NEVADO DE COLIMA BY JOHANN MORITZ RUGENDAS

JOHANN MORITZ RUGENDAS (1802-1858) 

Nevado de Colima (4,260 m - 13,976 ft)

Mexico 

  In Nevado de Colima y Lake Zapotlan - Mexico 

The mountain 

Nevado de Colima (4,260 m - 13,976 ft) also known as Tzapotйpetl is part of  the Colima Volcanic Complex consisting of Volcбn de Colima (or Volcan del Fuego), Nevado de Colima and the eroded El Cantaro (listed as extinct), located in the state of Jalisco, in the west of Mexico, on the Trans Mexican Volcanic Belt.  It is the 26th-most prominent peak in North America. Unlike its immediate neighbor, Volcбn de Colima, the Nevado de Colima no longer has any volcanic activity. Its summit shows signs of glacial erosion which make it difficult to determine certain aspects of its violent history. Today it is possible to find pyroclastic materials up to more than 80 km from the crater, projections probably caused by a catastrophic eruption accompanied by avalanches dating back to the Pleistocene.

The area where the volcano is located is protected by the Mexican government by decree promulgated in 1936, and creating a natural park of 6,554 hectares. This natural park also includes the neighbor, Volcano de Colima or Volcán de Fuego, which is considered today as the most active volcano in Mexico.

The Nevado de Colima is often covered with winter snow, that's why it is more visited between November and March. To reach the summit, one has to cross the city of Ciudad Guzman, in the state of Jalisco, taking the road of La Mesa and El Fresnito. The sides of the volcano can be accessed by car up to 4000 m.

The painter 

Johann Moritz Rugendas was a German painter, famous for his works depicting landscapes and ethnographic subjects in several countries in the Americas, in the first half of the 19th century. Rugendas is considered "by far the most varied and important of the European artists to visit Latin America." whom Alexander von Humboldt influenced.  

Rugendas was born in Augsburg, then Holy Roman Empire, now Germany, into the seventh generation of a family of noted painters and engravers of Augsburg, the great grandson of Georg Philipp Rugendas, 1666–1742, a famous painter of battles.  Inspired by the artistic work of Thomas Ender (1793–1875) and the travel accounts in the tropics by German naturalists Johann Baptist von Spix (1781–1826) and Carl von Martius (1794–1868), in the course of the Austrian Brazil Expedition, Rugendas arrived in Brazil in 1821. There he was soon hired as an illustrator for Baron von Langsdorff's scientific expedition to Minas Gerais and São Paulo. Consul-general of the Russian Empire in Brazil, Langsdorff had a farm in the northern region of Rio de Janeiro, where Rugendas went to live with other members of the expedition. Rugendas visited the Serra da Mantiqueira and the historical towns of Barbacena, São João del Rei, Mariana, Ouro Preto, Caeté, Sabará and Santa Luzia. Just before the fluvial phase of the expedition started (a fateful journey to the Amazon), he became alienated from von Langsdorff, left the expedition and was replaced by the artists Adrien Taunay and Hércules Florence. However, he remained on his own in Brazil until 1825, exploring and recording his many impressions of daily life in the provinces of Mato Grosso, Pernambuco, Bahia, Espírito Santo and Rio de Janeiro. He produced mostly drawings and watercolors.

On his return to Europe between 1825 and 1828, he lived successively in Paris, Augsburg and Munich, with the aim of learning new art techniques, such as oil painting. There, he published from 1827 to 1835, with the help of Victor Aimé Huber, his monumental book Voyage Pittoresque dans le Brésil (Picturesque Voyage to Brazil), with more than 500 illustrations, which became one of the most important documents about Brazil in the 19th century.

In 1831 he traveled first to Haiti, and then to Mexico. In Mexico, he did drawings and watercolors of Morelia, Teotihuacan, Xochimilco, and Cuernavaca. He also began to use oil painting, with excellent results. Unfortunately, Rugendas was incarcerated and expelled from the country after he became involved in a failed coup against Mexico's president, Anastasio Bustamante, in 1834.

From 1834-44 he travelled to Chile, Argentina, Uruguay, Peru and Bolivia, and finally went back to Rio de Janeiro, in 1845. Well-accepted and feted by the court of Emperor Dom Pedro II, he executed portraits of several members of the royal court and participated in an artistic exposition. At the age of 44, in 1846, Rugendas departed for Europe.

He died on 29 May 1858 in Weilheim an der Teck, Germany, King Maximilian II of Bavaria having acquired most of his works in exchange for a life pension. His painting "Columbus taking Possession of the New World" (1855) is on view at the Neue Pinakothek, in Munich.

