Thursday, July 11, 2019

MT ARAGATS PAINTED BY ALEXANDER BOGOMAZOV



ALEXANDER BOGOMAZOV (1880-1930)  
Mount Aragats (4,090 m -13,420 ft)
Armenia 

 In  "Karabakh"  (oil on canvas) 61x 82 cm- ca 1924-25, Private collection 


The mountain 
Mount Aragats (4,090 m -13,420 ft) in Armenian: Արագած, is an isolated four-peaked volcano massif in Armenia. Its northern summit, above sea level, is the highest point of the Lesser Caucasus and Armenia. It is also one of the highest points in the Armenian Highlands. Situated 40 kilometers (25 mi) northwest of Armenian capital Yerevan, Aragats is a large volcano with numerous fissure vents and adventive cones. Numerous large lava flows descend from the volcano and are constrained in age between middle Pleistocene and 3,000 BCE. The summit crater is cut by a 13 kilometres (8.1 mi) long line of cones which generated possibly Holocene-age lahars and lava flows.  The volcanic system covers an area of 5,000 km2 and is one of the largest in the region.  The magmas feeding Aragats are unusually hot for arc-derived magmas, resulting in long and voluminous lava flows.
The Aragats massif is surrounded by Kasagh River on the east, Akhurian River on the west, Ararat plain on the south and Shirak plain on the north.
According to an ancient Armenian legend, Aragats and Mount Ararat were loving sisters who parted after a quarrel and separated permanently. Currently, the mountains are further separated politically, with Mount Ararat being located in Turkey.
Another legend tells that Gregory the Illuminator, who converted Armenia into Christianity in the early 4th century, "used to pray on the peak of the mountain. At nighttime an icon-lamp shone to give light for him, the lamp hanging from heaven using no rope. Some say that the icon-lamp is still there, but only the worthy ones can see it."
Mt. Aragats plays a special role in Armenian history and culture. Along with Ararat, it is considered a sacred mountain for the Armenians.
Aragats is a male first name in Armenia, used especially in areas surrounding the mountain.
Mt. Aragats is often associated with Gyumri, Armenia's second largest city. The mountain is depicted on the coat of arms of Gyumri.  It is also depicted on the obverse side of the 10,000 Armenian dram banknote (in use since 2003) in the background of Avetik Isahakyan, a poet born in Gyumri.

The painter 
Alexander Bogomazov or Oleksandr Bohomazov (Александр Константинович Богомазов) was a Ukrainian painter, known artist and modern art theoretician of the Russian Avant-garde. 
From 1896 to 1902, Aleksander Bogomazov attended the Institute for Agriculture in Kherson. From 1902 to 1905, he attended the Kiev Art School (KKHU), at the same time he had close contact with Alexander Archipenko and Aleksandra Ekster.
In 1905, he participated in political demonstrations and strikes. In the same year he was expelled from the Kiev Art School. In 1906, he studied in the studio of S. Swiatoslavskiy. Bogomazov had an exhibition in Kiev, together with Archipenko. That year he moved to Moscow and became the student of Fyodor Rerberg and Konstantin Yuon.
In 1907, he returned to Kiev. After 1907, he had regular exhibitions in Kiev, including the Association of Russian Artists and the Moscow Society of Independent Artists. In 1908, he participated in the exhibition with the group of artists Zveno (The Link) in Kiev together with David Burliuk, Wladimir Burliuk, Aleksandra Ekster and others.
In 1911, he journeyed to Finland. From 1912 to 1915, he taught at a school for the deaf and mute in Kiev. From 1913 to 1914, he studied the works of the Italian Futurists. At this time he developed art theories, and published his essay The Art of Painting and the Elements. In 1914, he organized the exhibition Kiltse ("The Ring") in Kiev, together with Aleksandra Ekster, Eugène Konopatzky among others.
 In 1915, Bogomazov moved to the Caucasus, where he worked as a teacher and painter.
In 1919, he taught at the First State Studio for Paintings and Decorative art in Kiev. From 1919 to 1920, he was the Head of the Department for Art Education in the Ukrainian Commissariat for Visual Art. At the same time he was the co-founder of the Ukrainian Agitprop Movement, and created designs for the Agitprom movement. From 1922 to 1930, he taught at the Kiev Art Academy (KKHI) together with Vadim Meller, Vladimir Tatlin, Victor Palmov. 
In 1927, he was a founding member of the Association of the Revolutionary Masters of Ukraine (ARMU), together with D.Burliuk, V.Meller, V.Palmov, V. Yermilov and others. In the same year, he participated in the All-Ukrainian Exhibition Ten years October (Kharkov, Kiev, Odessa), together with Tatlin, Meller, Palmov, Epshtein among others.

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2019 - Wandering Vertexes...
by Francis Rousseau