LE MASSIF DU GIEWONT PEINT PAR WLASYSLAW JAROCKI

WLASYSLAW JAROCKI (1879-1965)
Massif du Giewont (1, 895 m- 6, 217 ft)
Pologne

In " Zakopane en hiver - Vue de Giewont", huile sur toile, 51,5 x 71,3 cm, 1950, Muzeum KUL

Le peintre
Władysław Jarocki est artiste peintre polonais, né en Ukraine. Il étudia à l'Université nationale polytechnique de Lviv, où il obtient son diplôme d'architecture, puis dans les années 1902 à 1906 à l'Académie des beaux-arts de Cracovieoù il fut l'élève de Józef Mehoffer et Leon Wyczółkowski. Entre 1907 et 1909 il perfectionna ses compétences à Paris à l'Académie Julian. En 1909, il devint membre de la «Sztuka» Société des artistes polonais, un groupe qui réunissait alors l'élite d'artistes polonais. En 1910, il adhéra à la Sécession viennoise. En 1911, il partit en voyage d'études en Italie, puis s'installa à Lviv. En tant que sujet de l'Empire austro-hongroise il servit dans l'armée de 1915 à 1916, documentant ses expériences sur le champ de bataille avec de très émouvants dessins. En 1917, Ii met à profit ses études d'architecture en dirigeant la reconstruction architecturale du quartier de Lviv pour le compte du Comité national de reconstruction de la Galice. En 1920, il prend des fonctions d'enseignant de dessin à l'Institut polytechnique de Lviv et à l'École industrielle d'État. L'année suivante, il devient professeur associé à l'Académie des Beaux-Arts de Cracovie. Il gravit progressivement les échelons de la hiérarchie universitaire, devenant doyen de la Faculté de peinture et de sculpture de 1925 à 1928 ; il fut vice-chancelier de 1933 à 1935 et nommé professeur ordinaire de peinture en 1937. Pendant l'occupation nazie, de 1940 à 1943, il dirigea le département de graphisme de la Städtische Handwerker- und Kunstgewerbeschule de Cracovie. Après la guerre, il ne retourna pas à l'enseignement ; il prit sa retraite en 1947. Dans l'histoire de l'art polonais, l'héritage artistique de Jarocki est associé au folklore, aux images de la campagne, aux coutumes paysannes colorées et aux rituels des régions Hutsul et Podhale. Ces motifs folkloriques qui restent indéniablement aujourd'hui liés à son œuvre avaient attiré son attention dès ses études polytechniques.

La montagne
Giewont est un massif montagneux des Tatras en Pologne qui  culmine à 1 895 m. Le massif compte trois sommets (tous en m/mètres en AMSL) :
- Grand Giewont - Wielki Giewont (1 895 m - 6 217 pi)
- Long Giewont - Długi Giewont (1 867 m - 6 125 pi)
- Petit Giewont - Polonais Mały Giewont (1 728 m - 5 669 pi)
Un col de montagne sépare le Grand et le Long Giewont, connu sous le nom de Szczerba (1 823 m - 5 980 pi). Le Long Giewont et le Grand  Giewont sont situés à une altitude plus élevée que la ville voisine de Zakopane, ce qui les rend clairement visibles depuis cette ville.
Au sommet du Grand Giewont, on peut apercevoir une croix en acier de 15 m de hauteur érigée en 1901, qui marque l 'arrivée d'un site de pèlerinages religieux. Cette zone est connue pour  dangerosité surtout en période d'orages. La première ascension su sommet de Giewont a été entreprise en 1830 par Franciszek Herbich et Aleksander Zawadzki (un explorateur du 19ème siècle). La première ascension hivernale du Giewont a eu lieu en 1904 par un groupe de cinq alpinistes dirigé par Mariusz Zaruski. De nos jours, l'escalade du Giewont est strictement interdite. Par contre, la randonnée sur les sentiers est autorisée et d'un l'accès plutôt facile (sauf en hiver), ce qui explique pourquoi le Giewont est une destination très populaire chez les promeneurs et les touristes. En été, plusieurs milliers de touristes ptentent aisni de s'approcher du sommet chaque jour.

