EDWARD ADRIAN WILSON (1872-1912),
Paton Peak (771 m -2530 ft)
Antarctica (Beaufort Island)
In Beaufort Island, watercolor, 1911, Royal Geographical Society Museum, London
The mountain
Paton Peak (771m-2,530 ft) is the highest point in Beaufort Island, an island in Antarctica's Ross Sea, probably an eroded basaltic stratovolcano of unknown age. It is semi-circular in shape. It is the northernmost feature of the Ross Archipelago, lying 21 kilometres (13 miles) north of Cape Bird, Ross Island. It is approximately 18.4 km2 (7 square miles) in area. It was first charted by James Clark Ross in 1841. Ross named the island for Sir Francis Beaufort, hydrographer to the British Royal Navy. Much of the western side of the island is covered by moderately sloping ice fields with ice cliffs about 20 m (66 ft) high on the coast. The east and south sides of the island are mostly free of ice, with steep inaccessible cliffs that rise straight from the sea. Here the ice-free ground has a gentle slope and has ponds in summer and small meltwater streams that drain to the coast. The island has a small colony of breeding emperor penguins on nearshore sea ice at the northern end, a large Adélie penguin colony on a raised beach called Cadwalader Beach at the south-western end, and several breeding colonies of south polar skua. It has been designated an Important Bird Area by BirdLife International.
The artist
Edward Adrian Wilson, nicknamed "Uncle Bill" was an English physician, polar explorer, natural historian, painter and ornithologist. Wilson took part in two British expeditions to Antarctica, the Discovery Expedition (1901-1904) and the tragic Terra Nova Expedition (1907-1912), both under the leadership of Scott.
Dr. Edward A. Wilson is widely regarded as one of the finest artists ever to have worked in the Antarctic. Sailing with Captain Scott aboard 'Discovery' (1901-1904), he became the last in a long tradition of 'exploration artists' from an age when pencil and water-colour were the main methods of producing accurate scientific records of new lands and animal species. He combined scientific, topographical and landscape techniques to produce accurate and beautiful images of the last unknown continent. Such was the strength of his work that it also helped to found the tradition of modern wildlife painting. In particular Wilson captured the essence of the flight and motion of Southern Ocean sea-birds on paper.
Returning with Captain Scott aboard 'Terra Nova' (1910-1913) as Chief of Scientific Staff, he continued to record the continent and its wildlife with extraordinary deftness. Chosen to accompany Captain Scott to the South Pole, his last drawings are from one of the most famous epic journeys in exploration history. Along with his scientific work, Wilson's pencil recorded the finding of Roald Amundsen's tent at the South Pole by Captain Scott. Wilson died, along with the other members of the British Pole Party, during the return journey, in March 1912. The drawings and paintings were created at considerable personal cost in the freezing conditions in which Wilson worked. He often suffered severely from the cold whilst sketching and also from snow-blindness, or sunburn of the eye. They provide a remarkable testament to one of the great figures of the heroic age of Antarctic exploration. The book has been produced as a companion volume to 'Edward Wilson's Nature Notebooks' by two of Wilson's great nephews, to mark the centenary of his death.
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Un blog de Francis Rousseau
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