HIROSHI YOSHIDA / 吉田 博 (1876-1950),
Rishiri-zan / 利尻山 (1,721 m - 5, 646 ft)
Japan (Hokkaido)
In Peaceful Rishiri, woodblock print, 1939
The mountain
Rishiri-zan / 利尻山 ( 1,721 m- 5, 646 ft) is a quaternary stratovolcano located off the coast of Hokkaidō, Japan in the Sea of Japan. The extinct volcano rises out of the sea forming Rishiri Island. Because its cone shape resembles Mount Fuji it is sometimes referred to as Rishiri Fuji. It is one of the 100 famous mountains in Japan.
Mount Rishiri is made up of alkali and non-alkali mafic volcanic rock dating from the Late Pleistocene, 130,000–18,000 years ago. Otherwise it is covered in quaternary volcanic rock debris.[2]
The ascent of Rishiri is not suitable for novice hikers, it is challenging in places. There is a campsite partway up the mountain from the dock, and an unmanned hut located a short distance below the summit. There is also a small shrine at the summit. On clear days the view extends to Hokkaidō, the adjacent island of Rebun, and as far as Sakhalin Island in Russia.
Mount Rishiri's opening festival is held annually on July 2 and July 3. This festival officially opens the climbing season.
The painter
Hiroshi Yoshida / 吉田 博(not to be confused with Toshi Yoshida) was born in 1876. He began his artistic training with his adoptive father in Kurume, Fukuoka prefecture. Around the age of twenty, he left Kurume to study with Soritsu Tamura in Kyoto, subsequently moving to Tokyo and the tutelage of Shotaro Koyama. Yoshida studied Western-style painting, winning many exhibition prizes and making several trips to the United States, Europe and North Africa selling his watercolors and oil paintings. In 1902, he played a leading role in the organization of the Meiji Fine Arts Society into the Pacific Painting Association. His work was featured in the exhibitions of the state-sponsored Bunten and Teiten. While highly successful as an oil painter and watercolor artist, Yoshida turned to printmaking upon learning of the Western world’s infatuation with ukiyo-e.
Following the Great Kanto Earthquake of 1923, Yoshida embarked on a tour of the United States and Europe, painting and selling his work. When he returned to Japan in 1925, he started his own workshop, specializing in landscapes inspired both by his native country and his travels abroad. Yoshida often worked through the entire process himself: designing the print, carving his own blocks, and printing his work. His career was temporarily interrupted by his sojourn as a war correspondent in Manchuria during the Pacific War. Although he designed his last print in 1946, Yoshida continued to paint with oils and watercolors up until his death in 1950.
Yoshida was widely traveled and knowledgeable of Western aesthetics, yet maintained an allegiance to traditional Japanese techniques and traditions. Attracted by the calmer moments of nature, his prints breathe coolness, invite meditation, and set a soft, peaceful mood. All of his lifetime prints are signed “Hiroshi Yoshida” in pencil and marked with a jizuri (self-printed) seal outside of the margin. Within the image, most prints are signed “Yoshida” with brush and ink beside a red “Hiroshi” seal.
2018 - Wandering Vertexes...
by Francis Rousseau