google.com, pub-0288379932320714, DIRECT, f08c47fec0942fa0 GRAVIR LES MONTAGNES... EN PEINTURE: RUDOLF HELMUT SAUTER (1895-1977)
Showing posts with label RUDOLF HELMUT SAUTER (1895-1977). Show all posts
Showing posts with label RUDOLF HELMUT SAUTER (1895-1977). Show all posts

Sunday, June 17, 2018

DRAKENSBERG MOUNTAINS PAINTED BY RUDOLF SAUTER


RUDOLF HELMUT SAUTER (1895-1977)
Thabana Ntlenyana (3, 482m - 11, 424ft) 
South Africa, Lesotho 


  In Drakensberg mountains - South Africa 1926, oil on canvas, John Mitchell Gallery London 

The mountain 
Thabana Ntlenyana  (3,482m - 11, 424ft)  which literally means "Beautiful little mountain" in Sesotho, is the highest point in Lesotho and the highest mountain in southern Africa. It is situated on the Mohlesi ridge of the Drakensberg/Maloti Mountains, north of Sani Pass.  The peak is usually climbed by groups completing a Grand Traverse of the Drakensberg - even though the peak is technically in the Maloti Mountains.
The Maloti Mountains, also spelled Maluti are a mountain range of the highlands of the Kingdom of Lesotho. They extend for about 100 km into the Free State. The Maloti Range is part of the Drakensberg system that includes ranges across large areas of South Africa. “Maloti” is also the plural for Loti, the currency of the Kingdom of Lesotho. The range forms the northern portion of the boundary between the Butha-Buthe District in Lesotho and South Africa’s Orange Free State.
The Drakensberg  is the name given to the eastern portion of the Great Escarpment, which encloses the central Southern African plateau.

The painter 
Rudolf Helmut Sauter was the son of the German-born artist Georg Sauter (1866-1937), who had settled in London in 1894 and established a career as a portrait painter and landscapist. Educated at Harrow, the young Sauter studied art in London and Munich, and exhibited his work at the Royal Academy, the Royal West of England Academy and the Paris Salon.
During the First World War, Sauter was interned at Alexandra Palace in London and in Frimley in Surrey, where he produced a number of drawings illustrating life in the camp. His letters describing the conditions in the camp, written to his wife in 1918 and 1919, are today in the collection of the Imperial War Museum in London.
 Sauter was the nephew and heir of the writer John Galsworthy, and illustrated an edition of his complete works, as well as painting portraits of the writer and his wife. He exhibited at the Royal Institute of Painters in Watercolours and the Royal Society of British Artists, and also produced a number of lithographs of landscape subjects. Sauter developed a particular skill as a pastellist, and showed his work at the Pastel Society.

Sauter travelled extensively, and over his career exhibited landscapes and views of England, South Africa, Italy (particularly Venice and Sicily), Morocco and the westerns states of America, notably views of the Grand Canyon. Apart from showing at the Salons in Paris, he also had one-man exhibitions in New York (at the C. W. Kraushaar Galleries in 1928) and South Africa. His work was exhibited with less frequency after John Galsworthy’s death in 1933, perhaps partly due to the fact that, as the novelist’s heir, he was better able to support himself financially. Much of his work was destroyed in a fire in the 1980’s, shortly after his death, which means that relatively few works by him survive today.