 _________________________________________

2023 - Wandering Vertexes ....
            Errant au-dessus des Sommets Silencieux...
            Un blog de Francis Rousseau

 

 

GIEWONT PAINTED BY ALEKSANDER KOTSIS

ALEKSANDER KOTSIS (1836-1877)
Giewont Massif (1, 895 m- 6, 217 ft)
Poland

 In Giewont (oil on canvas, 39,5 x 55,5 cm, 1870, Muzeum Narodowe w Krakowie.

 
The  painter
Aleksander Kotsis  was a Polish painter. He created landscapes, portraits, and genre scenes in a combination Romantic and Realistic style. Most of his paintings are small. He grew up just outside Kraków, where his family had a small farm. They moved into Kraków in 1846 to become merchants and he began his studies in 1850 at the Academy of Fine Arts with Wojciech Stattler and Władysław Łuszczkiewicz. His father was not supportive of his studies, so he had to continue working in their shop and taking his lessons intermittently. In 1857, he began exhibiting with the Society of Friends of Fine Arts.  Finally he sold some paintings and, with the assistance of Stattler, obtained a scholarship from the Ministry of Religion and Education which enabled him to enroll at the Academy of Fine Arts, Vienna, where he studied with Ferdinand Georg Waldmüller, among others. He returned to Kraków in 1862 and became involved with a patriotic group that met in the studio of the sculptor, Parys Filippi, which was located in the Church of St. Francis of Assisi. Although this group became involved in the January Uprising, Kotsis spent most of the years 1862 to 1864 painting church murals.
After receiving another scholarship in 1866, he moved to Warsaw, then to Paris in 1867, followed by Brussels. When he returned home, he established a studio and worked constantly, spending his summers painting en plein aire in the Tatra mountains. He also began exhibiting extensively throughout Poland and Northern Europe. After 1870, he travelled frequently and, from 1871 to 1875, lived primarily in Munich, where he often exhibited with the Kunstverein München.  He shared a studio with his friends, Antoni Kozakiewicz and Franz Streitt, and went on painting excursions to the Bavarian Alps with them. In 1875, he received an offer of a professorial chair at his alma mater but, that same year, was diagnosed with an incurable brain disorder. He was forced to refuse the chair and was unable to continue working.[ He died two years later.

The mountain
Giewont is a mountain massif in the Tatra Mountains of Poland. It is 1,895 m - at its highest.The massif has three peaks (all m/metres in AMSL):
- Great Giewont - Wielki Giewont (1,895 m- 6, 217 ft)
- Long Giewont - Długi Giewont (1,867 m- 6, 125 ft)
- Small Giewont - Polish Mały Giewont (1,728 m - 5,669 ft)
There is a mountain pass located between Great and Long Giewont, known as Szczerba (1,823 m- 5, 980 ft). Long Giewont and Great Giewont are situated at a higher altitude than the nearby town of Zakopane, making them clearly visible from that city.
On Great Giewont, there is a 15 m steel cross (erected in 1901) - the site of religious pilgrimages. The area is notorious for its hazardous nature during thunderstorms, so this should be taken into consideration when approaching the summit.
The first recorded ascent to Giewont's summit was undertaken in 1830 by Franciszek Herbich and Aleksander Zawadzki (a19th century explorer). The first winter ascent of Giewont occurred in 1904 by a group of five mountaineers led by Mariusz Zaruski. Nowadays the climbing on Giewont is strictly banned. On the other hand, hiking on the hiking trails is allowed and the access (except the winter) is not difficult hence Giewont is a very popular destination among amblers and Sunday tourists. In the summer up to few thousands tourists a day ascend the top.

