GEVORK BASHINJAGHIAN (1857-1925)
Mount Aragats (4,090 m -13,420 ft)
Armenia
In Mount Aragats at sunset , oil on canvas, 1905, National Gallery of Armenia
Mount Aragats (4,090 m -13,420 ft) in Armenian: Արագած, is an isolated four-peaked volcano massif in Armenia. Its northern summit, above sea level, is the highest point of the Lesser Caucasus and Armenia. It is also one of the highest points in the Armenian Highlands. Situated 40 kilometers (25 mi) northwest of Armenian capital Yerevan, Aragats is a large volcano with numerous fissure vents and adventive cones. Numerous large lava flows descend from the volcano and are constrained in age between middle Pleistocene and 3,000 BCE. The summit crater is cut by a 13 kilometres (8.1 mi) long line of cones which generated possibly Holocene-age lahars and lava flows. The volcanic system covers an area of 5,000 km2 and is one of the largest in the region. The magmas feeding Aragats are unusually hot for arc-derived magmas, resulting in long and voluminous lava flows.
The Aragats massif is surrounded by Kasagh River on the east, Akhurian River on the west, Ararat plain on the south and Shirak plain on the north.
According to an ancient Armenian legend, Aragats and Mount Ararat were loving sisters who parted after a quarrel and separated permanently. Currently, the mountains are further separated politically, with Mount Ararat being located in Turkey.
Another legend tells that Gregory the Illuminator, who converted Armenia into Christianity in the early 4th century, "used to pray on the peak of the mountain. At nighttime an icon-lamp shone to give light for him, the lamp hanging from heaven using no rope. Some say that the icon-lamp is still there, but only the worthy ones can see it."
Mt. Aragats plays a special role in Armenian history and culture. Along with Ararat, it is considered a sacred mountain for the Armenians.
Aragats is a male first name in Armenia, used especially in areas surrounding the mountain.
Mt. Aragats is often associated with Gyumri, Armenia's second largest city. The mountain is depicted on the coat of arms of Gyumri. It is also depicted on the obverse side of the 10,000 Armenian dram banknote (in use since 2003) in the background of Avetik Isahakyan, a poet born in Gyumri.
The Painter
Quite a lot of painters painted MountArarat since the Middle age. Among the numerous représentations avalaible on the web nowadays, this blog has choosen the on by Gevorg Bashinjaghian, an Armenian painter who had significant influence on Armenian landscape painting.
Bashinjaghian was born in 1857 in eastern Georgian province of Kakheti, part of the Russian Empire at the time. In 1878, Bashinjaghian moved to the Russian capital St. Petersburg, where he became a student at the Imperial Academy of Arts a year later. Mikhail Clodt was one of his teachers. He graduated from the Academy in 1883, also winning a silver medal for his Birch Grove. He returned to his hometown Sighnaghi the same year and soon started to travel throughout the Caucasus: Lake Sevan, Yerevan, Ashtarak and the holy capital of the Armenian Church - Ejmiatsin, Georgia and the Northern Caucasus, which caused the artist to make a row of canvas of the local landscapes. During the next year, Bashinjaghian visited Italy and Switzerland, where he learnt about the classic European art and also saw the Alps. He later wrote that "the Alps are beautiful, but they cannot win your heart if you have seen the Caucasus."
He returned to Russia and settled in Tiflis, the largest city of the Caucasus and the cultural center of Armenians of Russia. In 1890s Bashinjaghian had exhibitions in Moscow, Odessa, St. Petersburg and Novocherkassk. In 1897, he created a series of oil painting of Ani, the medievial Armenian capital of thousand churches. From 1899 to 1901, Bashinjaghian lived in Paris with his wife Ashkhen Katanian and their three children. In France, he made a trip throughout the country and produced over 30 paintings. In 1923 Bashinjaghian became a member of the Armenian Artists' Society.
Bashinjaghian died on 1925 in Tiflis and was buried at the side of Sayat-Nova's tomb in the backyard of Saint George Cathedral.
Exhibitions of Bashinjaghian's works were held in Yerevan, Moscow St. Petersburg and Riga, many of them in 1957-1958, in memory of the 100th anniversary of his birth.
A street in Yerevan is named after him.
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2019 - Wandering Vertexes...
by Francis Rousseau