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Showing posts with label Mount Massive. Show all posts
Showing posts with label Mount Massive. Show all posts

Thursday, January 24, 2019

MOUNT MASSIVE BY WILLIAM HENRY JACKSON


WILLIAM HENRY JACKSON (1843-1942)
Mount Massive  (4,398 m - 14, 428 ft)
United States of America 

In  Mount Massive From Iron Hill, 1870, collodion  photography, Fogg Museum 

The mountain 
Mount Massive (4,398 m - 14, 428 ft) is the second-highest summit of the Rocky Mountains of North America and the U.S. state of Colorado. This prominent fourteener of the Sawatch Range is located in the Mount Massive Wilderness of San Isabel National Forest, 10.6 miles (17.1 km) west-southwest (bearing 247°) of the City of Leadville in Lake County, Colorado, United States.
Mount Massive edges out the third-highest summit of the Rockies, Mount Harvard, by 7 feet (2.1 m), but falls short of Mount Elbert by 12 feet (3.7 m). It ranks as the third-highest peak in the contiguous United States after Mount Whitney and Mount Elbert.
Mount Massive was first surveyed and climbed in 1873 during the Hayden Survey of the American West. Survey member Henry Gannett is credited with the first ascent. Its name comes from its elongated shape: it has five summits, all above 14,000 ft (4,300 m), and a summit ridge over 3 mi (4.8 km) long, resulting in more area above 14,000 ft (4,300 m) than any other mountain in the 48 contiguous states, narrowly edging Mount Rainier in that category. Mount Elbert (14,440 ft (4,400 m)) is Mount Massive's nearest neighbor among the fourteeners; it lies about 5 mi (8.0 km) south-southeast of the peaks.
There are several glacial lakes in the wilderness area. The lower slopes of the mountain are covered in lodgepole pine forests, which gradually yield to Engelmann Spruce and Fir. Treeline is just below 12,000 feet. Among the mountain's fauna are the American pika, the mountain goat, elk, mule deer, moose, gray jay, martin, and the yellow-bellied marmot.

The artist
William Henry Jackson  was an American painter, Civil War veteran, geological survey photographer and an explorer famous for his images of the American West. He was a great-great nephew of Samuel Wilson, the progenitor of America's national symbol Uncle Sam.
In 1869 Jackson won a commission from the Union Pacific to document the scenery along the various railroad routes for promotional purposes. When his work was discovered by Ferdinand Hayden, who was organizing a geologic survey to explore the Yellowstone River region, he was asked to join the expedition.
The following year, he got a last-minute invitation to join the 1870 U.S. government survey (predecessor of U.S. Geological Survey) of the Yellowstone River and Rocky Mountains led by Ferdinand Hayden. He also was a member of the Hayden Geological Survey of 1871[6] which led to the creation of Yellowstone National Park. Painter Thomas Moran was also part of the expedition, and the two artists worked closely together to document the Yellowstone region. Hayden's surveys (usually accompanied by a small detachment of the U.S. Cavalry) were annual multidisciplinary expeditions meant to chart the largely unexplored west, observe flora (plants), fauna (animals), and geological conditions (geology), and identify likely navigational routes, so as official photographer for the survey, Jackson was in a position to capture the first photographs of legendary landmarks of the West. These photographs played an important role in convincing Congress in 1872 to establish Yellowstone National Park, the first national park of the U.S. His involvement with Hayden's survey established his reputation as one of the most accomplished explorers of the American continent. Among Hayden's party were Jackson, Moran, geologist George Allen, mineralogist Albert Peale, topographical artist Henry Elliot, botanists, and other scientists who collected numerous wildlife specimens and other natural data.
Jackson worked in multiple camera and plate sizes, under conditions that were often incredibly difficult.  His photography was based on the collodion process invented in 1848 and published in 1851 by Frederick Scott Archer.  Jackson produced more than 900 photographs for the commission, which are now part of a collection on display at the Library of congress.

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2019 - Wandering Vertexes...
by Francis Rousseau