Sunday, December 22, 2019

MOUNT MANSFIELD BY SANFORD ROBINSON GIFFORD

 

SANFORD ROBINSON GIFFORD (1823-1880)
Mount Mansfield (1,340 m - 4,395 ft)
United States of America (Vermont) - Canada border

In Mount Mansfield, Vermont, Oil on canvas, 1859

The mountain
Mount Mansfield (1,340 m - 4,395 ft) is the highest mountain in Vermont. The summit is located within the town of Underhill in Chittenden County; the ridgeline, including some secondary peaks, extends into the town of Stowe in Lamoille County, and the mountain's flanks also reach into the town of Cambridge. When viewed from the east or west, this mountain has the appearance of a (quite elongated) human profile, with distinct forehead, nose, lips, chin, and Adam's apple. These features are most distinct when viewed from the east; unlike most human faces, the chin is the highest point
Mount Mansfield is one of three spots in Vermont where true alpine tundra survives from the Ice Ages. A few acres exist on Camel's Hump and Mount Abraham nearby and to the south, but Mount Mansfield's summit still holds about 200 acres (81 ha). In 1980, Mount Mansfield Natural Area was designated as a National Natural Landmark by the National Park Service.
Located in Mount Mansfield State Forest, the mountain is used for various recreational and commercial purposes. "The Nose" is home to transmitter towers for a number of regional radio and TV stations. [There are many hiking trails, including the Long Trail, which traverses the main ridgeline. In addition, the east flank of the mountain is used by the Stowe Mountain Resort for winter skiing. A popular tourist activity is to take the toll road (about 4 miles (6.4 km), steep, mostly unpaved, with several hairpin turns) from the Stowe Base Lodge to "The Nose" and hike along the ridge to "The Chin."

The painter 
Sanford Robinson Gifford was born in Greenfield, New York and spent his childhood in Hudson, New York, the son of an iron foundry owner. He attended Brown University 1842-44, before leaving to study art in New York City in 1845. He studied drawing, perspective and anatomy under the direction of the British watercolorist and drawing-master, John Rubens Smith. He also studied the human figure in anatomy classes at the Crosby Street Medical college and took drawing classes at the National Academy of Design. By 1847 he was sufficiently skilled at painting to exhibit his first landscape at the National Academy and was elected an associate in 1851, an academician in 1854. Thereafter Gifford devoted himself to landscape painting, becoming one of the finest artists of the early Hudson River School.
More about the painter 

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2019 - Wandering Vertexes...
by Francis Rousseau