MOUNT TALLAC PAINTED BY THOMAS HILL

THOMAS HILL (1829-1908) 

Mount Tallac (2,968m - 9, 739ft) 

United States of America (California) 

In  Mount Tallac from Lake Tahoe, 1880, oil on canvas, San Fransisco De Young Museum

The mountain
Mount Tallac  (2,968m - 9, 739ft) is a mountain peak southwest of Lake Tahoe, in El Dorado County, California. The peak lies within the Desolation Wilderness in the Eldorado National Forest.
Mount Tallac is quite visible from State Routes 89 and 28, and U.S. Route 50.  It is probably the most recognizable of the Tahoe Area peaks. With its distinctive "cross" of snow rising directly above the southwest corner of Lake Tahoe, Mount Tallac commands attention. While neither the highest peak in the area nor the hardest to summit, Mount Tallac nonetheless serves up enough adventure to satisfy nearly everyone.  Compared to the giants of the southern Sierra Nevada, Mount Tallac is a mere child. Still, it stands over 3,500 feet above the surface of Lake Tahoe, and from the summit, one may take in panoramic views of that amazing lake, as well as the enchanting peaks of Desolation Wilderness area. .The views from the summit, as well as the mountain's proximity to highway 89 and its wide selection of terrain types, make Mount Tallac one of the top hiking and backcountry skiing destinations in California.
Geologically, Mount Tallac is situated roughly on the boundary between the granites of the Sierra Nevada batholith, and the earlier metamorphosed sedimentary rocks. The southern and eastern slopes, especially Cathedral Peak, are crumbly, clinky "metaseds", while the other parts of the mountain are a bit more solid, but not Sierran granite, quite like Mount Ritter.
Source:
- Summit post

The painter
Thomas Hill was an American artist of the 19th century. He produced many fine paintings of the California landscape, in particular of the Yosemite Valley, as well as the White Mountains of New Hampshire. Hill’s work was often driven by a vision resulting from his experiences with nature. For Thomas Hill, Yosemite Valley and the White Mountains of New Hampshire were his sources of inspiration to begin painting and captured his direct response to nature.
Hill was loosely associated with the Hudson River School of painters. The Hudson River School celebrated nature with a sense of awe for its natural resources, which brought them a feeling of enthusiasm when thinking of the potential it held. Mainly the earlier members of the Hudson River School, around the 1850-60’s, displayed man as in unison with nature in their landscape paintings by often painting men on a very small scale compared to the vast landscape. Thomas Hill often brought this technique into his own paintings in for example in his painting, Yosemite Valley, 1889.
He made early trips to the White Mountains with his friend Benjamin Champney and painted White Mountain subjects throughout his career. An example of his White Mountain subjects is Mount Lafayette in his Mount Lafayette in Winter.
Hill acquired the technique of painting en plein air. These paintings in the field later served as the basis for larger finished works.
In plein air means to “paint outdoors and directly from the landscape”,[ which Hill incorporated into many of his paintings. Hill’s landscape paintings demonstrate how he combined his powers of observation with powerful motifs in each painting.
Hill’s move to California in 1861 brought him new material for his paintings. He chose monumental vistas, like Yosemite. During his lifetime, Hill’s paintings were popular in California, costing as much as $10,000.  Hill's best works are considered to be these monumental subjects, including Great Canyon of the Sierra, Yosemite, Vernal Falls and Yosemite Valley.
Source: 
- Sullivan Goss An American Gallery