FERNANDO AMORSOLO (1882-1972)
Mount Pinatubo or Bundok Pinatubo
(1,745 m - 5,725 ft before 1991 eruption) (1, 486 m - 4,875 ft current)
Philippines
(1,745 m - 5,725 ft before 1991 eruption) (1, 486 m - 4,875 ft current)
Philippines
Painted before the 1938 eruption
The mountain
Mount Pinatubo (1,745 m - 5,725 ft before 1991 eruption reduced to 1, 486m- 4,875ft nowadays) also called Bundok Pinatubo or Bulkang Pinatubo in Philippino is an active stratovolcano in the Cabusilan Mountains on the island of Luzon, near the tripoint of the Philippine provinces of Zambales, Tarlac and Pampanga. Its eruptive history was unknown to most before the volcanic activities of 1991. Pinatubo was heavily eroded, inconspicuous, and obscured from view. It was covered with dense forest which supported a population of several thousand indigenous Aetas people.
The volcano's Plinian / Ultra-Plinian eruption on June 15, 1991 produced the second largest terrestrial eruption of the 20th century after the 1912 eruption of Novarupta in the Alaska Peninsula. Complicating the eruption was the arrival of Typhoon Yunya (Diding), bringing a lethal mix of ash and rain to areas surrounding the volcano. Predictions at the onset of the climactic eruption led to the evacuation of tens of thousands of people from the surrounding areas, saving many lives. Surrounding areas were severely damaged by pyroclastic flows, ash deposits, and, subsequently, by the lahars caused by rainwaters re-mobilizing earlier volcanic deposits. This caused extensive destruction to infrastructure and changed river systems for years after the eruption.
The effects of the eruption were felt worldwide. It injected more particulate into the stratosphere than any eruption since Krakatoa in 1883. Over the following months, the aerosols formed a global layer of sulfuric acid haze. Global temperatures dropped by about 0.5 °C (0.9 °F) in the years 1991-93, and ozone depletion temporarily increased substantially.
The volcano's Plinian / Ultra-Plinian eruption on June 15, 1991 produced the second largest terrestrial eruption of the 20th century after the 1912 eruption of Novarupta in the Alaska Peninsula. Complicating the eruption was the arrival of Typhoon Yunya (Diding), bringing a lethal mix of ash and rain to areas surrounding the volcano. Predictions at the onset of the climactic eruption led to the evacuation of tens of thousands of people from the surrounding areas, saving many lives. Surrounding areas were severely damaged by pyroclastic flows, ash deposits, and, subsequently, by the lahars caused by rainwaters re-mobilizing earlier volcanic deposits. This caused extensive destruction to infrastructure and changed river systems for years after the eruption.
The effects of the eruption were felt worldwide. It injected more particulate into the stratosphere than any eruption since Krakatoa in 1883. Over the following months, the aerosols formed a global layer of sulfuric acid haze. Global temperatures dropped by about 0.5 °C (0.9 °F) in the years 1991-93, and ozone depletion temporarily increased substantially.
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The painter
Fernando Cueto Amorsolo was one of the most important artists in the history of painting in the Philippines.Amorsolo was a portraitist and painter of rural Philippine landscapes. He is popularly known for his craftsmanship and mastery in the use of light. After graduating from the Univeajor influences on his work. Amorsolo set up his own studio upon his return to Manila and painted prodigiously during the 1920s and the 1930s. His Rice Planting (1922), which appeared on posters and tourist brochures, became one of the most popular images of the Commonwealth of the Philippines. Beginning in the 1930s, Amorsolo's work was exhibited widely both in the Philippines and abroad. His bright,optimistic, pastoral images set the tone for Philippine painting before World War II . Except for his darker World War II-era paintings, Amorsolo painted quiet and peaceful scenes throughout his career.
Amorsolo was sought after by influential Filipinos including Luis Araneta, Antonio Araneta and Jorge B. Vargas. Amorsolo also became the favourite Philippine artist of United States officials and visitors to the country. Due to his popularity, Amorsolo had to resort to photographing his works and pasted and mounted them in an album. Prospective patrons could then choose from this catalog of his works. Amorsolo did not create exact replicas of his trademark themes; he recreated the paintings by varying some elements.
His works later appeared on the cover and pages of children textbooks, in novels, in commercial designs, in cartoons and illustrations for the Philippine publications such The Independent, Philippine Magazine, Telembang, El Renacimiento Filipino, and Excelsior. He was the director of the University of the Philippine's College of Fine Arts from 1938 to 1952.
During the 1950s until his death in 1972, Amorsolo averaged to finishing 10 paintings a month. However, during his later years, diabetes, cataracts, arthritis, headaches, dizziness and the death of two sons affected the execution of his works. Amorsolo underwent a cataract operation when he was 70 years old, a surgery that did not impede him from drawing and painting.
After being confined at the St. Luke's Hospital in Quezon City for two months, Amorsolo died at the age of 79 on April 24, 1972. The volume of paintings, sketches and studies of Amorsolo is believed to have reached more than 10,000 pieces. Amorsolo was an important influence on contemporary Filipino art and artists, even beyond the so-called "Amorsolo school." Amorsolo's influence can be seen in many landscape paintings by Filipino artists, including early landscape paintings by abstract painter Federico Aguilar Alcuaz.
In 2003, Amorsolo's children founded the Fernando C. Amorsolo Art Foundation, which is dedicated to preserving Fernando Amorsolo's legacy, promoting his style and vision, and preserving a national heritage through the conservation and promotion of his works.
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