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Showing posts with label CANADIAN ROCKIES. Show all posts
Showing posts with label CANADIAN ROCKIES. Show all posts

Monday, November 28, 2016

ROCHE MIETTE PAINTED BY ARTHUR P. COLEMAN


ARTHUR P. COLEMAN (1852-1939)
 Roche Miette (2,316m - 7,600 ft) 
Canada

The mountain 
Roche Miette mountain  (2,316m - 7,600 ft) is part Miette Range (in the Canadian Rockies) located in the Athabasca River Valley southwest of Mountain Creek and northeast of Rocky River.  Roche Miette dominates the entrance to the Canadian Rockies. Ben Gadd, author of “Handbook of the Canadian Rockies” feels that the name "Miette" is derived from the Cree word "Myat," which means "bighorn sheep." He thinks that this makes a lot of sense, considering that sheep frequented the lower slopes of the mountain. According to Don Beers, author of “Jasper-Robson –A Taste of Heaven” the name was first recorded as Roche Miette in a journal written by Gabriel Franchere. However Don feels that the mountain was likely named after a voyageur named Baptiste Millette, who worked in the fur trade in the Athabasca River area during 1812 and 1813.  "Roche" is the French word for "rock"  and "Miette" means "crumb". Roche Miette is the official name but an other name is  often given : Millet's Rock. 
In their book, "The Northwest Passage by Land" (1865) William Fitzwilliam (Viscount Milton) and Walter Cheadle describe the northern cliffs of the mountain as they approached from the east as, "a cleft in the range, cut clean as with a knife" and that showed, "what we supposed to be the opening of the gorge through which we were to pass."
When James Hector visited the area in 1859 he wrote that, "Miette's Rock is a bold object, bounding the valley of the Athabasca to the south, and resembling the "Devil's Head which lies to the north of the Bow River". He tried to climb the mountain with Moberly, reaching a sharp peak high above any vegetation but the great cubical block still towered above them and they could go no higher.
In his book, "The Glittering Mountains of Canada" J. Monroe Thorington mentions that Dr. Hector (James Hector of the Palliser Expedition who travelled up the Athabasca Valley during the winter in early 1859) always enjoyed a mountain-scramble and wrote, "I started with Moberly to ascend the Roche Miette... After a long and steep climb, we reached a sharp peak far above any vegetation, and which, as measured by the aneroid, is 3500 feet above the valley. The great cubical block which forms the top of this mountain, still towered above us for 2000 feet, and is quite inaccessible from this side, and is said to have been only once ascended from the south side by a hunter named Miette, after whom it was named."
Legend has it that Bonhomme Miette was a French-Canadian voyageur who made the first ascent, climbing it from its south side. He became a well-known figure in French Canadian folklore and was said to have been a gifted fiddler and storyteller. When he reached the top, the story goes, he sat down, dangling his feet over the precipice, smoked his pipe, and as Miette himself put it "I been have de nice smoke up dere wit St. Peter on de gate." During the 1830's it is known that a man named Miette did live in the Athabasca Valley where he was a "company servant" who hauled coal from the area of Roche Miette to Jasper House as well as to Henry House at the mouth of the Miette River. Ben Gadd believes that Bonhomme Miette was a “legendary” voyageur as no one by that name worked for either the Hudson Bay Company or the Northwest Company during the years prior to 1814. 
Many early travelers wrote of Roche Miette with admiration but their enthusiasm was tempered by the barrier it presented. Roche Miette slopes steeply into the Athabasca and posed a serious obstacle to those travelling up the south bank of the river. Steep, downward sloping slabs of slippery rock often sent horses sliding down into the river at what became known as "Disaster Point." Early travelers attempted to negotiate a dangerous trail that climbed some 395 metres above the river. One referred to, "a very narrow pathway, with a perpendicular wall of rock on one side, and a steep declivity down to the edge of a precipice several hundred feel high on the other." The dangerous "nose" of Roche Miette remained an obstacle until it was blasted away by the railway builders in the early 1900's.
Arthur Coleman (painting above) exited the Canadian Rockies via the Athabasca Valley in 1907, describing Roche Miette as, "The most impressive bit of architecture along the Athabasca, pushing its bold front out into the valley like a commanding fort with unscalable walls three thousand feet high, and a flat top somewhat parapeted and loop-holed."
Climbing
North Face IV 5.8 A3
This climb takes on the impressive N face. An alpine rock route that starts off at a moderate standard (5.6-5.8) and ends up with some A3 thrown in near the end for a complete Rockies rock experience. The rock is excellent throughout, belays are good and the pitches are generally full 50 m affairs. Originally climbed with a bivi but this no doubt was a result of a 4 pm alpine start! It could be climbed in a day, though you will have to be slick to complete a round trip road to road in this time. 