_______________________________

2022 - Wandering Vertexes...
by Francis Rousseau

GIEWONT MASSIF (2) PAINTED BY LEON JAN WYCZÓLKOWSKI

LEON JAN WYCZÓLKOWSKI (1852-1936)
Giewont Massif (1, 895 m- 6, 217 ft)
Poland

In Giewont o zachodzie slonca  (Mount Giewont at sunset) 1898, huile sur toile 101 × 159 cm 

Private collection, Poland,

The painter
Leon Jan Wyczółkowski (1852-1936) was one of the leading painters of the Young Poland movement, as well as the principal representative of Polish Realism in art of the Interbellum. From 1895 to 1911 he served as professor of the Jan Matejko Academy of Fine Arts (ASP) in Kraków, and from 1934, ASP in Warsaw. He was a founding member of the Society of Polish Artists "Sztuka" (Art, 1897). Wyczółkowski was born in Huta Miastowska near Garwolin in Congress Poland. At first, in his artistic experience he aimed at devoting himself to the genre of historical painting with documentary realism in the detail. After his trip to Paris though, he changed his focus and began implementing solutions typical of the French Impressionists. He painted dramatic landscapes, nudes and pastoral scenes with impasto and impressionist lighting effects . For a short while he came under the influence of Symbolism, and around 1900 darkened his palette. His work is characterized by a richness of form and complex technical means. Thanks to a friendship with Feliks Manggha Jasieński, he expanded his interests to include oriental scenes as well. Wyczółkowski was a master of flower arrangements and still life. He portrayed almost the entire art world of Kraków. Wyczółkowski died 1936 in Warsaw. After the war, on the anniversary of his birthday (11 April 1946), the District Museum in Bydgoszcz took up his name in recognition of his outstanding achievements. His widow donated to the Museum many of his paintings, drawings and a lot of personal memorabilia, including studio equipment. The collection, organized into a new department, consists of over 700 works of Leon Wyczółkowski. His most representative impressionist paintings can be found at the National Museum, Kraków and at the National Museum, Warsaw.

The mountain
Giewont is a mountain massif in the Tatra Mountains of Poland. It is 1,895 m - at its highest.The massif has three peaks (all m/metres in AMSL):
- Great Giewont - Wielki Giewont (1,895 m- 6, 217 ft)
- Long Giewont - Długi Giewont (1,867 m- 6, 125 ft)
- Small Giewont - Polish Mały Giewont (1,728 m - 5,669 ft)
There is a mountain pass located between Great and Long Giewont, known as Szczerba (1,823 m- 5, 980 ft). Long Giewont and Great Giewont are situated at a higher altitude than the nearby town of Zakopane, making them clearly visible from that city.
On Great Giewont, there is a 15 m steel cross (erected in 1901) - the site of religious pilgrimages. The area is notorious for its hazardous nature during thunderstorms, so this should be taken into consideration when approaching the summit.
The first recorded ascent to Giewont's summit was undertaken in 1830 by Franciszek Herbich and Aleksander Zawadzki (a19th century explorer). The first winter ascent of Giewont occurred in 1904 by a group of five mountaineers led by Mariusz Zaruski. Nowadays the climbing on Giewont is strictly banned. On the other hand, hiking on the hiking trails is allowed and the access (except the winter) is not difficult hence Giewont is a very popular destination among amblers and Sunday tourists. In the summer up to few thousands tourists a day ascend the top.

_______________________________

2021 - Wandering Vertexes...
by Francis Rousseau

GIEWONT MASSIF PAINTED BY LEON JAN WYCZÓLKOWSKI

 

