Nanda Devi East is the lower one. The main summit stands guarded by a barrier ring comprising some of the highest mountains in the Indian Himalayas, twelve of which exceed 6,400 m -21,000 ft in height, further elevating its sacred status as the daughter of the Himalaya in Indian myth and folklore. The interior of this almost insurmountable ring is known as the Nanda Devi Sanctuary, and is protected as the Nanda Devi National Park. Sunanda Devi lies on the eastern edge of the ring (and of the Park), at the border of Chamoli, Pithoragarh and Bageshwar districts.
Together the peaks may be referred to as the peaks of the goddesses Nanda and Sunanda. 
In addition to being the 23rd highest independent peak in the world, Nanda Devi is also notable for its large, steep rise above local terrain. It rises over 3,300 metres (10,800 ft) above its immediate southwestern base on the Dakkhini Nanda Devi Glacier in about 4.2 kilometres (2.6 mi), and its rise above the glaciers to the north is similar. This makes it among the steepest peaks in the world at this scale, closely comparable, for example, to the local profile of K2. Nanda Devi is also impressive when considering terrain that is a bit further away, as it is surrounded by relatively deep valleys. For example, it rises over 6,500 metres (21,300 ft) above the valley of the Goriganga in only 50 km (30 mi).
Climbing
The ascent of Nanda Devi necessitated fifty years of arduous exploration in search of a passage into the Sanctuary. The outlet is the Rishi Gorge, a deep, narrow canyon which is very difficult to traverse safely, and is the biggest hindrance to entering the Sanctuary; any other route involves difficult passes, the lowest of which is 5,180 m (16,990 ft). Hugh Ruttledge attempted to reach the peak three times in the 1930s and failed each time. In a letter to The Times he wrote that 'Nanda Devi imposes on her votaries an admission test as yet beyond their skill and endurance', adding that gaining entry to the Nanda Devi Sanctuary alone was more difficult than reaching the North Pole. In 1934, the British explorers Eric Shipton and H. W. Tilman, with three Sherpa companions, Angtharkay, Pasang, and Kusang, finally discovered a way through the Rishi Gorge into the Sanctuary.
When the mountain was later climbed in 1936 by a British-American expedition, it became the highest peak climbed by man until the 1950 ascent of Annapurna. (However higher non-summit elevations had already been reached by the British on Mount Everest in the 1920s, and it is possible that George Mallory reached Everest's summit in 1924.) It also involved steeper and more sustained terrain than had been previously attempted at such a high altitude. The expedition climbed the south ridge, also known as the Coxcomb Ridge, which leads relatively directly to the main summit. The summit pair were H. W. Tilman and Noel Odell; Charles Houston was to be in place of Tilman, but he contracted severe food poisoning. Noted mountaineer and mountain writer H. Adams Carter was also on the expedition, which was notable for its small scale and lightweight ethic: it included only seven climbers, and used no fixed ropes, nor any Sherpa support above 6,200 m (20,300 ft). Eric Shipton, who was not involved in the climb itself, called it "the finest mountaineering achievement ever performed in the Himalaya."
After abortive attempts by Indian expeditions in 1957 and 1961, the second ascent of Nanda Devi was accomplished by an Indian team led by N. Kumar in 1964, following the Coxcomb route.
A difficult new route, the northwest buttress, was climbed by a 13-person team in 1976. Three Americans, John Roskelley, Jim States, and Lou Reichardt, summitted on 1 September. The expedition was co-led by Louis Richard, H. Adams Carter (who was on the 1936 climb), and Willi Unsoeld, who climbed the West Ridge of Everest in 1963. Unsoeld's daughter, Nanda Devi Unsoeld, who was named after the peak, died on this expedition. She had been suffering from "diarrhea and flare-up of an inguinal hernia, which had shown up originally on the second day of the approach march", and had been at 24,000 feet for nearly five days.
From 1965 to 1968, attempts were made by the Central Intelligence Agency (CIA), in co-operation with the Indian Intelligence Bureau (IB), to place a nuclear-powered telemetry relay listening device on the summit of Nanda Devi. This device was designed to intercept telemetry signals from missile test launches conducted in the Xinjiang Province, at a time of relative infancy in China's missile program. The expedition retreated due to dangerous weather conditions, leaving the device near the summit of Nanda Devi. They returned the next spring to search for the device, which ended without success. As a result of this activity by the CIA, the Sanctuary was closed to foreign expeditions throughout much of the 1960s. In 1974 the Sanctuary re-opened.
In 1980, the Indian Army Corps of Engineers made an unsuccessful attempt.
In 1981, the first women stood on the summit as part of a mixed Indian team, led by Col. Balwant Sandhu, Rekha Sharma, Harshwanti Bisht and Chandraprabha Aitwal, partnered by Dorjee Lhatoo, Ratan Singh and Sonam Paljor respectively, climbed on three ropes and summitted consecutively. The expedition was notable for the highest ascent ever made by Indian women up to that point in time, a descent complicated by retinal oedema and vision loss in the climbing leader and a subsequent failed claim of a solo ascent by a later member of the same expedition. All three women went on to Everest in 1984 but did not make the summit although Sonam Paljor and Dorjee Lhatoo did. Dorjee Lhatoo climbed Sunanda Devi in 1975, she also participated in the 1976 Indo-Japanese expedition.
This was followed in 1981 by another Indian Army expedition of the Parachute Regiment, which attempted both main and eastern peaks simultaneously. The expedition had placed a memorial to Nanda Devi Unsoeld at the high altitude meadow of Sarson Patal prior to the attempt. The successful attempt lost all its summitteers.
In 1993, a 40-member team of the Indian Army from the Corps of Engineers was given special permission. The aim of the expedition was multifold – to carry out an ecological survey, clean up the garbage left by previous expeditions, and attempt the summit. The team included a number of wildlife scientists and ecologists from Wildlife Institute of India, Salim Ali Centre for Ornithology and Natural History, World Wide Fund for Nature and Govind Ballabh Pant Institute for Himalayan Environment and Development amongst others. The expedition carried out a comprehensive ecological survey and removed from the park, by porter and helicopter, over 1000 kilograms of garbage. Additionally, five summiteers scaled the summit: Amin Nayak, Anand Swaroop, G. K. Sharma, Didar Singh, and S. P. Bhatt.
In 1988, Nanda Devi National Park was declared a UNESCO World Heritage Site "of outstanding cultural or natural importance to the common heritage of humankind." The entire sanctuary, and hence the main summit (and interior approaches to the nearby peaks), are off-limits to locals and to climbing expeditions, though a one-time exception was made in 1993 for a 40-member team from the Indian Army Corps of Engineers to check the state of recovery and to remove garbage left by prior expeditions. 
Sunanda Devi remains open from the east side, leading to the standard south ridge route.
Sources: 

