SOGA SHOHAKU / 曾我蕭白 ( 1730-1781)
Tiantai Mountain / 天台山 (1,138m- 3,784ft)
China
In Lions at the Stone bridge of Mount Tiantai, Hanging scroll, ink on silk,(114 x 50,8 cm)
Edo Period, 1779 , The MET
About the painting
The MET Notice
In this fantastical scene at the natural stone bridge on Mount Tiantai, in China’s Zhejiang province, a mother lion throws cubs over the cliff to see which will persevere to succeed in life by climbing back to her. Analogies are often made to artists or teachers testing pupils in similar ways. Mount Tiantai, home to the Tiantai sect of Buddhism, is also a sacred site for Daoist practice. In China as in Japan, mountains were long regarded as intermediary places between heaven and earth, where immortals and humans could meet.
One of the “eccentrics” of Edo painting, Soga Shōhaku often featured exaggerated, restless brushwork as well as outlandish subject matter. This hanging scroll shows Shōhaku at the height of his creativity; he transforms a rarely depicted theme into a work that combines fluid, disciplined brushwork with dramatic composition and bizarre imagery.
The mountain
Tiantai Shan / 天台山 (1,138m- 3,784ft) which means “Heavenly Terrace” also called Mount Tiantai is a mountain in Tiantai County near the city of Taizhou, Zhejiang, China. The mountain comprises a series of peaks - Tongbai, Foulong, Chicheng, whose the highest is Huading.
From a very early period the Tiantai mountain chain was considered holy, and in ancient times it was associated with Daoism. Many well-known Daoist adepts and masters lived there until the 11th and 12th centuries. Its fame, however, is associated not with Daoism but with Buddhism. According to tradition, the first Buddhist community was founded there in 238-251, but the renown of Tiantai began when the monk Zhiyi settled there in 576. When the Sui dynasty (581–618) unified China in 589, Zhiyi played an important role in giving religious sanction to the new regime and was greatly honoured by the Sui emperor. After Zhiyi’s death in 597, his disciples, under imperial patronage, made Tiantai a major cult centre. The best-known temples established there were the Guoqing, Dazi, Dianfeng, Huoguo, Wannian Bo’er, and Gaoming. Eventually there were 72 major temples as well as a great number of cloisters and shrines on the mountain, and it became a major centre of pilgrimage for both Chinese and Japanese Buddhists. It also gave its name to one of the major schools of Buddhist teaching, Tiantai, perhaps better known under its Japanese name of Tendai.
Many of the temples still remain, although the influence of the Tiantai school in Chinese Buddhism did not survive the 13th century. A good deal of building continued in the 17th and 18th centuries, and in the 17th century in particular the Tiantai area produced a number of prominent Buddhist scholars. The mountain was made a national park on 1 August 1988.
The artist
Soga Shōhaku (曾我蕭白) (1730–1781) was a Japanese painter of the Edo period. Shōhaku distinguished himself from his contemporaries by preferring the brush style of the Muromachi period, an aesthetic that was already passé 150 years before his birth.
Shōhaku's birth name was Miura Sakonjirō. His family was wealthy, but all of his immediate family members died before he reached the age of 18.
As a young man, he was a student of Takada Keiho of the prominent Kanō School, which drew upon Chinese techniques and subject matters. His disillusionment with the school led him to appreciate the works of Muromachi era painter Soga Jasoku. He began to use the earlier style of brushstroke, painting mostly monochromes, despite the fact it had become unfashionable.
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2019 - Wandering Vertexes...
by Francis Rousseau