LEON JAN WYCZÓLKOWSKI (1852-1936)
Giewont Massif (1, 895 m- 6, 217 ft)
Poland

In Giewont w śniegu (Giewont in the snow), pastel, 1905, 

Katowice Museum/Muzeum Śląskie w Katowicach, Poland

The painter 

Leon Jan Wyczółkowski (1852-1936) was one of the leading painters of the Young Poland movement, as well as the principal representative of Polish Realism in art of the Interbellum. From 1895 to 1911 he served as professor of the Jan Matejko Academy of Fine Arts (ASP) in Kraków, and from 1934, ASP in Warsaw. He was a founding member of the Society of Polish Artists "Sztuka" (Art, 1897). Wyczółkowski was born in Huta Miastowska near Garwolin in Congress Poland. At first, in his artistic experience he aimed at devoting himself to the genre of historical painting with documentary realism in the detail. After his trip to Paris though, he changed his focus and began implementing solutions typical of the French Impressionists. He painted dramatic landscapes, nudes and pastoral scenes with impasto and impressionist lighting effects . For a short while he came under the influence of Symbolism, and around 1900 darkened his palette. His work is characterized by a richness of form and complex technical means. Thanks to a friendship with Feliks Manggha Jasieński, he expanded his interests to include oriental scenes as well. Wyczółkowski was a master of flower arrangements and still life. He portrayed almost the entire art world of Kraków.  Wyczółkowski died 1936 in Warsaw. After the war, on the anniversary of his birthday (11 April 1946), the District Museum in Bydgoszcz took up his name in recognition of his outstanding achievements. His widow donated to the Museum many of his paintings, drawings and a lot of personal memorabilia, including studio equipment. The collection, organized into a new department, consists of over 700 works of Leon Wyczółkowski. His most representative impressionist paintings can be found at the National Museum, Kraków and at the National Museum, Warsaw.

 

The mountain

Giewont is a mountain massif in the Tatra Mountains of Poland. It  is 1,895 m - at its highest.

The massif has three peaks (all m/metres in AMSL):
- Great Giewont - Wielki Giewont (1,895 m- 6, 217 ft)
- Long Giewont - Długi Giewont (1,867 m- 6, 125 ft)
- Small Giewont - Polish Mały Giewont (1,728 m - 5,669 ft)
There is a mountain pass located between Great and Long Giewont, known as Szczerba (1,823 m- 5, 980 ft). Long Giewont and Great Giewont are situated at a higher altitude than the nearby town of Zakopane, making them clearly visible from that city.
On Great Giewont, there is a 15 m steel cross (erected in 1901) - the site of religious pilgrimages. The area is notorious for its hazardous nature during thunderstorms, so this should be taken into consideration when approaching the summit.
The first recorded ascent to Giewont's summit was undertaken in 1830 by Franciszek Herbich and Aleksander Zawadzki (a19th century explorer). The first winter ascent of Giewont occurred in 1904 by a group of five mountaineers led by Mariusz Zaruski. Nowadays the climbing on Giewont is strictly banned. On the other hand, hiking on the hiking trails is allowed and the access (except the winter) is not difficult hence Giewont is a very popular destination among amblers and Sunday tourists. In the summer up to few thousands tourists a day ascend the top.

_______________________________

2021 - Wandering Vertexes...
by Francis Rousseau

GIEWONT PAINTED BY WALERY ELJASZ RADZIKOWSKI

WALERY ELJASZ RADZIKOWSKI (1840-1905)

Giewont (1,895 m- 6, 217 ft)

Poland 

The mountain 
Giewont Giewont (1,895 m- 6, 217 ft) is a mountain massif in the Tatra Mountains of Poland. It is 1,895 m - at its highest. The massif has three peaks :
- Great Giewont - Wielki Giewont (1,895 m- 6, 217 ft)
- Long Giewont - Długi Giewont (1,867 m- 6, 125 ft)
- Small Giewont - Polish Mały Giewont (1,728 m - 5,669 ft)
There is a mountain pass located between Great and Long Giewont, known as Szczerba (1,823 m- 5, 980 ft). Long Giewont and Great Giewont are situated at a higher altitude than the nearby town of Zakopane, making them clearly visible from that city.
On Great Giewont, there is a 15 m steel cross (erected in 1901) - the site of religious pilgrimages. The area is notorious for its hazardous nature during thunderstorms, so this should be taken into consideration when approaching the summit.
The first recorded ascent to Giewont's summit was undertaken in 1830 by Franciszek Herbich and Aleksander Zawadzki (a19th century explorer). The first winter ascent of Giewont occurred in 1904 by a group of five mountaineers led by Mariusz Zaruski. Nowadays the climbing on Giewont is strictly banned. On the other hand, hiking on the hiking trails is allowed and the access (except the winter) is not difficult hence Giewont is a very popular destination among amblers and Sunday tourists. In the summer up to few thousands tourists a day ascend the top.
Giewont lies in the area of the Polish Tatra National Park (Tatrzański Park Narodowy). In Polish folklore it is associated with a legend about oversleeping knights, who will awake when Poland is in danger.

