CORNELIUS DE BRUYN (1652-1726)
Mount Tabor (575 m -1,886 ft)
Israel (Galilee)
In Montagne de Thabor, Voyages au levant, 1714
The mountain
Mount Tabor (575 m - 1,886 ft), (not to be confused with Mount Thabor int he French Alps ) is located in Lower Galilee, Israel, at the eastern end of the Jezreel Valley, 11 miles (18 km) west of the Sea of Galilee. Mount Tabor is a Inselberg : an isolated hill or small mountain rising abruptly from gently sloping or level surrounding land, and is not volcanic.
In the Hebrew Bible (Joshua, Judges), Mount Tabor is the site of the Battle of Mount Tabor between the Israelite army under the leadership of Barak and the army of the Canaanite king of Hazor, Jabin, commanded by Sisera.
In Christian tradition, Mount Tabor is the site of the Transfiguration of Jesus.
Mount Tabor is shaped almost like half a sphere, suddenly rising from rather flat surroundings and dominating the town in the plain below, Kfar Tavor. At the top of the mountain are two Christian monasteries, one Greek Orthodox on the northeast side and one Roman Catholic on the southeast side. The Catholic church at the top is easily visible from afar.
At the base it is almost fully surrounded by the Arab villages of Daburiyya, Shibli, and Umm al-Ghanam. Mount Tabor is located off Highway 65, and its summit is accessible by road via Shibli. A hiking tracks starts from the Bedouin village Shibli and is about five kilometers long. It is part of the Israel National Trail.
The artist
Cornelius de Bruyn, (also called Cornelis de Bruijn) was a Dutch artist and traveler. He made two large tours and published illustrated books with his observations of people, buildings, plants and animals.
During his first tour, he visited Rome. He travelled in Egypt and climbed to the top of a pyramid where he left his signature. De Bruijn made secret drawings of Jerusalem, then part of the Ottoman Empire. His drawings of Palmyra are copies. De Bruijn reached Cyprus and stayed among the Dutch merchants in Smyrna and Constantinople.
From 1684 he worked in Venice with the painter Johann Carl Loth, returning in 1693 to The Hague, where he sold his souvenirs. In 1698 he published his book with drawings, which was a success and was translated in several languages. Two examples have colored illustrations, the first color prints in history. Among his drawings were the first pictures of the interior of the Great Pyramid and Jerusalem that became known in Europe.
In 1701 he headed for Archangelsk. During his second tour he visited the Samoyeds in northern Russia. In Moscow he became acquainted with emperor Peter the Great: de Bruijn painted his nieces, and the paintings were sent to possible candidates for marriage.
In late April 1703, De Brujin left Moscow along with the party of an Armenian merchants from Isfahan whose name he recorded as Jacob Daviedof. De Bruijin and the Armenians sailed down the Moscow River, the Oka and the Volga, eventually reaching Astrakhan. Thanks to de Bruijn's short stopover in Nizhny Novgorod during the Easter holidays, we now have his description of that major center of the Russian Volga trade as it existed in 1703, with its Kremlin, stone churches, and a lively bar (kabak) scene.
Leaving the borders of the Russian state, de Brujin arrived to Persia, where he made drawings of towns like Isfahan and Persepolis (1704–1705). He continued to Java and returned to Persia, Russia, and ultimately the Netherlands.
His drawings of Persepolis, a city destroyed by Alexander the Great, caused a sensation. The mayor of Amsterdam Nicolaes Witsen and a member of the Royal Society probably asked him to draw the city famous for its 40 columns. For a century, they were the best prints available to western scholars. De Bruijn was accused of plagiarism and his second book, Reizen over Moskovie was not such a success. From Amsterdam he fled to Vianen.
De Bruijn died in Utrecht. It is not known when and where he was buried.
De Bruijn, who had read every Greek and Latin source he had been able to obtain, displays a convincing knowledge of subjects, at times going into the humorous. In Persia, he obtained a copy of Firdausi's Shahnamê, which he summarized and made accessible to the west.
In 1701 he headed for Archangelsk. During his second tour he visited the Samoyeds in northern Russia. In Moscow he became acquainted with emperor Peter the Great: de Bruijn painted his nieces, and the paintings were sent to possible candidates for marriage.
In late April 1703, De Brujin left Moscow along with the party of an Armenian merchants from Isfahan whose name he recorded as Jacob Daviedof. De Bruijin and the Armenians sailed down the Moscow River, the Oka and the Volga, eventually reaching Astrakhan. Thanks to de Bruijn's short stopover in Nizhny Novgorod during the Easter holidays, we now have his description of that major center of the Russian Volga trade as it existed in 1703, with its Kremlin, stone churches, and a lively bar (kabak) scene.
Leaving the borders of the Russian state, de Brujin arrived to Persia, where he made drawings of towns like Isfahan and Persepolis (1704–1705). He continued to Java and returned to Persia, Russia, and ultimately the Netherlands.
His drawings of Persepolis, a city destroyed by Alexander the Great, caused a sensation. The mayor of Amsterdam Nicolaes Witsen and a member of the Royal Society probably asked him to draw the city famous for its 40 columns. For a century, they were the best prints available to western scholars. De Bruijn was accused of plagiarism and his second book, Reizen over Moskovie was not such a success. From Amsterdam he fled to Vianen.
De Bruijn died in Utrecht. It is not known when and where he was buried.
De Bruijn, who had read every Greek and Latin source he had been able to obtain, displays a convincing knowledge of subjects, at times going into the humorous. In Persia, he obtained a copy of Firdausi's Shahnamê, which he summarized and made accessible to the west.
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2019 - Wandering Vertexes...
by Francis Rousseau