Vintage postcards
Postcards became popular at the turn of the 20th century, especially for sending short messages to friends and relatives. They were collected right from the start, and are still sought after today by collectors of pop culture, photography, advertising, wartime memorabilia, local history, and many other categories.
Postcards were an international craze, published all over the world. The Detroit Publishing Co. and Teich & Co. were two of the major publishers in the U.S, and sometimes individuals printed their own postcards as well. Yvon were the most famous in France. Many individual or anonymous publishers did exist around the world and especially in Africa and  Asia (Japan, Thailand, Nepal, China, Java) between 1920 and 1955. These photographer were mostly local notables, soldiers, official guides belonging to the colonial armies (british french, belgium...) who sometimes had rather sophisticated equipment and readily produced colored photograms or explorers, navigators, climbers (Vittorio Sella and the Archiduke of Abruzzi future king of Italy remains the most famous of them).
There are many types of collectible vintage postcards.
Hold-to-light postcards were made with tissue paper surrounded by two pieces of regular paper, so light would shine through. Fold-out postcards, popular in the 1950s, had multiple postcards attached in a long strip. Real photograph postcards (RPPCs) are photographs with a postcard backing.
Novelty postcards were made using wood, aluminum, copper, and cork. Silk postcards–often embroidered over a printed image–were wrapped around cardboard and sent in see-through glassine paper envelopes; they were especially popular during World War I.
In the 1930s and 1940s, postcards were printed on brightly colored paper designed to look like linen.
Most vintage postcard collectors focus on themes, like Christmas, Halloween, portraits of movie stars, European royalty and U.S. presidents, wartime imagery, and photos of natural disasters or natural wonders. Not to mention cards featuring colorful pictures by famous artists like Alphonse Mucha, Harrison Fisher, Ellen Clapsaddle, and Frances Brundage.