The painter
Walery Eljasz Radzikowski was a Polish painter and photographer, promoter of the Tatra Mountains and Zakopane, co-founder of the Tatra Society, author of Tatra guides, a correspondent member of the Society of the Polish National Museum in Rapperswil from 1897, a member of the Faculty of the Gymnastic Society "Sokół" in Krakow in 1895.
He painted mainly historical paintings, landscapes of the Tatras, as well as sights of Krakow's landmarks, portraits, religious paintings and wall paintings. During his studies, together with his colleagues, he took outdoor trips, during which he painted sketches, and landscapes. He created not only on canvas, but also on natural ground, such as the image of Our Lady of Skalska on a limestone wall in the Mnikowska Valley. During the expeditions to the Tatras in drawings and paintings, he preserved the mountain views and customs of the highlanders.
In 1890, he began to photograph the Tatra Mountains, local construction, residents' traditions and their costumes. They served him as a help for paintings and drawings, they were also published in magazines, albums and in the form of postcards. He was not a pioneer of the Tatra photography (the first photos were taken at the end of the 1850s by Walery Rzewuski and Meletius Dutkiewicz), but he contributed to its popularization.

___________________________________________

2019 - Wandering Vertexes...

by Francis Rousseau 

THE GIEWONT BY JAN NEPOMUCEN GLOWACKI

JAN NEPOMUCEN GLOWACKI (1802-1847)

Giewont (1, 895 m- 6, 217 ft)

Poland

The mountains 

Giewont is a mountain massif in the Tatra Mountains of Poland. It  is 1,895 m - at its highest.

The massif has three peaks (all m/metres in AMSL):

- Great Giewont - Wielki Giewont (1,895 m- 6, 217 ft)

- Long Giewont - Długi Giewont (1,867 m- 6, 125 ft)

- Small Giewont -  Polish Mały Giewont (1,728 m - 5,669 ft)

There is a mountain pass located between Great and Long Giewont, known as Szczerba (1,823 m-  5, 980 ft).  Long Giewont and Great Giewont are situated at a higher altitude than the nearby town of Zakopane, making them clearly visible from that city.

On Great Giewont, there is a 15 m steel cross (erected in 1901) - the site of religious pilgrimages. The area is notorious for its hazardous nature during thunderstorms, so this should be taken into consideration when approaching the summit.

The first recorded ascent to Giewont's summit was undertaken in 1830 by Franciszek Herbich and Aleksander Zawadzki (a19th century explorer). The first winter ascent of Giewont occurred in 1904 by a group of five mountaineers led by Mariusz Zaruski. Nowadays the climbing on Giewont is strictly banned. On the other hand, hiking on the hiking trails is allowed and the access (except the winter) is not difficult hence Giewont is a very popular destination among amblers and Sunday tourists. In the summer up to few thousands tourists a day ascend the top.

The painter 

Jan Nepomucen Głowacki was a Polish realist painter of the Romantic era, regarded as the most outstanding landscape painter of the early 19th century in Poland under the foreign partitions. Głowacki studied painting at the Kraków School of Fine Arts and later at the academies of Prague and Vienna, as well as Rome and Munich. He returned to Kraków in 1828, and became a teacher of painting and drawing. From 1842 he served as a professor in the Faculty of Landscape Painting at the School of Fine Arts. His work can be found at the National Museum of Poland and its branches. Some of his work was looted by Nazi Germany in World War II and has never been recovered.

Głowacki was the first Polish artist to devote an entire series of works to the Tatra Mountains.