The painter 
Arthur Philemon Coleman was a Canadian a geologist, professor, minerals prospector, artist, Rockies explorer, backwoods canoeist, world traveller, scientist, popular lecturer, museum administrator, memoirist and...  one of Canada’s most beloved scientist. 
Arthur Coleman is a fine example of that rare bird, a polished amateur artist whose drawings and paintings stand comfortably beside those of many professionals. He was active during the time when sketching and painting was ceding to photography the task of recording the visible world. Although he was also a photographer, painting was, for him, both a poetic and a descriptive pursuit, a way of wrapping an artistic expression around a phenomenon he was interested in or moved by. Thus motivated, Coleman's paintings give much joy and command a good deal of respect. The more surprising, perhaps given that he used to introduced himself more as a geologist than a painter.
Coleman travelled throughout the United States for professional conferences as well as geological field work.  He visited many of the major American mountain ranges including: the American Cordillera Mountains (Washington, Oregon and California); the Sierra Nevada Mountains (California and Nevada); Yellowstone National Park (Wyoming, Montana and Idaho); and the Appalachian Mountains (eastern United States). Pleistocene glaciation had extended in Northern Europe as far south as Berlin and London and covered an area of two million square miles. Coleman also visited such countries as India, Australia, Brazil, Argentina, Scandinavia, Bolivia, New Zealand, South Africa and Uruguay. In his final years he made two expeditions to the Andes in Colombia, to mountains in Southern Mexico and to two mountains in Central America.  He achieved the first ascent of Castle Mountain in 1884, and in 1907, he was the first white man to attempt to climb Mount Robson. He made a total of eight exploratory trips to the Canadian Rockies, wholly four of them looking for the mythical giants of Hooker and Brown. 
From 1901 to 1922, he was a Professor of Geology at the University of Toronto and was Dean of the Faculty of Arts from 1919 to 1922. From 1931 to 1934, he was a geologist with the Department of Mines of the Government of Ontario. He was elected a Fellow of the Royal Society of Canada in 1900 and was its President in 1921. In 1929, he was appointed Honorary Vice-President of the Royal Canadian Geographical Society.
 "Mount Coleman" and "Coleman Glacier" in Banff National Park is named in his honor.  He was awarded the Penrose Medal in 1936.
He planned to climb "hi" mountain, "Mount Coleman"'in the Albertan Rockies, and had also prepared a trip to British Guiana, but death intervened.
He was author of:
- Reports on the Economic Geology of Ontario (1903)
- Lake Ojibway; Last of the Great Glacial Lakes (1909) 
- The Canadian Rockies: New and Old Trails (1911)
- Ice Ages, Recent and Ancient (1926), and was co-author of Elementary Geology (1922).
- The Last Million Years (1941) edited by George F. Kay

Tuesday, November 1, 2016

MOUNT ATHABASCA PAINTED BY ARTHUR P. COLEMAN








ARTHUR P. COLEMAN (1852-1939)
Mount Athabasca  (3,491m - 11,453ft)
Canada

1. In Athabasca near Wicox pass, 1807, watercolour, Private coll.
2.  In Athabasca near Wilcox Pass between Saskatchewan & Athabasca,watercolour, Private coll.  
3.  In  Up the Athabasca from Junction of Sunwapta, 1893, drawing, Private coll. 


The mountain 
Mount Athabasca (3,491m - 11,453ft) or Athabaska, is located in the Columbia Icefield of  Jasper National Park  in Canada. Athabasca is the Cree Indian name for "where there are reeds" which originally referred to Lake Athabasca.The first known Europeans to discover this peak in 1896 were Walter Wilcox, Robert Barrett and their two guides. They made an attempt to climb the peak but were unsuccessful.The mountain was named in 1898 by J. Norman Collie and ,Herman Woolley who made the first ascent on August 18 of that year. This climb of the mountain was the result of nineteen days of travel and searching on horseback and on foot, beginning in Lake Louise. It is a lot easier today.
After Mount Robson and Mount Temple, Mt. Athabasca may be the most well-known peak in the Canadian Rockies. It was my first Canadian alpine ascent and the same goes for many. The surrounding area include, Mt Andreomeda, Snow Dome, Mt. Kitchener, Mt Wilcox and Nigel Peak.
Definitely a main climbing and tourist attraction in the area.