THE POPOCATEPETL BY ROBERT JENKINS ONDERDONK

ROBERT JENKINS ONDERDONK (1852-1917) 

The Popocatépetl (5,426 m -17,802 ft)  

Mexico

Painted in 1911

The mountain 
Popocatépetl  (5,426 m (17,802 ft) is an active volcano, located in the states of Puebla, Mexico, and Morelos, in Central Mexico, and lies in the eastern half of the Trans-Mexican volcanic belt.  The name Popocatépetl comes from the Nahuatl words popōca  (it smokes) and tepētl  (mountain), meaning Smoking Mountain. It is the second highest peak in Mexico, after Citlaltépetl (Pico de Orizaba) at 5,636 m (18,491 ft).
It is linked to the Iztaccihuatl volcano to the north by the high saddle known as the Paso de Cortés.
Popocatépetl is 70 km (43 mi) southeast of Mexico City, from where it can be seen regularly, depending on atmospheric conditions. Until recently, the volcano was one of three tall peaks in Mexico to contain glaciers, the others being Iztaccihuatl and Pico de Orizaba. In the 1990s, the glaciers such as Glaciar Norte (North Glacier) greatly decreased in size, partly due to warmer temperatures but largely due to increased volcanic activity.  By early 2001, Popocatépetl's glaciers were gone; ice remained on the volcano, but no longer displayed the characteristic features of glaciers such as crevasses.
Magma erupting from Popocatépetl has historically been predominantly andesitic, but it has also erupted large volumes of dacite. Magma produced in the current cycle of activity tends to be a mixture of the two.
Climbing route 
The first ascent was made by ameridian Tecuanipas in 1289. Nowadays the easiest way to reach the top is via the north face. It begins at Tlamacas Lodge located at 3947 meters above sea level and accessible from the neck separating the Popocatepetl of Ixtaccihuatl via a paved road. The trail, which passes through Las Cruces and crosses snowfields and glaciers, measuring nearly five kilometers long with a climb of 1453 mètres. The best time to climb is winter and early spring, especially from  December to  April. The first mountain ski descent was conducted by Francisco Gonzalez Rul and Eduardo de Maria y Campos 1947.
Eruptive history 
Popocatépetl is the most active volcano in Mexico, having had more than 15 major eruptions since the arrival of the Spanish in 1519. A major eruption occurred in 1947.
- On December 21, 1994, the volcano spewed gas and ash which was carried as far as 25 km (16 mi) away by prevailing winds. The activity prompted the evacuation of nearby towns and scientists to begin monitoring for an eruption.
- In December 2000, tens of thousands of people were evacuated by the government based on the warnings of scientists. The volcano then made its largest display in 1,200 years.
- On December 25, 2005, the volcano's crater produced an explosion which ejected a large column of smoke and ash about 3 km (1.9 mi) into the atmosphere and expulsion of lava.
- In January and February 2012, scientists observed increased volcanic activity at Popocatépetl. On January 25, 2012, an ash explosion occurred on the mountain causing much dust and ash to contaminate the atmosphere around it.
- On April 19, 2012, there were reports of superheated rock fragments being hurled into the air by the volcano. Ash and water vapor plumes were reported 15 times over 24 hours.
- On Wednesday May 8, 2013, at 7:28 pm local time, Popocatépetl erupted again with a high amplitude tremor that lasted and was recorded for 3.5 hours. It began with plumes of ash that rose 3 km into the air and began drifting W at first, but later began to drift ESE covering areas of the villages of San Juan Tianguismanalco, San Pedro Benito Juárez and the City of Puebla in smoke and ash. Explosions from the volcano itself subsequently ejected fragments of fiery volcanic rock to distances of 700 m from the crater.
- On July 4, 2013, due to several eruptions of steam and ash for at least 24 hours, at least six U.S. airlines canceled more than 40 flights into and out of Mexico City and Toluca airports that day.
- During 27 August–September 2014, CENAPRED reported explosions accompanied by steam-and-gas emissions with minor ash and ash plumes that rose 800-3,000 m above Popocatépetl’s crater and drifted W, SW, and WSW. On most nights incandescence was observed, increasing during times with larger emissions.
- On 1 September partial visibility due to cloud cover was reported.
- On 29 and 31 August the Washington VAAC reported discrete ash emissions.
- On January 7, 2015, CENAPRED reported that ash from recent explosions coats the snow on the volcano's upper slopes.
- On March 28, 2016, an ash column 2,000 metres high was released, prompting the establishment of a 12-kilometer “security ring” around the summit.
- On 3 April 2016, Popocatépetl erupted, spewing lava, ash and rock.

The painter 
Robert Jenkins Onderdonk  was an American painter and art teacher, born in Catonsville, Maryland.  IT is considered as an Aimportant artist in the first stage of Texas art. Robert Jenkins Onderdonk studied art at the National Academy of Design and the Art Students League of New York in the 1870s. Among his teachers were William Merritt Chase[3] and James Carroll Beckwith.
R. J. Onderdonk went to Texas in 1878  and married Emily Gould in 1881 and they had three children. He hoped to execute portraits for rich Texas citizens and make enough money to travel to Europe. He eventually stayed in Texas for thirty-eight years, where he painted and taught. In San Antonio, he founded an art association for women painters, the Van Dyck club, which later became the San Antonio Arts League; his daughter Eleanor was an important member and organizer.  In 1893 in Dallas, he co-founded the Art Students League of Dallas, pupils of which displayed their paintings each year at the State Fair of Texas, in Dallas.
Onderdonk's masterpiece, the 1903 painting Fall of the Alamo, was displayed at the 1904 Louisiana Purchase Exposition in St. Louis, and is now held in the Texas State Archives. Occupying central position in the painting is Davy Crockett, a depiction reproduced countless times in print; Crockett is portrayed in iconic style, "swinging his flintlock over his head to club the Mexicans advancing through a hanging cloud of gun smoke."  According to Fisk's A History of Texas Artists, he would have been ranked one of America's finest artists if he had spent more time painting rather than teaching.