Monday, November 14, 2016

KANGCHENJUNGA PAINTED BY NICHOLAS ROERICH


http://wanderingvertexes.blogspot.com


http://wanderingvertexes.blogspot.com

NICHOLAS ROERICH (1874-1947)
Kangchenjunga (8, 538m-28,169 ft) 
India, Népal

Painted in 1933

The mountain 
Kangchenjunga  (8,586 m (28,169 ft) is the  third highest mountain in the world. It  lies partly in Nepal and partly in Sikkim, India. Kangchenjunga is the second highest mountain of the Himalayas after Mount Everest. Three of the five peaks – Main, Central and South – are on the border between North Sikkim and Nepal. Two peaks are in the Taplejung District, Nepal.
Kangchenjunga Main is the highest mountain in India, and the easternmost of the mountains higher than 8,000 m (26,000 ft).  Until 1852, Kangchenjunga was assumed to be the highest mountain in the world, but calculations based on various readings and measurements made by the Great Trigonometrical Survey of India in 1849 came to the conclusion that Mount Everest, known as Peak XV at the time, was the highest.  It is listed int the  Eight Thousanders and as Seven Third Summits
Kangchenjunga is the official spelling adopted by Douglas Freshfield, A. M. Kellas, and the Royal Geographical Society that gives the best indication of the Tibetan pronunciation. Freshfield referred to the spelling used by the Indian Government since the late 19th century. There are a number of alternative spellings including Kangchendzцnga, Khangchendzonga, and Kanchenjunga.  Local Lhopo people believe that the treasures are hidden but reveal to the devout when the world is in peril; the treasures comprise salt, gold, turquoise and precious stones, sacred scriptures, invincible armor or ammunition, grain and medicine. Kangchenjunga's name in the Limbu language is Senjelungma or Seseylungma, and is believed to be an abode of the omnipotent goddess Yuma Sammang.
It rises in a section of the Himalayas called Kangchenjunga Himal that is limited in the west by the Tamur River, in the north by the Lhonak Chu and Jongsang La, and in the east by the Teesta River. It lies about 128 km (80 mi) east of Mount Everest.
Allowing for further verification of all calculations, it was officially announced in 1856 that
Kangchenjunga was first climbed on 25 May 1955 by Joe Brown and George Band, who were part of a British expedition. They stopped short of the summit as per the promise given to the Chogyal that the top of the mountain would remain inviolate. Every climber or climbing group that has reached the summit has followed this tradition. Other members of this expedition included John Angelo Jackson and Tom Mackinon.  In May 1979,  Doug Scott, Peter Boardman and Joe Tasker established a new route on the North Ridge their third ascent which was the first one ever made without oxygen.
In 1983, Pierre Beghin made the first solo ascent accomplished without the use of supplemental oxygen.  In 1992, Wanda Rutkiewicz was  the first woman in the world to ascend and descend K2 and a world-renowned Polish climber, died after she insisted on waiting for an incoming storm to pass, which she did not survive.  In 1998, Ginette Harrison was the first woman who climbed Kangchenjunga North face ;  Gerlinde Kaltenbrunner, an Austrian mountaineer, was the second woman to reach the summit in 2006.
In May 2014, the Bulgarian diabetic climber Boyan Petrov reached the peak without the use of supplemental oxygen.