 He was also the first, to produce studies for his oil paintings on strenuous outdoor trips. Landscapes such as "Widok z Poronina" (View from Poronin, 1836) and "Morskie Oko" are said to mark the beginning of realist Polish mountain painting.

2018 - Wandering Vertexes...

by Francis Rousseau 

GIEWONT PAINTED BY JAN STANISLAWSKI

JAN STANISLAWSKI (1860-1907)

Giewont (1,895 m- 6, 217 ft)

Poland

In  Evening under Koziniec, oil on canvas, 1906  

The mountains 

Giewont is a mountain massif in the Tatra Mountains of Poland. It  is 1,895 m - at its highest.

The massif has three peaks (all m/metres in AMSL):

- Great Giewont - Wielki Giewont (1,895 m- 6, 217 ft)

- Long Giewont - Długi Giewont (1,867 m- 6, 125 ft)

- Small Giewont -  Polish Mały Giewont (1,728 m - 5,669 ft)

There is a mountain pass located between Great and Long Giewont, known as Szczerba (1,823 m-  5, 980 ft).  Long Giewont and Great Giewont are situated at a higher altitude than the nearby town of Zakopane, making them clearly visible from that city.

On Great Giewont, there is a 15 m steel cross (erected in 1901) - the site of religious pilgrimages. The area is notorious for its hazardous nature during thunderstorms, so this should be taken into consideration when approaching the summit.

The first recorded ascent to Giewont's summit was undertaken in 1830 by Franciszek Herbich and Aleksander Zawadzki (a19th century explorer). The first winter ascent of Giewont occurred in 1904 by a group of five mountaineers led by Mariusz Zaruski. Nowadays the climbing on Giewont is strictly banned. On the other hand, hiking on the hiking trails is allowed and the access (except the winter) is not difficult hence Giewont is a very popular destination among amblers and Sunday tourists. In the summer up to few thousands tourists a day ascend the top.

Giewont lies in the area of the Polish Tatra National Park (Tatrzański Park Narodowy). In Polish folklore it is associated with a legend about oversleeping knights, who will awake when Poland is in danger. 

The painter 

Jan Stanisławski was a Polish modernist painter, art educator, founder and member of various innovative art groups and literary societies. He began to learn painting at the art studio in Warsaw which later gave rise to the School of Fine Arts, under Wojciech Gerson.  In 1885, he continued his studies in Paris under Charles Emile Auguste Durand. While based in Paris, he travelled much, visiting Italy, Spain, Switzerland, Germany, Austria and eastern Galicia.
His early works were exhibited at the inauguration of the Salon du Champ-de-Mars in Paris in 1890 and at the Kraków Society of Friends of Fine Arts in 1892. In the 1890s, he travelled extensively and his sketchbooks filled up with drawings from Berlin, Dresden, Prague, Kraków, and various places in Ukraine.  In 1897, he initiated and helped organise the Separate Exhibition of Painting and Sculpture at Kraków’s Cloth Hall. That year, he became a teacher of landscape painting at the School of Fine Arts in Kraków, and in 1906 – after the school was upgraded to an academy in 1900 – was granted full professorship and also taught at Teodor Axentowicz’s Private School of Painting and Drawing for Women and at Teofila Certowicz’s Art School for Women in Kraków.
He co-founded the Society of Polish Artists "Sztuka" ("Art") in Kraków in 1897.  In 1898, he became a member of the Viennese Secession, and his works were exhibited among theirs in 1901, 1902 and 1905. In 1901, he became a founding member of the Polish Applied Arts Society. He worked in the Wawel Castle Reconstruction Committee and was involved in the activities of the Green Balloon (Zielony Balonik) Cabaret. After his death, two exhibitions were opened at the Palace of Art by the Kraków Society of Friends of Fine Arts in November 1907, one to show 154 of his oil paintings, as well as drawings and watercolours, and the other to present the works of his numerous outstanding students.
_______________________________
2018 - Wandering Vertexes...
by Francis Rousseau