NICHOLAS ROERICH (1874-1947)
Belukha mountain (4,506m - 14, 783 ft)
Russia - Kazakhstan border
In Victory Gorynych the Serpent ,1942, oil on canvas, Russian State Museum
About the painting
Zmei Gorynych (Змей Горыныч) is a legendary creature of Slavic mythology, the eternal enemy of the heavenly gods; is literally "the dragon of the mountain". Zmei is depicted as a serpent or a huge dragon spitting fire from its many heads (three, six, nine or twelve in different versions), which killed without reason and a symbol of disorder. It fulfills an important function in the Slavonic cosmogony. Legends say that he was defeated by Svarog during the creation of the world and used as a plow to draw the boundaries between the three spheres (Jav, Prav and Nav). Zmei was later relegated to Nav, the realm of the dead and the invisible. According to other sources, Zmei was a beneficent creature, protective of water and seeds.
In Serbia, Bosnia, Croatia, Slovenia and Montenegro, it is known as Zmaj (dragon), in Bulgaria as Zmej, in Rumania as Zmeu and in Poland the name of this god is Żmij (viper). The fight between Zmei and Svarog can be compared to the battle between Tiamat and Marduk in Babylonian mythology. This painting by Nicholas Roerich represents this fight settled with the Belukha mountain in the background, the highest peaks in the Altai Mountains.
The mountain
Belukha Mountain (4,506 m - 14,783 ft), Russian: Белуха, lit "whitey", located in the Katun Mountains, is the highest peak of the Altai Mountains in Russia. It is part of the World Heritage Site entitled Golden Mountains of Altai. Belukha is a three-peaked mountain massif that rises along the border of Russia and Kazakhstan, just a few tens of miles north of the point where this border meets with the border of China. There are several small glaciers on the mountain, including Belukha Glacier. Of the two peaks, the eastern peak (4,506 m - 14,784 ft.) is higher than the western peak (4,440 m - 14,567 ft.).
Belukha was first climbed in 1914 by the Tronov brothers. Most ascents of the eastern peak follow the same southern route as that taken in the first ascent. Though the Altai is lower in elevation than other Asian mountain groups, it is very remote, and much time and planning are required for its approach. A team of scientists, traveled to this remote glacier in the summer of 2001 to assess the feasibility of studying the glacier and extracting ice cores at the site. A Swiss-Russian team also worked on the glacier in 2001. Research was carried out from 2001 to 2003; glaciological observations were made, and both shallow cores and cores to bedrock were extracted and analyzed (Olivier and others, 2003; Fujita and others, 2004). Based on tritium analysis to date, the deeper cores may contain as much as 3–5,000 years of climatic and environmental records.
Since 2008, one is required to apply for a special border zone permit in order to be allowed into the area (if travelling independently without using an agency). Foreigners should apply for the permit to regional FSB border guard office two months before the planned date.
The painter
Nicholas Roerich known also as Nikolai Konstantinovich Rerikh (Никола́й Константи́нович Ре́рих) is quite an important figure of mountain paintings in the early 20th century. He was a Russian painter, writer, archaeologist, theosophist, perceived by some in Russia as an enlightener, philosopher, and public figure. In his youth was he was quite influenced by a movement in Russian society around the occult and was interested in hypnosis and other spiritual practices. His paintings are said to have hypnotic expression.
Born in Saint Petersburg, Russia, he lived in various places around the world until his death in Naggar, Himachal Pradesh, India. Trained as an artist and a lawyer, his main interests were literature, philosophy, archaeology, and especially art. After the February Revolution of 1917 and the end of the czarist regime, Roerich, a political moderate who valued Russia's cultural heritage more than ideology and party politics, had an active part in artistic politics. With Maxim Gorky and Aleksandr Benois, he participated with the so-called "Gorky Commission" and its successor organization, the Arts Union (SDI).
After the October Revolution and the acquisition of power of Lenin's Bolshevik Party, Roerich became increasingly discouraged about Russia's political future. During early 1918, he, Helena, and their two sons George and Sviatoslav emigrated to Finland. After some months in Finland and Scandinavia, the Roerichs relocated to London, arriving in mid-1919. Later, a successful exhibition resulted in an invitation from a director at the Art Institute of Chicago, offering to arrange for Roerich's art to tour the United States. During the autumn of 1920, the Roerichs traveled to America by sea. The Roerichs remained in the United States from October 1920 until May 1923.
After leaving New York, the Roerichs – together with their son George and six friends – began the five-year-long 'Roerich Asian Expedition' that, in Roerich's own words: "started from Sikkim through Punjab, Kashmir, Ladakh, the Karakoram Mountains, Khotan, Kashgar, Qara Shar, Urumchi, Irtysh, the Altai Mountains, the Oyrot region of Mongolia, the Central Gobi, Kansu, Tsaidam, and Tibet" with a detour through Siberia to Moscow in 1926.
In 1929 Nicholas Roerich was nominated for the Nobel Peace Prize by the University of Paris. He received two more nominations in 1932 and 1935. His concern for peace resulted in his creation of the Pax Cultura, the "Red Cross" of art and culture. His work for this cause also resulted in the United States and the twenty other nations of the Pan-American Union signing the Roerich Pact on April 15, 1935 at the White House. The Roerich Pact is an early international instrument protecting cultural property.
In 1934–1935, the U.S. Department of Agriculture (then headed by Roerich admirer Henry A. Wallace) sponsored an expedition by Roerich and USDA scientists H. G. MacMillan and James F. Stephens to Inner Mongolia, Manchuria, and China.
Roerich was in India during the Second World War, where he painted Russian epic heroic and saintly themes, including: Alexander Nevsky, The Fight of Mstislav...
In 1942, Roerich received Jawaharlal Nehru at his house in Kullu. Together they discussed the fate of the new world: "We spoke about Indian-Russian cultural association, it is time to think about useful and creative cooperation ...”.
Gandhi would later recall about several days spent together with Roerich's family: "That was a memorable visit to a surprising and gifted family where each member was a remarkable figure in himself, with a well-defined range of interests." ..."Roerich himself stays in my memory. He was a man with extensive knowledge and enormous experience, a man with a big heart, deeply influenced by all that he observed". During the visit, "ideas and thoughts about closer cooperation between India and USSR were expressed. Now, after India wins independence, they have got its own real implementation[clarification needed]. And as you know, there are friendly and mutually-understanding relationships today between both our countries".
In 1942, the American-Russian cultural Association (ARCA) was created in New York.
Its active participants were Ernest Hemingway, Rockwell Kent, Charlie Chaplin, Emil Cooper, Serge Koussevitzky, and Valeriy Ivanovich Tereshchenko. The Association's activity was welcomed by scientists like Robert Millikan and Arthur Compton.
Roerich died on December 13, 1947.
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2018 - Wandering Vertexes...
by Francis Rousseau