ANTONIO SMITH (1832-1877)
Monte San Valentin (4,058 m - 13,314 ft)
Chile
In Paisaje cordillerano y laguna, oil on canvas, Pinacoteca Universidad de Concepción, Chile
Monte San Valentin (4,058 m - 13,314 ft) , also known as Monte San Clemente, is the highest mountain in Chilean Patagonia and the highest mountain south of 37°S outside Antarctica. It stands at the north end of the North Patagonian Icefield.
There is some confusion about the elevation. It was originally estimated at 3,876m by Nordenskjold in 1921 but later thought to be 4,058m. The latter is the most commonly quoted elevation and is quoted here. A French group that climbed the San Valentin in 1993 included two surveyors, who calculated an elevation of 4,080±20 m by using a GPS. In 2001 a Chilean group measured 4,070±40 m, also using GPS. SRTM and ASTER GDEM data also support an elevation in excess of 4,000 metres. However, Chilean IGM mapping gives only 3,910 metres. ChIGM maps are usually accurate and reliable,[citation needed] but the summit is uniformly white, which may have created problems for the cartographers.
Monte San Valentin can be climbed from Lago Leones, to the south east, or from Laguna San Rafael, to the west. The ascent is long and is particularly subject to bad weather. The accident and fatality rate is high.
The painter
Painter and caricaturist Chilean, Antonio Smith is considered the first satirico-politico artist of his country and one of the first truly contemporary painters, mainly cultivated the romantic landscape and exerted a considerable influence on later artists like Pedro Lira.
Son of an English father and Spanish mother, Antonio Smith studied at the National Institute of the Chilean capital, and then entered the Academy of fine arts, directed at that time by the Italian Alejandro Ciccarelli. During this time, the lessons taught in the Centre were subordinate to the rigid rules of pictorial academicism, inspired in turn by neoclassicism; This environment wasn't the young artist, who because of his disagreements with Ciccarelli, became the first student that would disappear from the Academy before the end of the studies. His eternal spirit of rebellion also led him to abandon the military career (1857), which had initiated in the cavalry squadron of grenadiers, to begin a life of dissident and 'Bohemian' artist, and frequent the most critical intellectual circles with the ruling classes of the country; then dedicated themselves to publishing cartoons in the pages of the literary mail that ridiculed to various public figures of the era, including, as not, the own Ciccarelli. The increasingly critical tone that was acquiring finally forced him to leave the country and go to Europe; This European stage, during which he/she worked in several Italian and French, painting workshops was crucial in defining its pictorial style and the definitive removal of academicism. In 1866 he/she returned to Chile, where he/she developed the rest of his career.
2019 - Wandering Vertexes...
by Francis Rousseau