MACHAPUCHARE SACRED MOUNTAIN IN VINTAGE POSTCARD 1949

VINTAGE POSTCARD 1949

Machhapucchhre or Machapuchare (6,993 m - 22,943 ft)  

Nepal 

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The mountain

Machapuchare (6,993 m - 22,943 ft) or  Machhapuchchhre or Machhapuchhre is a mountain in the Annapurna Himalayas of north central Nepal. It is revered by the local population as particularly sacred to the god Shiva, and hence is off limits to climbing.

Machapuchare is at the end of a long spur ridge, coming south out of the main backbone of the Annapurna Himalayas, which forms the eastern boundary of the Annapurna Sanctuary. The Sanctuary is a favorite trekking destination, and the site of the base camps for the South Face of Annapurna and for numerous smaller objectives. The peak is about 25 km (16 mi) north of Pokhara, the main town of the region. Due to its southern position in the range, and the particularly low terrain that lies south of the Annapurna Himalayas, Machapuchare commands tremendous vertical relief in a short horizontal distance. This, combined with its steep, pointed profile, make it a particularly striking peak, despite a lower elevation than some of its neighbors. Its double summit resembles the tail of a fish, hence the name meaning "fish's tail" in Nepalese. It is also nicknamed the "Matterhorn of Nepal".

Climbing 

Machapuchare has never been climbed to its summit. The only attempt was in 1957 by a British team led by Lieutenant Colonel Jimmy Roberts. Climbers Wilfrid Noyce and A. D. M. Cox climbed to within 150 m (492 ft) of the summit via the north ridge, to an approximate altitude of 22,793 ft (6,947 m). They did not complete the ascent, as they had promised not to set foot on the actual summit.

Since then, the mountain has been declared sacred, and is now closed to climbers. Nowadays it is illegal to climb Machapuchare. 

Vintage postcards

Postcards became popular at the turn of the 20th century, especially for sending short messages to friends and relatives. They were collected right from the start, and are still sought after today by collectors of pop culture, photography, advertising, wartime memorabilia, local history, and many other categories.
Postcards were an international craze, published all over the world. The Detroit Publishing Co. and Teich & Co. were two of the major publishers in the U.S, and sometimes individuals printed their own postcards as well. Yvon were the most famous in France. Many individual or anonymous publishers did exist around the world and especially in Africa and  Asia (Japan, Thailand, Nepal, China, Java) between 1920 and 1955. These photographer were mostly local notables, soldiers, official guides belonging to the colonial armies (british french, belgium...) who sometimes had rather sophisticated equipment and readily produced colored photograms or explorers, navigators, climbers (Vittorio Sella and the Archiduke of Abruzzi future king of Italy remains the most famous of them).
There are many types of collectible vintage postcards.
Hold-to-light postcards were made with tissue paper surrounded by two pieces of regular paper, so light would shine through. Fold-out postcards, popular in the 1950s, had multiple postcards attached in a long strip. Real photograph postcards (RPPCs) are photographs with a postcard backing.
Novelty postcards were made using wood, aluminum, copper, and cork. Silk postcards–often embroidered over a printed image–were wrapped around cardboard and sent in see-through glassine paper envelopes; they were especially popular during World War I.
In the 1930s and 1940s, postcards were printed on brightly colored paper designed to look like linen.
Most vintage postcard collectors focus on themes, like Christmas, Halloween, portraits of movie stars, European royalty and U.S. presidents, wartime imagery, and photos of natural disasters or natural wonders. Not to mention cards featuring colorful pictures by famous artists like Alphonse Mucha, Harrison Fisher, Ellen Clapsaddle, and Frances Brundage.
For vintage postcards, subject matter, condition, and rarity, plus general desirability and demand, determine value.