Sunday, July 22, 2018

KIYANJA / MOUNT BAKER BY VITTORIO SELLA





VITTORIO SELLA (1859-1943) 
Kiyanja or Mount Baker (4,844m- 15,892 ft) 
Uganda

1. In Mount Baker from the west,  1906,The Duke of the Abruzzi expedition 
2 In Mount Baker from Edward Peak,1906,The Duke of the Abruzzi expedition 
3. In Mount Baker, Lake on the west, 1906, The Duke of the Abruzzi expedition 



The mountain 
Kiyanja  or Mount Baker   (4,844m- 15,892 ft) is a mountain in the Rwenzori Mountains National Park in Uganda, 2.8 kilometres (1.7 mi) from the border with the Democratic Republic of the Congo. It is the sixth highest mountain in Africa. Together with Mount Stanley and Mount Speke, it forms a triangle enclosing the upper Bujuku Valley. The nearest peak is Mount Stanley, which is 2.26 kilometres (1.40 mi) to the west. The mountains lie within an area called "The Mountains of the Moon".
Like all peaks in the Ruwenzori Range, Mount Baker has multiple jagged peaks along a ridge. The highest is Edward Peak. The ridge line of Mount Baker was first reached in January 1906 by the Austrian mountaineer Rubert Grauer accompanied by two British missionaries, H. E. Maddox and H. W. Tegart. In February of that year and again in April, the same rocky point was reached by an English expedition, including Alexander F. R. Wollaston, A. B. Wosnam, and M. Carruthers. The highest point of Mount Baker was finally climbed in June by an expedition led by the Duke of the Abruzzi, with Vittorio Sella  which climbed all peaks of the other five highest mountains of the Rwenzori (photo above)
The Bakonjo name for the mountain seems to have been (and currently is) "Kiyanja". On his June 1891 expedition into the Ruwenzori, Franz Stuhlmann observed the peak and named it either "Semper" or "Ngemwimbi".  The Duke of the Abruzzi renamed the mountain after Samuel Baker, a 19th-century British explorer who in 1864 was the first European to sight and visit Lake Albert, just northeast of the Ruwenzori Mountains, and who had reported to glimpse "great mountainous masses away in the distance, to the south of Lake Albert."

The artist
Vittorio Sella is a mountain italian climber and photographer who took his passion for mountains from his uncle, Quintino Sella, founder of the Italian Alpine Club.  He accomplished many remarkable climbs in the Alps, the first wintering in the Matterhorn and Mount Rose (1882) and the first winter crossing of Mont Blanc (1888) and Les Rouies (1900).
He took part in various expeditions outside Italy:
- Three in the Caucasus in 1889, 1890 and 1896 where a summit still bears his name;
- The ascent of Mount Saint Elias in Alaska in 1897;
- Sikkim and Nepal in 1899;
- Possibly climb Mount Stanley in Uganda in 1906 during an expedition to the Rwenzori;
- Recognition at  K2   in 1909;
- In Morocco in 1925.
During expeditions in Alaska, Uganda and Karakoram, he accompanied the Duke of Abruzzi, Prince Luigi Amedeo di Savoia.
Sella continues the practice of climbing into his old age, completing his final attempt in the Matterhorn at the age of 76; a climb he had to interrupt the rise following an accident in which one of his guides injured. He died in his hometown during World War II.  His photographic collection is now managed by the Sella Foundation.
His photos mountain are still  considered today to be among the finest ever made.
Jim Curran believes that "Sella remains probably the greatest photographer of the mountain.  His name is synonymous with technical perfection and aesthetic refinement. "
The quality of the pictures of Vittorio Sella is partly explained by the use of a view camera 30 × 40 cm, despite the difficulty of the transportation of such a device, both heavy and fragile in places inaccessible; to be able to transport it safely, he had to make special pieces that can be stored in saddle bags.  His photographs have been widely distributed, either through the press or in the galleries, and were unanimously celebrated; Ansel Adams, who was able to admire thirty-one in an exhibition that was organized at Sella American Sierra Club, said they inspired him "a religious kind of sense of wonder."  Many of his pictures were taken in the mountains for the very first time in the History, which give them a much artistic, historical  but also scientific value ; for example, one could measure the decline in the Rwenzori glaciers in Central Africa.