ALBERT MARQUET (1875–1947)
Jebel Boukornine (546 m -1791 ft)
Tunisia
In Le canal de Tunis, oil on canvas, private collection
The mountain
Jebel Boukornine (جبل بوقرنين), also spelled Djebel Bou Kornine or Mount Bou Kornine, is a 576-meter mountain in northern Tunisia, overlooking the Gulf of Tunis and Hammam Lif city.
It consists of folded and faulted outcrops of Jurassic limestone. Its name "bou kornine" comes from Tunisian Arabic meaning "the one with two horns", originally from the punic language as "ba'al kornine", meaning "lord with two horns". It owes its name to the two highlights of altitude 576 and 493 meters at the top. During the times of ancient Carthage, the mountain was considered sacred and religious rituals were conducted there.
The massif is part of Boukornine National Park, covering area of 1939 ha and protecting many species of plants and animals. The mountain slopes are covered Aleppo pine and cedar. Djebel Ressas about 30 km to the southwest is a taller peak at 795 m.
The painter
Albert Marquet was a French painter, associated with the Fauvist movement. He initially became one of the Fauve painters and a lifelong friend of Henri Matisse. In 1890 Marquet moved to Paris to attend the Ecole des Arts Décoratifs, where he met Henri Matisse. They were roommates for a time, and they influenced each other's work. Marquet began studies in 1892 at the École des Beaux-Arts de Paris under Gustave Moreau, the famous symbolist artist. In 1905 he exhibited at the Salon d'Automne. Dismayed by the intense coloration in these paintings, critics reacted by naming the artists the "Fauves", i.e. the wild beasts. Although Marquet painted with the fauves for years, he used less bright and violent colours than the others, and emphasized less intense tones made by mixing complementaries, thus always as colors and never as grays.
From 1907 to his death, Marquet alternated between working in his studio in Paris (a city he painted a lot of times) and many parts of the European coast and in North Africa. He was most involved with Algeria and Algiers and Tunisia. He remained also impressed particularly with Naples and Venice where he painted the sea and boats, accenting the light over water. During his voyages to Germany and Sweden he painted the subjects he usually preferred: river and sea views, ports and ships, but also cityscapes.
Matisse said : "When I look at Hokusai, I think of Marquet—and vice versa ... I don't mean imitation of Hokusai, I mean similarity with him".
Jebel Boukornine (جبل بوقرنين), also spelled Djebel Bou Kornine or Mount Bou Kornine, is a 576-meter mountain in northern Tunisia, overlooking the Gulf of Tunis and Hammam Lif city.
It consists of folded and faulted outcrops of Jurassic limestone. Its name "bou kornine" comes from Tunisian Arabic meaning "the one with two horns", originally from the punic language as "ba'al kornine", meaning "lord with two horns". It owes its name to the two highlights of altitude 576 and 493 meters at the top. During the times of ancient Carthage, the mountain was considered sacred and religious rituals were conducted there.
The massif is part of Boukornine National Park, covering area of 1939 ha and protecting many species of plants and animals. The mountain slopes are covered Aleppo pine and cedar. Djebel Ressas about 30 km to the southwest is a taller peak at 795 m.
The painter
Albert Marquet was a French painter, associated with the Fauvist movement. He initially became one of the Fauve painters and a lifelong friend of Henri Matisse. In 1890 Marquet moved to Paris to attend the Ecole des Arts Décoratifs, where he met Henri Matisse. They were roommates for a time, and they influenced each other's work. Marquet began studies in 1892 at the École des Beaux-Arts de Paris under Gustave Moreau, the famous symbolist artist. In 1905 he exhibited at the Salon d'Automne. Dismayed by the intense coloration in these paintings, critics reacted by naming the artists the "Fauves", i.e. the wild beasts. Although Marquet painted with the fauves for years, he used less bright and violent colours than the others, and emphasized less intense tones made by mixing complementaries, thus always as colors and never as grays.
From 1907 to his death, Marquet alternated between working in his studio in Paris (a city he painted a lot of times) and many parts of the European coast and in North Africa. He was most involved with Algeria and Algiers and Tunisia. He remained also impressed particularly with Naples and Venice where he painted the sea and boats, accenting the light over water. During his voyages to Germany and Sweden he painted the subjects he usually preferred: river and sea views, ports and ships, but also cityscapes.
Matisse said : "When I look at Hokusai, I think of Marquet—and vice versa ... I don't mean imitation of Hokusai, I mean similarity with him".
__________________________________
2019 - Wandering Vertexes...
by Francis Rousseau