CHILDE HASSAM (1859-1935)
Beacon mountain (491 m - 1,610 ft)
United States of America (New-York)
In Mount Beacon at Newburgh, 1916, oil on wood, The Phillips Collection
The mountain
Beacon Mountain, (491 m - 1,610 ft) locally Mount Beacon, is the highest peak of Hudson Highlands, located behind the City of Beacon, New York, in the Town of Fishkill. Its two summits rise above the Hudson River behind the city and can easily be seen from Newburgh across the river and many other places in the region. The more accessible northern peak, at 1,531 feet (467 m) above sea level, has a complex of radio antennas on its summit; the 1,610-foot (491 m) southern summit has a fire lookout tower.
Beacon Reservoir, the city's main water source, is located between North Beacon and neighboring Scofield Ridge, the highest peak in Putnam County. Since much of the land on the mountains and up to the county line is owned by the city to protect the watershed, an extensive system of roads and trails makes it a popular hiking area. Both summits afford extensive views of the mid-Hudson region, and on clear days New York City is visible from the fire tower.
In the past, North Beacon was home to Dutchess ski area, and the remains of three ski trails can still be seen from the north. Additionally there was once the Mount Beacon Incline Railway, which stopped running in 1978 but has since been added to the National Register of Historic Places. Its track can still be seen going up the mountain and can be used to climb it, albeit steeply. At various other times in the past this summit housed a restaurant, a casino and a hotel.
The mountains provided a key vantage point over West Point and Hudson River, lending it historic roles in the American Revolution. Signal fires on the mountain gave both it and the nearby city their name. In 1901 the local chapter of the Daughters of the American Revolution erected a monument at the site of the original signal fire near the summit of North Beacon.
The painter
Frederick Childe Hassam was an American Impressionist painter, noted for his urban and coastal scenes. Along with Mary Cassatt and John Henry Twachtman, Hassam was instrumental in promulgating Impressionism to American collectors, dealers, and museums. He produced over 3,000 paintings, oils, watercolors, etchings, and lithographs over the course of his career, and was an influential American artist of the early 20th century.
In 1904 and 1908, he traveled to Oregon and was stimulated by new subjects and diverse views, frequently working out-of-doors with friend, lawyer and amateur painter Colonel C. E. S. Wood.
He produced over 100 paintings, pastels, and watercolors of the High Desert, the rugged coast, the Cascades, scenes of Portland. As usual, he adapted his style and colors to the subject at hand and the mood of place, but always in the Impressionist vein. With the art market now eagerly accepting his work, by 1909 Hassam was enjoying great success, earning as much as $6,000 per painting. His close friend and fellow artist J. Alden Weir commented to another artist : "Our mutual friend Hassam has been in the greatest of luck and merited success. He sold his apartment studio and has sold more pictures this winter, I think, than ever before and is really on the crest of the wave. So he goes around with a crisp, cheerful air."
The most distinctive and famous works of Hassam's later life comprise the set of some 30 paintings known as the "Flag series". He began these in 1916 when he was inspired by a "Preparedness Parade" (for the US involvement in World War I), which was held on Fifth Avenue in New York (renamed the "Avenue of the Allies" during the Liberty Loan Drives of 1918).Thousands participated in these parades, which often lasted for over twelve hours.
Being an avid Francophile, of English ancestry, and strongly anti-Germany, Hassam enthusiastically backed the Allied cause and the protection of French culture.
In 1919, Hassam purchased a home in East Hampton, New York. Many of his late paintings employed nearby subjects in that town and elsewhere on Long Island. In 1920, he received the Gold Medal of Honor for lifetime achievement from the Pennsylvania Academy of the Fine Arts and numerous other awards through the 1920s. Hassam traveled relatively little in his last years, but did visit California, Arizona, Louisiana, Texas, and Mexico.
