google.com, pub-0288379932320714, DIRECT, f08c47fec0942fa0 GRAVIR LES MONTAGNES... EN PEINTURE: LILLA CABOT PERRY (1848 - 1933)
Showing posts with label LILLA CABOT PERRY (1848 - 1933). Show all posts
Showing posts with label LILLA CABOT PERRY (1848 - 1933). Show all posts

Wednesday, June 5, 2019

FUJIYAMA PAINTED BY LILLA CABOT PERRY



LILLA CABOT PERRY (1848 - 1933)  Fujiyama / 富士山 (3, 776 m -12,389 ft) Japan  In Fuji from the Canal Iwabuchi, oil on canvas, private collection


LILLA CABOT PERRY (1848 - 1933) 
Fujiyama / 富士山 (3, 776 m -12,389 ft)
Japan

In Fuji from the Canal Iwabuchi, oil on canvas, private collection  


About the painting 
For Lilla Cabot Perry, Mount Fuji became the subject of 35 or more paintings and she made a total of more than 80 paintings while in Japan.

The painter
Lilla Cabot Perry was an American artist who worked in the American Impressionist style, rendering portraits and landscapes in the free form manner of her mentor, Claude Monet. Perry was an early advocate of the French Impressionist style and contributed to its reception in the United States. Perry's early work was shaped by her exposure to the Boston School of artists and her travels in Europe and Japan. She was also greatly influenced by Ralph Waldo Emerson's philosophies and her friendship with Camille Pissarro. Although it was not until the age of thirty-six that Perry received formal training, her work with artists of the Impressionist, Realist, Symbolist, and German Social Realist movements greatly affected the style of her oeuvre.
A new inspiration entered her life in 1897 when her husband received a teaching position in Japan as an English professor at the Keiogijku University. Lilla Perry met Okakura Kakuzō, one of the Imperial Art School co-founders. For three years Perry resided in Japan and took full advantage of its unique artistic community. In October 1898 Perry exhibited her work in Tokyo, with the assistance of Kakuzo, and became an honorary member of the Nippon Bijutsu-In Art Association. Perry's involvement with the Asian art world greatly influenced her work and made it possible for her to develop a unique style that brought together western and eastern aesthetic traditions. Her Meditation, Child in a Kimono and Young Girl with an Orange vibrantly illustrates the distinct changes that occurred in Perry's work during her stay in Japan. Unlike her earlier works, both compositions draw on uniquely eastern subject matter and show a strong influence of the clean lines from Japanese prints. The result of this blending of east and west is striking with Impressionist portraits flowing seamlessly with the well-organized, balanced compositions that the eastern art world was known for at this time.
Hirschl and Adler Galleries held a retrospective of her work in 1969 and the Boston Athenæum exhibited her works in March 1982. Her blending of eastern and western aesthetics and her sensitive visions of the feminine and natural worlds offered significant stylistic contributions to both the American and French Impressionist schools.
Her vocal advocacy for the Impressionist movement helped to make it possible for other American Impressionists like Mary Cassatt to gain the exposure and acceptance they needed in the states. She furthered the American careers of her close friends Claude Monet and John Breck by lecturing stateside on their talents and showcasing their works. She also worked closely with Camille Pissarro to assist him in his dire financial situation by selling his work to friends and family in America.

The mountain   (reminder) 
Mount Fuji or Fujiyama (富士山) is located on Honshu Island and is the highest mountain peak in Japan at 3,776.24 m (12,389 ft). Several names are attributed to it: "Fuji-san", "Fujiyama" or, redundantly, "Mt. Fujiyama". Usually Japanese speakers refer to the mountain as "Fuji-san". The other Japanese names for Mount Fuji, have become obsolete or poetic like: Fuji-no-Yama (ふじの山 - The Mountain of Fuji), Fuji-no-Takane (ふじの高嶺- The High Peak of Fuji), Fuyō-hō (芙蓉峰 - The Lotus Peak), and Fugaku (富岳/富嶽), created by combining the first character of 富士, Fuji, and 岳, mountain.
Mount Fuji is an active stratovolcano that last erupted in 1707–08. Mount Fuji lies about 100 kilometres (60 mi) south-west of Tokyo, and can be seen from there on a clear day.
Mount Fuji's exceptionally symmetrical cone, which is snow-capped several months a year, is a well-known symbol of Japan and it is frequently depicted in art and photographs, as well as visited by sightseers and climbers.
Mount Fuji is one of Japan's Three Holy Mountains (三霊山) along with Mount Tate and Mount Haku. It is also a Special Place of Scenic Beauty and one of Japan's Historic Sites.
It was added to the World Heritage List as a Cultural Site on June 22, 2013. As per UNESCO, Mount Fuji has “inspired artists and poets and been the object of pilgrimage for centuries”. UNESCO recognizes 25 sites of cultural interest within the Mt. Fuji locality. These 25 locations include the mountain itself, Fujisan Hongū Sengen Shrine and six other Sengen shrines, two lodging houses, Lake Yamanaka, Lake Kawaguchi, the eight Oshino Hakkai hot springs, two lava tree molds, the remains of the Fuji-kō cult in the Hitoana cave, Shiraito Falls, and Miho no Matsubara pine tree grove; while on the low alps of Mount Fuji lies the Taisekiji temple complex, where the central base headquarters of Nichiren Shoshu Buddhism is located....

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2019 - Wandering Vertexes...
by Francis Rousseau