The painter 
Nicholas Roerich known also as Nikolai Konstantinovich Rerikh (Никола́й Константи́нович Ре́рих) is quite an important figure of mountain paintings in the early 20th century.  He was a Russian painter, writer, archaeologist, theosophist, perceived by some in Russia as an enlightener, philosopher, and public figure. In his youth was he was quite influenced by a movement in Russian society around the occult and was interested in hypnosis and other spiritual practices. His paintings are said to have hypnotic expression.
Born in Saint Petersburg, Russia, he lived in various places around the world until his death in Naggar, Himachal Pradesh, India. Trained as an artist and a lawyer, his main interests were literature, philosophy, archaeology, and especially art. After the February Revolution of 1917 and the end of the czarist regime, Roerich, a political moderate who valued Russia's cultural heritage more than ideology and party politics, had an active part in artistic politics. With Maxim Gorky and Aleksandr Benois, he participated with the so-called "Gorky Commission" and its successor organization, the Arts Union (SDI).
After the October Revolution and the acquisition of power of Lenin's Bolshevik Party, Roerich became increasingly discouraged about Russia's political future. During early 1918, he, Helena, and their two sons George and Sviatoslav emigrated to Finland. After some months in Finland and Scandinavia, the Roerichs relocated to London, arriving in mid-1919. Later, a successful exhibition resulted in an invitation from a director at the Art Institute of Chicago, offering to arrange for Roerich's art to tour the United States. During the autumn of 1920, the Roerichs traveled to America by sea.  The Roerichs remained in the United States from October 1920 until May 1923.
After leaving New York, the Roerichs – together with their son George and six friends – began the five-year-long 'Roerich Asian Expedition' that, in Roerich's own words: "started from Sikkim through Punjab, Kashmir, Ladakh, the Karakoram Mountains, Khotan, Kashgar, Qara Shar, Urumchi, Irtysh, the Altai Mountains, the Oyrot region of Mongolia, the Central Gobi, Kansu, Tsaidam, and Tibet" with a detour through Siberia to Moscow in 1926.
In 1929 Nicholas Roerich was nominated for the Nobel Peace Prize by the University of Paris. He received two more nominations in 1932 and 1935. His concern for peace resulted in his creation of the Pax Cultura, the "Red Cross" of art and culture. His work for this cause also resulted in the United States and the twenty other nations of the Pan-American Union signing the Roerich Pact on April 15, 1935 at the White House. The Roerich Pact is an early international instrument protecting cultural property.
In 1934–1935, the U.S. Department of Agriculture (then headed by Roerich admirer Henry A. Wallace) sponsored an expedition by Roerich and USDA scientists H. G. MacMillan and James F. Stephens to Inner Mongolia, Manchuria, and China.
Roerich was in India during the Second World War, where he painted Russian epic heroic and saintly themes, including: Alexander Nevsky, The Fight of Mstislav...
In 1942, Roerich received Jawaharlal Nehru at his house in Kullu. Together they discussed the fate of the new world: "We spoke about Indian-Russian cultural association, it is time to think about useful and creative cooperation ...”.
Gandhi would later recall about several days spent together with Roerich's family: "That was a memorable visit to a surprising and gifted family where each member was a remarkable figure in himself, with a well-defined range of interests." ..."Roerich himself stays in my memory. He was a man with extensive knowledge and enormous experience, a man with a big heart, deeply influenced by all that he observed". During the visit, "ideas and thoughts about closer cooperation between India and USSR were expressed. Now, after India wins independence, they have got its own real implementation[clarification needed]. And as you know, there are friendly and mutually-understanding relationships today between both our countries".
In 1942, the American-Russian cultural Association (ARCA) was created in New York.
Its active participants were Ernest Hemingway, Rockwell Kent, Charlie Chaplin, Emil Cooper, Serge Koussevitzky, and Valeriy Ivanovich Tereshchenko. The Association's activity was welcomed by scientists like Robert Millikan and Arthur Compton.
Roerich died on December 13, 1947.
Presently, the Nicholas Roerich Museum in New York City is a major institution for Roerich's artistic work. Numerous Roerich societies continue to promote his theosophical teachings worldwide. His paintings can be seen in several museums including the Roerich Department of the State Museum of Oriental Arts in Moscow; the Roerich Museum at the International Centre of the Roerichs in Moscow; the Russian State Museum in Saint Petersburg, Russia; a collection in the Tretyakov Gallery in Moscow; a collection in the Art Museum in Novosibirsk, Russia; an important collection in the National Gallery for Foreign Art in Sofia, Bulgaria; a collection in the Art Museum in Nizhny Novgorod Russia; National Museum of Serbia ; the Roerich Hall Estate in Nagar village in Kullu Valley, India; the Sree Chitra Art Gallery, Thiruvananthapuram, India;[17] in various art museums in India; and a selection featuring several of his larger works in The Latvian National Museum of Art.

