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Showing posts with label Clark Peak. Show all posts
Showing posts with label Clark Peak. Show all posts

Friday, July 27, 2018

CLARK PEAK BY GLACIERS CHARLES PARTRIDGE ADAMS


CHARLES PARTRIDGE ADAMS (1858 -1942) 
Clark Peak  (3,950m - 12,960 ft) 
United States of America (Colorado) 


In Rawah Peaks, Sequoia Park, oil on canvas,
The mountain 
 Clark Peak is the highest summit of the Medicine Bow Mountains range of the Rocky Mountains of North America. The prominent  peak is located in the Rawah Wilderness of Routt National Forest, 6.3 miles (10.1 km) north-northwest (bearing 342°) of Cameron Pass, Colorado, United States, on the drainage divide between Jackson and Larimer counties. Clark Peak is the highest point of Jackson County and the entire drainage basin of the North Platte River.

The painter 
Charles Partridge Adams was a largely self-taught American landscape artist who painted primarily in Colorado, and secondarily in California. Some paintings were also made in other Rocky Mountain states, the Pacific Northwest and Canada, and a few in Louisiana, the East Coast and Europe.
Adams is widely considered to have been Colorado’s finest landscape artist. He is best known for his stunning views of snowy mountain peaks in early morning or sunset light, or wreathed in storm clouds, and for his luminous sunset and twilight paintings of the river bottoms near Denver. His works show an intensely personal and poetic response to the Colorado mountains and plains, with unusual sensitivity to the changing effects of light, atmosphere and season.
Adams early work in the 1880s was largely representational and somewhat prosaic, with only hints of the more impressionist works to follow. His style began to coalesce in the early 1890s with some excellent luminous sunsets, some of which were in a Barbizon style, but overall his output was still uneven. In the later 1890s his painting became much more consistent, impressionist, and colorful, and this style prevailed through about 1915. After that his style became progressively “looser,” with larger brush strokes, brighter colors, more impasto, and much less attention to foreground and detail. Some paintings left at his death show only traces of his previous skill.
Adams experimented freely with different palettes and lighting, and some of these were much more successful than others. He must have created several hundred paintings of Longs and Meeker Peaks from his studio in Estes Park, Colorado, yet no two are alike, and some are strikingly different.
Some of his earlier paintings include animals or human figures, but he was not very successful at rendering these, and later paintings do not include them.
Roughly half of Adams paintings are oils and half are watercolors, which he began painting in the early 1890s. Although some of his watercolors are masterfully detailed and very carefully done, others are much less detailed, and must have been done very quickly for the tourist trade. As one watercolorist remarked about one of these, “That one must have taken him all of 15 minutes.” Over 950 paintings have been documented. His total output is unknown, but it is estimated to have been 3,000 or more.