JAMES HART DYKE (bn.1966),
Cerro Poincenot (3,002 m - 9,848 ft)
Argentina - Chile
In Cerro Poincenot and glacier, acrylic and pencil on card, 12x15cm. 2018, Private collection
The mountain
Ceero Poincenot or Poincenot Needle (3002 m - 9,848 ft) is a mountain located to the east of the Southern Patagonian ice field in the sector pending delimitation on the border between Argentina (Province of Santa Cruz) and Chile (Region of Magallanes and the Chilean Antarctic) dating from the 1998 Agreement;. This sector is from the south of Mount Fitz Roy to Cerro Murallón, in the Treaty it was intended to delimit from Fitz Roy to Cerro Daudet, however, due to disagreement as to delimit the northern sector, it was only defined from the Hill Murallón to the Daudet. Because of this, its political and neutral status is that of an international hill, and of which it belongs to both countries, of which both must define a definitive border.
The mountainous group to which it belongs forms one of the great nunataks of the Patagonian ice field. The spire is located south of Mount Fitz Roy (which measures about 350 meters more), and stands out for its pointed figure and vertical walls.
The summit was named in memory of the French mountaineer Jacques Poincenot, who died during the French expedition to reach the top of Mount Fitz Roy for the first time, composed of Lionel Terray and Guido Magnone. During the long walk to Fitz Roy, Poincenot drowned in the Fitz Roy River.5 His remains rest in the town of Puerto Santa Cruz.
The first ascent was made in 1962 by the Irishman Frank Cochrane and the British Don Whillans, who used the southwest face.
The painter
James Hart Dyke’s work is centred on landscape painting, from the domesticity of paintings of country houses to paintings generated from physically demanding expeditions over remote mountains. James has also undertaken a series of projects including accompanying HRH The Prince of Wales as the official artist on royal tours, working as ‘artist in residence’ for The British Secret Intelligence Service, working as an artist embedded with the British Forces in war zones, working for the producers of the James Bond films and working as ‘artist in residence’ for Aston Martin. These projects required him to respond in many different ways and have allowed him to experiment with more graphic forms of painting influenced by his studies as an architect at the Royal College of Art. His portraits have been shown at the National Portrait Gallery and at the Royal Society of Portrait Painters exhibitions.
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Un blog de Francis Rousseau