Climbing 
There are several climbing routes, including:  North Glacier (Normal Route), Silverhorn, AA Col II, Regular North Face III 5.8, North Ridge III 5.5, The Hourglass 300m, III, AI3-4. One of the most prominent features of Mount Athabasca is a horned-shaped tip near the top called the "Silverhorn". The Silverhorn is one of the easier routes to the summit but requires more caution and ability than the normal route because of Blue ice and falling ice from other parties. Although not apparent from the typical roadside view of the mountain, the south side of Silverhorn actually contains a scrambling route but one must still cross the north glacier to get to it. From the top of the Silverhorn, the summit is a rather easy 15-minute plod in good summer weather over the narrow snow-covered summit ridge.
Sources: 

The artist 





Wednesday, October 12, 2016

DUNGEON PEAK PAINTED BY ROBERT GENN


ROBERT GENN (1936-2014) 
Dungeon Peak (3, 219 m - 10, 266 ft)  
Canada

The mountain 
Dungeon Peak (3, 219 m - 10, 266 ft) is located on the border of Alberta and British Columbia. Named in 1916, Dungeon peak is one of the 10 named peaks by the Alpine Club of Canada part of The Ramparts, such as Bastion, Parapet etc.. They form a western boundary for the Tonquin Valley. Amethyst Lake lies to the east, while the headwaters of the Fraser River bound it to the west.
The Ramparts are a mountain range in the Canadian Rockies; part of the Park Ranges, they straddle the Continental Divide and lie partly within Jasper National Park in Alberta and Mount Robson Provincial Park in British Columbia.
The first ascent of Dungeon peak was made  in 1933 by  Rex Gibson, R.C. Hind, E.L. Woolf
The most famous cliimbing route is East Face IV 5.7, another of the prominent east-facing rib routes. Not quite as aesthetic as the E Face of Oubliette (2 days climbing route) but still a very worthwhile outing. Mostly a rock route but take ice gear for both the ascent and descent. 

The painter 
Robert Douglas Genn  was a Canadian artist, who has gained recognition for his style, which is in the tradition of Canadian landscape painting.  His work is in corporate and public collections, including Air Canada, Bank Of Montreal, Canadian General Insurance, Canadian Airlines, Canadian Utilities, The Churchill Corporation, Expo '86, Esso Resources, First City - California II, Highfield Oil & Gas, Molson Brewery Ltd., Montreal Trust, Shell Resources, University of Alberta, Westgate Chevrolet, Glenbow Museum and Government of Belgium.
Born in Victoria, British Columbia, Genn has often been compared with  members of  the 1920s Canadian Group of Seven.  In 1961, he met Lawren Harris who was a neighbour in Point Grey, Vancouver. Genn had problems with painting skies, and Harris's advice was to turn the picture upside-down: "Paint down from the trees to the clouds at the bottom of the picture to get the perspective right." Genn said this was "valuable advice", which enabled him "to control the gradation, and work up into the trees in a more abstract manner."
He ran the Painter's Keys web site, a worldwide artists' community, with his staff and volunteers. The web site sends out an erudite free twice-weekly newsletter, which is sent to 135,000 artists in over 100 countries, and claims the largest collection of art quotes online with over 5,382 authors quoted. 
In 2005, Genn campaigned against the Chinese website, arch-world.com, which was selling thousands of high-resolution images of around 2,800 artists' work illegally, without permission. After failing to gain support from the Canadian government or the African embassy in Ottawa, Genn used his web site to enlist subscribers' support to email objections to the arch-world, resulting within days in over 1,000 online complaints from artists, dealers and politicians to the company and governments. This stimulated a diplomatic protest letter to the Chinese Ministry of Commerce, Trading and Law Department from the Canadian Embassy in Beijing. Genn credited the campaign with the subsequent removal of images by 800 Canadian artists from arch-world, although many works were reinstated on arch-world soon after.
Genn has been a member of the Board of Directors at Emily Carr College of Art & Design.
Genn announced in his Twice-Weekly Letter of 25 October 2013 that he had been diagnosed with pancreatic cancer.  He died at his Surrey, British Columbia home on 27 May 2014.

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2016 - Wandering Vertexes...
by Francis Rousseau