_______________________________
2016 - Wandering Vertexes...
by Francis Rousseau 

Sunday, October 2, 2016

KANGCHENJUNGA PAINTED BY EDWARD LEAR


EDWARD LEAR (1812-1888)
Kangchenjunga (8, 538m -28,169 ft) 
India, Nepal border

The mountain 
Kangchenjunga  (8,586 m (28,169 ft)  is the third highest mountain in the world. It  lies partly in Nepal and partly in Sikkim, India. Kangchenjunga is the second highest mountain of the Himalayas after Mount Everest. Three of the five peaks – Main, Central and South – are on the border between North Sikkim and Nepal. Two peaks are in the Taplejung District, Nepal.
Kangchenjunga Main is the highest mountain in India, and the easternmost of the mountains higher than 8,000 m (26,000 ft).  Until 1852, Kangchenjunga was assumed to be the highest mountain in the world, but calculations based on various readings and measurements made by the Great Trigonometrical Survey of India in 1849 came to the conclusion that Mount Everest, known as Peak XV at the time, was the highest.  It is listed int the  Eight Thousanders and as Seven Third Summits   
Kangchenjunga is the official spelling adopted by Douglas Freshfield, A. M. Kellas, and the Royal Geographical Society that gives the best indication of the Tibetan pronunciation. Freshfield referred to the spelling used by the Indian Government since the late 19th century. There are a number of alternative spellings including Kangchendzцnga, Khangchendzonga, and Kanchenjunga.  Local Lhopo people believe that the treasures are hidden but reveal to the devout when the world is in peril; the treasures comprise salt, gold, turquoise and precious stones, sacred scriptures, invincible armor or ammunition, grain and medicine. Kangchenjunga's name in the Limbu language is Senjelungma or Seseylungma, and is believed to be an abode of the omnipotent goddess Yuma Sammang.
It rises in a section of the Himalayas called Kangchenjunga Himal that is limited in the west by the Tamur River, in the north by the Lhonak Chu and Jongsang La, and in the east by the Teesta River. It lies about 128 km (80 mi) east of Mount Everest.
Allowing for further verification of all calculations, it was officially announced in 1856 that 
Kangchenjunga was first climbed on 25 May 1955 by Joe Brown and George Band, who were part of a British expedition. They stopped short of the summit as per the promise given to the Chogyal that the top of the mountain would remain inviolate. Every climber or climbing group that has reached the summit has followed this tradition. Other members of this expedition included John Angelo Jackson and Tom Mackinon.  In May 1979,  Doug ScottPeter Boardman and Joe Tasker established a new route on the North Ridge their third ascent which was the first one ever made without oxygen.
In 1983, Pierre Beghin made the first solo ascent accomplished without the use of supplemental oxygen.  In 1992, Wanda Rutkiewicz was  the first woman in the world to ascend and descend K2 and a world-renowned Polish climber, died after she insisted on waiting for an incoming storm to pass, which she did not survive.  In 1998, Ginette Harrison was the first woman who climbed Kangchenjunga North face ;  Gerlinde Kaltenbrunner, an Austrian mountaineer, was the second woman to reach the summit in 2006. 
In May 2014, the Bulgarian diabetic climber Boyan Petrov reached the peak without the use of supplemental oxygen. 
Sources: 
Summitpost.org
 PeakBagger
Everest News.com


