Friday, September 9, 2016

KILAUEA PAINTED BY JULES TAVERNIER





JULES TAVERNIER (1844-1889)
  Kilauea  (1,247 m - 4,091 ft) 
 United states of America  (Hawaii)

1. Kilauea Caldera,  San Diego Museum of Art
2. Kilauea Volcano at Night (1885-86), Honolulu Museum of Art
3. Kilauea at night (1880) Honolulu Museum of Art
The mountain 
Kīlauea (1,247 m-4,091 ft) is a currently active shield volcano in the Hawaiian Islands, and the most active of the five volcanoes that together form the island of Hawaiʻi. Located along the southern shore of the island, the volcano is between 300,000 and 600,000 years old and emerged above sea level about 100,000 years ago. It is the second youngest product of the Hawaiian hotspot and the current eruptive center of the Hawaiian–Emperor seamount chain. Because it lacks topographic prominence and its activities historically coincided with those of Mauna Loa, Kīlauea was once thought to be a satellite of its much larger neighbor. Structurally, Kīlauea has a large, fairly recently formed caldera at its summit and two active rift zones, one extending 125 km (78 mi) east and the other 35 km (22 mi) west, as an active fault of unknown depth moving vertically an average of 2 to 20 mm (0.1 to 0.8 in) per year.
Kīlauea's eruptive history has been a long and active one; its name means "spewing" or "much spreading" in the Hawaiian language, referring to its frequent outpouring of lava. The earliest lavas from the volcano date back to its submarine preshield stage, samples having been recovered by remotely operated underwater vehicles from its submerged slopes; samples of other flows have been recovered as core samples. Lavas younger than 1,000 years cover 90 percent of the volcano's surface. The oldest exposed lavas date back 2,800 years. The first well-documented eruption of Kīlauea occurred in 1823 (Western contact and written history began in 1778), and since that time the volcano has erupted repeatedly. Most historical eruptions have occurred at the volcano's summit or its eastern rift zone, and are prolonged and effusive in character. The geological record shows, however, that violent explosive activity predating European contact was extremely common, and in 1790 one such eruption killed over 80 warriors; should explosive activity start anew the volcano would become much more of a danger to humans. Kīlauea's current eruption dates back to January 3, 1983, and is by far its longest-duration historical period of activity, as well as one of the longest-duration eruptions in the world; as of January 2011, the eruption has produced 3.5 km3 (1 cu mi) of lava and resurfaced 123.2 km2 (48 sq mi) of land.
Kīlauea's high state of activity has a major impact on its mountainside ecology where plant growth is often interrupted by fresh tephra and drifting volcanic sulfur dioxide, producing acid rains particularly in a barren area south of its southwestern rift zone known as the Kaʻū Desert. Nonetheless, wildlife flourishes where left undisturbed elsewhere on the volcano and is highly endemic thanks to Kīlauea's (and the island of Hawaiʻi's) isolation from the nearest landmass. Historically, the five volcanoes on the island were considered sacred by the Hawaiian people, and in Hawaiian mythology Kīlauea's Halemaumau Crater served as the body and home of Pele, goddess of fire, lightning, wind, and volcanoes. William Ellis, a missionary from England, gave the first modern account of Kīlauea and spent two weeks traveling along the volcano; since its foundation by Thomas Jaggar in 1912, the Hawaiian Volcano Observatory, located on the rim of Kilauea caldera, has served as the principal investigative and scientific body on the volcano and the island in general. In 1916 a bill forming the Hawaii Volcanoes National Park was signed into law by President Woodrow Wilson; since then the park has become a World Heritage Site and a major tourist destination, attracting roughly 2.6 million people annually.

The painter 
Jules Tavernier was a French painter, illustrator, and an important member of Hawaii’s Volcano School.  He studied with the French painter, Félix Joseph Barrias (1822–1907). he left France in the 1870s and never  return. Tavernier was employed as an illustrator by Harper's Magazine, which sent him, along with Paul Frenzeny, on a year-long coast-to-coast sketching tour in 1873.
 Eventually, he continued westward to Hawaii, where he became quite famous as a landscape painter. He was fascinated by Hawaii’s erupting volcanoes—a subject that pre-occupied him for the rest of his life, which was spent in Hawaii, Canada and the western United States. Tavernier died on 18 May 1889 in Honolulu, Hawaii. He painted several version of the Kilauea erupting between 1880 and the end of his life.
Among the public collections holding paintings by Jules Tavernier are the Brigham Young University Museum of Art (Provo, UT), the Colorado Springs Fine Arts Center (Colorado Springs, CO), the Crocker Art Museum (Sacramento), the Gilcrease Museum (Tulsa, OK), Hearst Art Gallery (Saint Mary's College of California, Moraga, CA), the Honolulu Museum of Art, the Museum of Nebraska Art (Kearney, NE), the Oakland Museum of California, the San Diego Museum of Art, the Stark Museum of Art (Orange, TX), the Society of California Pioneers (San Francisco, CA), the Washington County Museum of Fine Arts (Hagerstown, MD) and the Yosemite Museum (Yosemite National Park).
After his death his art lived on in the hearts and homes of Hawaiians, and many more artists picked up on the volcano landscape theme he started. His Western art was mostly forgotten.
Fifty years after his death the Honolulu Advertiser remembered Jules Tavernier in December 1940 with the comment: “...to the generation which knew King Kalakaua, Tavernier recalls to mind some of the greatest paintings ever made of Hawaii volcanoes.”
At the beginning of the twenty-first century interest has reawakened in Tavernier's Western landscape art; museums are purchasing his pictures and prices for his oil paintings are increasing.
His students included D. Howard Hitchcock (1861–1943), Amédée Joullin (1862–1917), Charles Rollo Peters (1862–1917) and Manuel Valencia (1856–1935).