Beacon Reservoir, the city's main water source, is located between North Beacon and neighboring Scofield Ridge, the highest peak in Putnam County. Since much of the land on the mountains and up to the county line is owned by the city to protect the watershed, an extensive system of roads and trails makes it a popular hiking area. Both summits afford extensive views of the mid-Hudson region, and on clear days New York City is visible from the fire tower.
In the past, North Beacon was home to Dutchess ski area, and the remains of three ski trails can still be seen from the north. Additionally there was once the Mount Beacon Incline Railway, which stopped running in 1978 but has since been added to the National Register of Historic Places. Its track can still be seen going up the mountain and can be used to climb it, albeit steeply. At various other times in the past this summit housed a restaurant, a casino and a hotel.
The mountains provided a key vantage point over West Point and Hudson River, lending it historic roles in the American Revolution. Signal fires on the mountain gave both it and the nearby city their name. In 1901 the local chapter of the Daughters of the American Revolution erected a monument at the site of the original signal fire near the summit of North Beacon.
The painter
Frederick Childe Hassam was an American Impressionist painter, noted for his urban and coastal scenes. Along with Mary Cassatt and John Henry Twachtman, Hassam was instrumental in promulgating Impressionism to American collectors, dealers, and museums. He produced over 3,000 paintings, oils, watercolors, etchings, and lithographs over the course of his career, and was an influential American artist of the early 20th century.
In 1904 and 1908, he traveled to Oregon and was stimulated by new subjects and diverse views, frequently working out-of-doors with friend, lawyer and amateur painter Colonel C. E. S. Wood.
He produced over 100 paintings, pastels, and watercolors of the High Desert, the rugged coast, the Cascades, scenes of Portland. As usual, he adapted his style and colors to the subject at hand and the mood of place, but always in the Impressionist vein. With the art market now eagerly accepting his work, by 1909 Hassam was enjoying great success, earning as much as $6,000 per painting. His close friend and fellow artist J. Alden Weir commented to another artist : "Our mutual friend Hassam has been in the greatest of luck and merited success. He sold his apartment studio and has sold more pictures this winter, I think, than ever before and is really on the crest of the wave. So he goes around with a crisp, cheerful air."
The most distinctive and famous works of Hassam's later life comprise the set of some 30 paintings known as the "Flag series". He began these in 1916 when he was inspired by a "Preparedness Parade" (for the US involvement in World War I), which was held on Fifth Avenue in New York (renamed the "Avenue of the Allies" during the Liberty Loan Drives of 1918).Thousands participated in these parades, which often lasted for over twelve hours.
Being an avid Francophile, of English ancestry, and strongly anti-Germany, Hassam enthusiastically backed the Allied cause and the protection of French culture.
In 1919, Hassam purchased a home in East Hampton, New York. Many of his late paintings employed nearby subjects in that town and elsewhere on Long Island. In 1920, he received the Gold Medal of Honor for lifetime achievement from the Pennsylvania Academy of the Fine Arts and numerous other awards through the 1920s. Hassam traveled relatively little in his last years, but did visit California, Arizona, Louisiana, Texas, and Mexico.
He died in East Hampton in 1935, at age 75.
He denounced modern trends in art to the end of his life, and he termed "art boobys" all the painters, critics, collectors, and dealers who got on the bandwagon and promoted Cubism, Surrealism and other avant-garde movements. Until a revival of interest in American Impressionism in the 1960s, Hassam was considered among the "abandoned geniuses". As French Impressionist paintings reached stratospheric prices in the 1970s, Hassam and other American Impressionists gained renewed interest and were bid up as well.
He denounced modern trends in art to the end of his life, and he termed "art boobys" all the painters, critics, collectors, and dealers who got on the bandwagon and promoted Cubism, Surrealism and other avant-garde movements. Until a revival of interest in American Impressionism in the 1960s, Hassam was considered among the "abandoned geniuses". As French Impressionist paintings reached stratospheric prices in the 1970s, Hassam and other American Impressionists gained renewed interest and were bid up as well.
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2019 - Wandering Vertexes...
by Francis Rousseau