Wednesday, August 7, 2019

THE WATZMANN BY JOHAN CHRISTIAN DAHL


JOHAN CHRISTIAN DAHL  (1788-1857) 
The Watzmann (2, 713m - 8, 901ft) 
Germany 

In Der Watzmann, 1825, oil on canvas, 45 x 33 cm, Nasjonalgalleriet,  Oslo


The mountain 
The Watzmann (2,713m - 8,901ft) is a mountain in the Bavarian Alps south of the village of Berchtesgaden. It is the third highest in Germany, and the highest located entirely on German territory. Three main peaks array on a N-S axis along a ridge on the mountain's taller western half: Hocheck (2,651 m), Mittelspitze (Middle Peak, 2,713 m) and Sьdspitze (South Peak, 2,712 m).
The Watzmann massif also includes the 2,307 m Watzmannfrau (Watzmann Wife, also known as Kleiner Watzmann or Small Watzmann), and the Watzmannkinder (Watzmann Children), five lower peaks in the recess between the main peaks and the Watzmannfrau.
The entire massif lies inside Berchtesgaden National Park.
The Watzmann Glacier is located below the famous east face of the Watzmann in the Watzmann cirque and is surrounded by the Watzmanngrat arête, the Watzmannkindern and the Kleiner Watzmann. The size of the glacier reduced from around 30 hectares (74 acres) in 1820 until it split into a few fields of firn, but between 1965 and 1980 it advanced significantly again and now has an area of 10.1 hectares (25 acres). Above and to the west of the icefield lie the remains of a transport-bomber that crashed in October 1940...
Full entry  =>

The painter
Johan Christian Claussen Dahl, often known as J. C. Dahl or I. C. Dahl, was a Norwegian artist who is considered the first great romantic painter in Norway, the founder of the "golden age" of Norwegian painting, and, by some, one of the greatest European artists.  He is often described as "the father of Norwegian landscape painting". He was the first to acquire genuine fame and cultural renown abroad. As one critic has put it, "J.C. Dahl occupies a central position in Norwegian artistic life of the first half of the 19th century.
Although Dahl spent much of his life outside of Norway, his love for his country is clear in the motifs he chose for his paintings and in his extraordinary efforts on behalf of Norwegian culture generally. Indeed, if one sets aside his own monumental artistic creations, his other activities on behalf of art, history, and culture would still have guaranteed him a place at the very heart of the artistic and cultural history of Norway. He was, for example, a key figure in the founding of the Norwegian National Gallery and of several other major art institutions in Norway, as well as in the preservation of Norwegian stave churches and the restoration of the Nidaros Cathedral in Trondheim and Håkonshallen in Bergen
Many of his works may be seen in Dresden, and in The Bergen Kunstmuseum in Bergen, as well as in  The National Museum of Art, Architecture and Design  The National Gallery in  Oslo  which has a large collection of Dahl's.

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2019 - Wandering Vertexes...
by Francis Rousseau