The painter 
Edward Lear was an English artist, illustrator, musician, author and poet, and is known now mostly for his literary nonsense in poetry and prose and especially his limericks, a form he popularised. His principal areas of work as an artist were threefold: as a draughtsman employed to illustrate birds and animals; making coloured drawings during his journeys, which he reworked later, sometimes as plates for his travel books; as a (minor) illustrator of Alfred Tennyson's poems. As an author, he is known principally for his popular nonsense collections of poems, songs, short stories, botanical drawings, recipes, and alphabets. He also composed and published twelve musical settings of Tennyson's poetry.
Lear was already drawing "for bread and cheese" by the time he was aged 16.
In 1842,  Lear began a journey into the Italian peninsula, travelling through the LazioRomeAbruzzoMoliseApuliaCalabria, and Sicily.  In personal notes, together with drawings, Lear gathered his impressions on the Italian way of life, folk traditions, and the beauty of the ancient monuments. Of particular interest in Lear was the Abruzzo, which he visited in 1843, through the Marsica (Celano, Avezzano, Alba Fucens, Trasacco) and the plateau of Cinque Miglia (Castel di Sangro and Alfedena), by an old sheep track of the shepherds.
Among his travels, he visited Greece and Egypt during 1848–49, and toured India and Ceylon during 1873–75. While travelling he produced large quantities of coloured wash drawings in a distinctive style, which he converted later in his studio into oil and watercolour paintings, as well as prints for his books. His landscape style often shows views with strong sunlight, with intense contrasts of colour.  Between 1878 and 1883 Lear spent his summers on Monte Generoso, a mountain on the border between the Swiss canton of Ticino and the Italian region of Lombardy.  His watercolor Mount Olympus dated 1849 in in the MET in New York City.  His oil painting The Plains of Lombardy from Monte Generoso is in the Ashmolean Museum Oxford (UK).

Sources: 
- Wikipedia 

Sunday, August 14, 2016

PANDIM PAINTED BY NICHOLAS ROERICH

 http://wanderingvertexes.blogspot.com

NICHOLAS ROERICH (1874-1947) 
Mount Pandim  (6,691 m - 21,952 ft) 
India  (Sikkim)

 In Pandim, 1945, oil on canvas, Nicolas Roerich Museum, NY

The mountain 
Mount Pandim (6,691 m - 21,952 ft) is a Himalayan mountain located in Sikkim, India. It is considered often as a part of the  Kangchenjunga. mountains. Kangchenjunga sometimes spelled Kanchenjunga, is the third highest mountain in the world, and lies partly in Nepal and partly in Sikkim (India). It rises with an elevation of 8,586 m (28,169 ft) in a section of the Himalayas called Kangchenjunga Himal that is limited in the west by the Tamur River, in the north by the Lhonak Chu and Jongsang La, and in the east by the Teesta River. It lies about 128 km east of Mt. Everest.
Kangchenjunga is the second highest peak of the Himalaya after Mount Everest. The main peak of Kangchenjunga is the highest mountain in India and the second highest in Nepal. Kangchenjunga Main is also the easternmost of the mountains higher than 8,000 m (26,000 ft). It is called Five Treasures of Snow after its five high peaks, and has always been worshipped by the people of Nepal Darjeeling and Sikkim. Three of the five peaks – Main, Central and South – are on the border between North Sikkim in India and Nepal. Two peaks are in the Taplejung District, Nepal.
Until 1852, Kangchenjunga was assumed to be the highest mountain in the world, but calculations based on various readings and measurements made by the Great Trigonometrical Survey of India in 1849 came to the conclusion that Mount Everest, known as Peak XV at the time, was the highest. Allowing for further verification of all calculations, it was officially announced in 1856 that Kangchenjunga is the third highest mountain in the world.

