google.com, pub-0288379932320714, DIRECT, f08c47fec0942fa0 GRAVIR LES MONTAGNES... EN PEINTURE: DANNY EASTWOOD (bn. 1943)
Showing posts with label DANNY EASTWOOD (bn. 1943). Show all posts
Showing posts with label DANNY EASTWOOD (bn. 1943). Show all posts

Sunday, June 10, 2018

ULURU / AYERS ROCK BY DANNY EASTWOOD


DANNY EASTWOOD (bn. 1943) 
Uluru /Ayers Rock  (863m -2,831 ft)
 Australia  (Northern Territory)

The mountain 
Uluru (863m -2,831 ft) also known as Ayers Rock (in honour of the then Chief Secretary of South AustraliaSir Henry Ayers) is a large sandstone rock formation in the southern part of the Northern Territory in central Australia.   Officially  the rock is gazetted as "Uluru / Ayers Rock". 
It lies 335 km (208 mi) south west of the nearest large town, Alice Springs, 450 km (280 mi) by road.
Kata Tjuta and Uluru are the two major features of the Uluṟu-Kata Tjuṯa National Park. Uluru is sacred to the Pitjantjatjara Anangu, the Aboriginal people of the area. The area around the formation is home to an abundance of springs, waterholes, rock caves, and ancient paintings.  Both Uluru and the nearby Kata Tjuta formation have great cultural significance for the Aṉangu people, the traditional inhabitants of the area, who lead walking tours to inform visitors about the local flora and fauna, bush food and the Aboriginal dreamtime stories of the area.
Uluru is notable for appearing to change colour at different times of the day and year, most notably when it glows red at dawn and sunset.
Uluru is listed as a UNESCO World Heritage Site.
Uluru is an inselberg, literally "island mountain"An inselberg is a prominent isolated residual knob or hill that rises abruptly from and is surrounded by extensive and relatively flat erosion lowlands in a hot, dry region.  Uluru is also often referred to as a monolith, although this is a somewhat ambiguous term that is generally avoided by geologists. The remarkable feature of Uluru is its homogeneity and lack of jointing and parting at bedding surfaces, leading to the lack of development of scree slopes and soil. These characteristics led to its survival, while the surrounding rocks were eroded. For the purpose of mapping and describing the geological history of the area, geologists refer to the rock strata making up Uluru as the Mutitjulu Arkose, and it is one of many sedimentary formations filling the Amadeus Basin.
According to the Aṉangu, traditional landowners of Uluru: 
The world was once a featureless place. None of the places we know existed until creator beings, in the forms of people, plants and animals, traveled widely across the land. Then, in a process of creation and destruction, they formed the landscape as we know it today. Aṉangu land is still inhabited by the spirits of dozens of these ancestral creator beings which are referred to as Tjukuritja or Waparitja.
There are a number of differing accounts given, by outsiders, of Aboriginal ancestral stories for the origins of Uluru and its many cracks and fissures. One such account, taken from Robert Layton's (1989) Uluru: An Aboriginal history of Ayers Rock, reads as follows:
Uluru was built up during the creation period by two boys who played in the mud after rain. When they had finished their game they travelled south to Wiputa ... Fighting together, the two boys made their way to the table topped Mount Conner, on top of which their bodies are preserved as boulders. 
Two other accounts are given in Norbert Brockman's (1997) Encyclopedia of Sacred Places.
The first tells of serpent beings who waged many wars around Uluru, scarring the rock. The second tells of two tribes of ancestral spirits who were invited to a feast, but were distracted by the beautiful Sleepy Lizard Women and did not show up. In response, the angry hosts sang evil into a mud sculpture that came to life as the dingo. There followed a great battle, which ended in the deaths of the leaders of both tribes. The earth itself rose up in grief at the bloodshed, becoming Uluru.
The Commonwealth Department of Environment's webpage advises:
Many...Tjukurpa such as Kalaya (Emu), Liru (poisonous snake), Lungkata (blue tongue lizard), Luunpa (kingfisher) and Tjintir-tjintirpa (willie wagtail) travel through Uluṟu-Kata Tjuṯa National Park. Other Tjukurpa affect only one specific area.
Kuniya, the woma python, lived in the rocks at Uluru where she fought the Liru, the poisonous snake.
It is sometimes reported that those who take rocks from the formation will be cursed and suffer misfortune. There have been many instances where people who removed such rocks attempted to mail them back to various agencies in an attempt to remove the perceived curse.

The artist 
Danny Eastwood is a descendant of the Ngemba Tribe of Western NSW on his mothers side. Danny was born in Sydney and lived in the Eora Tribal area until he was thirteen. He now lives in the Dahrug Tribal area of Western Sydney.  Danny was NSW Aboriginal Artist of the year in 1992 & in 1993 won the National Aboriginal Artist of the year award. He has been commissioned by local councils in Sydney to create murals which can be seen in Southern Sydney and Parramatta. 
A cartoonist for the Koori male, Danny also teaches visual art in schools and prisons throughout N.S.W  Danny's totem is the Galah bird 'Gillawarna'. 
Danny's art can be found in major collections such as the Australian Maritime Museum, Sydney and Heritage Centre in Parramatta. 
Danny won the Parliament of New South Wales Indigenous Art Prize 2008 with his entry 'My Reconciliation', a pen, ink and watercolour work on paper, depicting a scene from the back lane he grew up in as a small boy in inner Sydney. There were many families of all colours that mixed together as friends and neighbours.