DIENG VOLCANIC COMPLEX PAINTED BY RADEN SALEH

RADEN SALEH (1811-1880)

Dieng Volcanic Complex (2,565m -8,415ft) 

Indonesia, Java 

In Dieng Mountain, 1862, oil on canvas,  Rijksmuseum, Amsterdam

The mountain

Dieng Volcanic Complex (2,565m -8,415ft)  is on the Dieng Plateau, a marshy plateau that forms the floor of a caldera complex near Wonosobo, Central Java, Indonesia. Referred to as "Dieng" by Indonesians, it sits at 2,000 metres (6,600 ft) above sea level, far from major population centres. The name "Dieng" comes from Di Hyang which means "Above of the Gods". 

The volcanic complex consists of two stratovolcanoes with more than 20 small craters and Pleistocene-to-Holocene age volcanic cones. It covers over 6 × 14 km area. The Prahu stratovolcano was truncated by a large Pleistocene caldera and then filled by parasitic cones, lava domes and craters. Some of them are turned into lakes. Toxic volcanic gas has caused fatalities and is a hazard at several craters. On 20 February 1979, 149 people died of gas poisoning in Pekisaran village on the plateau near the Sinila crater. The area is also a major geothermal project.

Part of General Sudirman's guerrilla campaign during the Indonesian War of Independence took place in the area.

The painter 

Raden Saleh Sjarif Boestaman was a pioneering Indonesian Romantic painter of Arab-Javanese ethnicity.  He was considered to be the first "modern" artist from Indonesia (then Dutch East Indies), and his paintings corresponded with nineteenth-century romanticism which was popular in Europe at the time. He also expressed his cultural roots and inventiveness in his work.

Raden Saleh Sjarif Boestaman was born in 1811 in Semarang on the island of Java into a noble Hadhrami family where his father was Sayyid Husen bin Alwi bin Awal bin Yahya, an Indonesian of Arab descent. 

Young Raden Saleh was first taught in Bogor by the Belgian artist A.J. Payen. Payen acknowledged the youth's talent, and persuaded the colonial government of the Netherlands to send Raden Saleh to the Netherlands to study art.  He arrived in Europe in 1829 and began to study under Cornelius Kruseman and Andreas Schelfhout. From Schelfhout, Raden Saleh furthered his skills as a landscape painter. 

During his stay in Paris, Saleh met Horace Vernet whose painting frequently took themes of African wildlife. Compared to Vernet, Saleh's painting seems to be more influenced by the romantic painter Eugène Delacroix. This could be seen in one of Saleh's work, Hunting Lion, 1840, which has similar composition to Delacroix's La Liberté guidant le peuple. However, Werner Kraus, a researcher in the Southeast-Asian Art Center of Passau, German, said that Saleh "never mentioned Delacroix. Perhaps he saw Delacroix's, and possibly Vernet's, works during an exhibition."

While in Europe, in 1836 Saleh became the first indigenous Indonesian to be initiated into Freemasonry. From 1839, he spent five years at the court of Ernest I, Duke of Saxe-Coburg and Gotha, who became an important patron.

Raden Saleh returned to Dutch East Indies in 1852 after living in Europe for 20 years.  He worked as conservator for the colonial collection of government art and continued painting portraits of the Javanese aristocracy, and many more landscape paintings. 

Raden Saleh visited several European cities.  Many of his paintings were exhibited at the Rijksmuseum in Amsterdam. Several of his paintings were destroyed when the Colonial Dutch pavilion in Paris was burnt in 1931.

Source:

- Raden Saleh: The Romantic Aristocrat