The painter 
Nicholas Roerich known also as Nikolai Konstantinovich Rerikh (Никола́й Константи́нович Ре́рих) is quite an important figure of mountain paintings in the early 20th century.  He was a Russian painter, writer, archaeologist, theosophist, perceived by some in Russia as an enlightener, philosopher, and public figure. In his youth was he was quite influenced by a movement in Russian society around the occult and was interested in hypnosis and other spiritual practices. His paintings are said to have hypnotic expression.
Born in Saint Petersburg, Russia, he lived in various places around the world until his death in Naggar, Himachal Pradesh, India. Trained as an artist and a lawyer, his main interests were literature, philosophy, archaeology, and especially art. After the February Revolution of 1917 and the end of the czarist regime, Roerich, a political moderate who valued Russia's cultural heritage more than ideology and party politics, had an active part in artistic politics. With Maxim Gorky and Aleksandr Benois, he participated with the so-called "Gorky Commission" and its successor organization, the Arts Union (SDI).
After the October Revolution and the acquisition of power of Lenin's Bolshevik Party, Roerich became increasingly discouraged about Russia's political future. During early 1918, he, Helena, and their two sons George and Sviatoslav emigrated to Finland. After some months in Finland and Scandinavia, the Roerichs relocated to London, arriving in mid-1919. Later, a successful exhibition resulted in an invitation from a director at the Art Institute of Chicago, offering to arrange for Roerich's art to tour the United States. During the autumn of 1920, the Roerichs traveled to America by sea.  The Roerichs remained in the United States from October 1920 until May 1923.
After leaving New York, the Roerichs – together with their son George and six friends – began the five-year-long 'Roerich Asian Expedition' that, in Roerich's own words: "started from Sikkim through Punjab, Kashmir, Ladakh, the Karakoram Mountains, Khotan, Kashgar, Qara Shar, Urumchi, Irtysh, the Altai Mountains, the Oyrot region of Mongolia, the Central Gobi, Kansu, Tsaidam, and Tibet" with a detour through Siberia to Moscow in 1926.
In 1929 Nicholas Roerich was nominated for the Nobel Peace Prize by the University of Paris. He received two more nominations in 1932 and 1935. His concern for peace resulted in his creation of the Pax Cultura, the "Red Cross" of art and culture. His work for this cause also resulted in the United States and the twenty other nations of the Pan-American Union signing the Roerich Pact on April 15, 1935 at the White House. The Roerich Pact is an early international instrument protecting cultural property.
In 1934–1935, the U.S. Department of Agriculture (then headed by Roerich admirer Henry A. Wallace) sponsored an expedition by Roerich and USDA scientists H. G. MacMillan and James F. Stephens to Inner Mongolia, Manchuria, and China.
Roerich was in India during the Second World War, where he painted Russian epic heroic and saintly themes, including: Alexander Nevsky, The Fight of Mstislav... 
In 1942, Roerich received Jawaharlal Nehru at his house in Kullu. Together they discussed the fate of the new world: "We spoke about Indian-Russian cultural association, it is time to think about useful and creative cooperation ...”.
Gandhi would later recall about several days spent together with Roerich's family: "That was a memorable visit to a surprising and gifted family where each member was a remarkable figure in himself, with a well-defined range of interests." ..."Roerich himself stays in my memory. He was a man with extensive knowledge and enormous experience, a man with a big heart, deeply influenced by all that he observed". During the visit, "ideas and thoughts about closer cooperation between India and USSR were expressed. Now, after India wins independence, they have got its own real implementation[clarification needed]. And as you know, there are friendly and mutually-understanding relationships today between both our countries".
In 1942, the American-Russian cultural Association (ARCA) was created in New York.
Its active participants were Ernest Hemingway, Rockwell Kent, Charlie Chaplin, Emil Cooper, Serge Koussevitzky, and Valeriy Ivanovich Tereshchenko. The Association's activity was welcomed by scientists like Robert Millikan and Arthur Compton.
Roerich died on December 13, 1947.
Presently, the Nicholas Roerich Museum in New York City is a major institution for Roerich's artistic work. Numerous Roerich societies continue to promote his theosophical teachings worldwide. His paintings can be seen in several museums including the Roerich Department of the State Museum of Oriental Arts in Moscow; the Roerich Museum at the International Centre of the Roerichs in Moscow; the Russian State Museum in Saint Petersburg, Russia; a collection in the Tretyakov Gallery in Moscow; a collection in the Art Museum in Novosibirsk, Russia; an important collection in the National Gallery for Foreign Art in Sofia, Bulgaria; a collection in the Art Museum in Nizhny Novgorod Russia; National Museum of Serbia ; the Roerich Hall Estate in Nagar village in Kullu Valley, India; the Sree Chitra Art Gallery, Thiruvananthapuram, India;[17] in various art museums in India; and a selection featuring several of his larger works in The Latvian National Museum of Art.

_______________________________

2016 - Wandering Vertexes...
by Francis Rousseau